Thriller, Suspense, and Mystery Book Editors
Theodora BryantAh, so the game’s afoot! The puzzle must be solved. The riddle must be answered. Let’s face it: Real life is a muddle. We don’t know how it ends. We often don’t get answers to questions we ask. We lose things and we never find them again. Not so in the mystery/thriller genre in any of the many subgenres: cozies, amateur sleuth, PI, psychological, police procedural, etc., readers get the answers. We know the who, what, when, where, and most important: the why. It’s just very satisfying.
And while immersed in the story, readers often get to go along on some wild rides and adventures in exotic locales or dangerous territory or into creepy old houses, or hang from cliff edges.
A “mystery” is the basis of almost all genre novels, but when readers clearly choose them, not one element of the who, what, when, where, and why can be missing or your novel will not reach its full potential. Theodora has years of experience in making sure it has all the elements necessary to do that.
As editorial director of her own publishing house from 1992-2000, Theodora published almost 100 titles, garnering several awards in “Best Of” categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has been an editor with Book Editing Associates network since 2001. During that time her authors have garnered “Book of the Year” in science fiction, “Finalist” and “Winner” awards in romance works, and “Winner” in mystery. Her authors often receive outstanding reviews from Kirkus and Publisher’s Weekly.
She’s reviewed, evaluated, and edited thousands of manuscripts through the years; her work has received the highest marks from her authors for the amount of extra effort she puts into helping them achieve the best results with crafting and perfecting their novels. Combining that with her many years studying the world Amazon created for authors, how to make sure her authors know how to get on the “Top 100 Paid on Kindle,” and her knowledge of how agents and editors work in the traditional market, makes her one of the best “edges” you can have for success
Adam Hall (California), WRONG AND WRIGHT, crime/action/adventure.
Theodora read my manuscript, pointed out problem areas, informed me of why they were a problem, and offered solutions. Once that was done, she went over the story with a fine-tooth comb, pointing out all the little details that didn’t make sense or needed clarification. The manuscript improved dramatically because of it. My only goal with my first novel was to make a simple, straightforward, readable story. With Theodora’s help, I feel that I achieved that and more.
Dr. Tom Bibey (North Carolina), THE MANDOLIN CASE, legal procedure/mystery.
The re-do was beautiful. I cried at the end, ’cause I knew I’d said what I meant to say. You made my voice stronger.
Award-Winning Ghostwriter, Author and Book Editor
Co-Author of the Red Shoe Diaries series — Erotic Romance
STACEY DONOVAN is a ten-time published book author of both fiction and non-fiction. DIVE, Her first, critically acclaimed novel was published in 1995 (Penguin) and reissued in 2015 (Open Road Media). THE ART OF LONELINESS, a sexy novella, is currently available on Kindle. Co-authored by Donovan, the four-book series based on Zalman King’s RED SHOE DIARIES is also available.
Donovan has edited or ghostwritten dozens of published books for her clients, many of which have received critical acclaim: Two became New York Times Bestsellers (Mystery); another won International Thrillers Awards First Novel Finalist (Thriller); another won Independent Publisher Book Awards (IPPY) 2017 Silver Medal Award (Memoir), Foreword Reviews 2017 INDIES Book of the Year (Memoir), and Stories of Mighty Women Top Biographies 2016; another won Independent Book Publishers Association (IBPA) 2017 Ben Franklin Award, Bill Fisher Best First Book (Fiction).
Developmental editor, copy editor, and writer with a background in criminal law and academics.
Karin specializes in apocalyptic fiction, autobiography, memoir, literary fiction, police procedural, narrative nonfiction, science fiction, thrillers, and true crime.
Karin Graham has a BA in comparative literature, a JD from William and Mary Law School, and a certificate in editing from the University of California Berkeley. If your novel has fight scenes or involves police procedures or the law, Karin is your specialist. Karin is a trained martial artist, with a third degree black belt in tae kwon do and years of training in hapkido. Karin is uniquely able to evaluate the realism of your fight scenes. She has accompanied police on search warrants, observed autopsies, and been to countless crime scenes. She has training in arson prosecution and investigations and has given lectures to investigators on the subject of search and seizure law and to college students about the insanity defense. She can help add realism to your writing.
John David Kudrick
Christian Fiction and Nonfiction
With a BA in theology, an MA focused on fiction, and nearly two decades of editorial/writing experience, John David has been privileged to work with some of the finest publishers in the nation, including Bethany House, David C Cook, Barbour, NavPress, Realms Fiction, Marcher Lord Press, and Whitaker House – where, as senior editor, he worked on James Byron Huggins’ Nightbringer, a book that Library Journal named one of its annual top five Christian novels.
To date, John David has had the opportunity to serve as an editor on more than 175 published titles and to work with authors from across the US and around the world.
During my 35+ years in the literary world, I've built experience in many aspects of the field---from non-fiction to fiction, short stories to novels, game creation to publication tips. My first love as a fiction editor has always been science fiction/fantasy and related genres. In addition to many SF/F novels for adults, I've also had the pleasure of working on a number of fun and imaginative Young Adult works, mostly fantasy, and always welcome the opportunity to assist writers with such stories. In addition, I've also edited several imaginative mystery series, as well as the occasional romance and mainstream work. My greatest strengths lie in manuscript evaluation and developmental editing, especially for works in which science, characterization, mystery, and unusual cultures play an important part.
My education also informs my work as a non-fiction editor. In that realm I specialize in anthropology, history, science, spirituality (including religious and New Age), and memoirs, with an eye on how the topics in these works affect both individuals and societies.
Book Editor, Script and Screenplay Story Consultant
Publishing Consultant, Television and Film Industry Veteran
DreamWorks, Disney, Showtime, Lifetime, HBO
S.J. Sutton has worked in the book publishing and the film industries for thirty years-on the front lines and behind the scenes-finding projects to publish and/or produce, and developing and editing them, seeing them through to completion on the page or screen. In the book publishing industry, she was a developmental editor, copy editor, and proofreader for large publishers. In the film industry she worked as a story analyst and development consultant on feature film and television projects for DreamWorks, Disney, Showtime, Lifetime, among others, and worked on the development of films such as L.A. Confidential (Academy Award for Best Writing, Screenplay Based on Material Previously Produced or Published), Get On Up, Enigma, HBO’s Vinyl, and countless others. She assisted writer/director Albert Brooks on Defending Your Life.
Editor for three New York Times, Publishers Weekly, and USA Today bestselling authors
Caroline T. has been editing popular fiction for over 20 years and has 400+ novels under her belt. Her ability to see the big picture, combined with an in-depth knowledge of today’s publishing market, makes her an invaluable partner in the editing and publishing process.
A former in-house editor at Pocket Books-a division of Simon & Schuster, the premier New York City publisher of commercial and trade fiction-an outside editor for Harper Collins/Avon, and a reader for The Literary Guild and The Rhapsody Book Club, Caroline’s particular expertise is fiction for women: she edits all sub-genres of Romance (including NA Romance), as well as Suspense, Thrillers, Mysteries and general Womens Fiction. Carla Neggers, Karen Robards and Andrea Kane-three New York Times, Publishers Weekly, and USA Today bestselling authors-had books edited by Caroline.