Science Fiction, Fantasy & Horror Editors
You’ve carefully constructed your alien planet, lovingly invented alien beings, and painstakingly developed the alien society in which they live.
Or perhaps you’ve extrapolated from current human technology and developed a vision of North America in A.D. 3050. Is the gravity appropriate for the size of your planet? Does your travel time match your speed and distance?
You’ve worked hard to create a cohesive future Earth, alternate history, or extraterrestrial civilization, but the last thing you want to do is turn your manuscript over to an editor who doesn’t know the difference between a light year and a light beer.
As a science fiction writer you need to ensure that the editor to whom you’re entrusting your work shares your mindset. You need an editor who understands that Sol III is Earth while Sal III Jr. may be the natural son of Sal’s third clone. You need an editor who recognizes the difference between typos and alien vocabulary.
Science Fiction, Fantasy, and Horror
Developmental Editing, Manuscript Critiques, Work-in-Progress Beta Reading, Query Letters and Book Proposals
Former Locus magazine editor, Amy Bennett is a critically acclaimed and agented novelist with knowledge of both the craft and the business of science fiction, fantasy, and horror publishing. She has seen a number of writing careers start while working at the Clarion East Science Fiction and Fantasy Writing Workshop, and she is a graduate of the Clarion Workshop with many years of critique experience. As an editor for Shueisha English Edition), she edited and helped package novels and collections over multiple genres, including young adult, thrillers, literary fiction, and erotica, and she is sensitive to the needs of translated texts and authors whose first language is not English.
Book Editor - Science Fiction, Fantasy, Horror and Romance
- Owner, award-winning publishing company, 1994-2001
- Freelance developmental editor (with the Book Editing Associates network only) since 2002
- Critiqued and edited hundreds of manuscripts
- Dozens of authors now happily selling their books
- Detailed written critique/evaluation of your manuscript that asks questions, points out conflicts, confused timelines, characterization difficulties, etc., in the manuscript itself so the guide is always there for you to follow as you rework it.
- Mentor you with creative ideas, and guide you through the whole gamut of what’s what in the publishing industry (i.e.: whether traditional or self-publishing is best for you).
- Hands on content edit (aka copy-edit, aka line edit), structural/stylistic edit of your manuscript, doing everything to get your manuscript ready for a traditional agent, a traditional editor, a self-publishing company, or ready for submission to an e-publisher.
- Work with you on a query and/or synopsis when the manuscript is ready for publication, should you want that.
Fiction Editor and Proofreader
CAROLINE HILEY specializes in editing novels for independent authors and traditional publishers, including small press and Big Five. She also handles novellas, short stories, and memoirs.
From decades of experience as an editor, along with her experience as an award-winning novelist, Caroline understands the entire writing process from first draft to publication. She helps novice and seasoned authors prepare their novels for self- or traditional publishing, including help not only with storycraft and production but also book submission documents, such as queries and synopses.
John David Kudrick
Christian Fiction and Nonfiction
With a BA in theology, an MA focused on fiction, and nearly two decades of editorial/writing experience, John David has been privileged to work with some of the finest publishers in the nation, including Bethany House, David C Cook, Barbour, NavPress, Realms Fiction, Marcher Lord Press, and Whitaker House – where, as senior editor, he worked on James Byron Huggins’ Nightbringer, a book that Library Journal named one of its annual top five Christian novels.
To date, John David has had the opportunity to serve as an editor on more than 175 published titles and to work with authors from across the US and around the world.
During my 35+ years in the literary world, I've built experience in many aspects of the field---from non-fiction to fiction, short stories to novels, game creation to publication tips. My first love as a fiction editor has always been science fiction/fantasy and related genres. In addition to many SF/F novels for adults, I've also had the pleasure of working on a number of fun and imaginative Young Adult works, mostly fantasy, and always welcome the opportunity to assist writers with such stories. In addition, I've also edited several imaginative mystery series, as well as the occasional romance and mainstream work. My greatest strengths lie in manuscript evaluation and developmental editing, especially for works in which science, characterization, mystery, and unusual cultures play an important part.
My education also informs my work as a non-fiction editor. In that realm I specialize in anthropology, history, science, spirituality (including religious and New Age), and memoirs, with an eye on how the topics in these works affect both individuals and societies.
Paranormal Romance, Westerns, Young Adult, Science Fiction and Fantasy, Psychic, Supernatural Phenomena
Kelly Lynne is the proud "auntie" to over 150 published novels, novellas and short stories, which have sold to Kensington Publishing, Carina Press, Cerridwen Press, Awe-Struck Publishing, Samhain Publishing, Wings ePress, Bradley Publishing, Damnation Books, and The Wild Rose Press as well as author self-published titles. These books have gone on to earn high praise from reviewers and readers, as well as multiple awards and contest wins. As an editor for The Wild Rose Press, she edited contemporary western and light paranormal romances, with heat ratings from sweet to spicy. Outside of romance, her fiction fortes include sci-fi, fantasy, speculative fiction, young adult, and stories of psychic or supernatural phenomena.
Empathic about the "feel" of a story, Kelly provides suggestions so that authors may revise with their own style in mind, preserving the individual voice, while alerting authors to current trends in publishable styles. Developmental fiction editing requires an emotional investment in the work—an investment of time and effort that Kelly is happy to make.
Kelly has published over 100 non-fiction articles, four short stories, and two novels. She knows the hoops authors are expected to jump through and helps authors polish their submission packets. Query letters, synopses and professional quality formatting are as important as a well-polished manuscript.
Award-Winning Ghostwriter, Screenwriter, Editor, and Writing Coach for 6 #1 Bestselling Books
STEPHEN SEVERN is an award-winning ghostwriter, editor, screenwriter and writing coach. Mentored by Academy Award-winning writer Stewart Stern (Rebel Without A Cause), Stephen served as editor for the #1 best-sellers Tears For My City and The Revved Life. He also served as consultant for Robert Beatty’s New York Times #1 best-selling Serafina series of children’s books, published by Disney Hyperion, and as editor for the blog of #1 best-selling Christian author Emerson Eggerichs.
Stephen’s work as editor has resulted in 25 international awards. In addition, his ghostwritten screenplay was winner of Best Adaptation at the Hollywood Book Festival, and a runner-up at the prestigious Circus Road Script Competition. He’s written for rock magazines and heavy metal websites, film and TV reviews, and ghostwritten or edited more than 30 published books.
He specializes in rescuing, restoring and reawakening broken dreams. It would be his honor to help reawaken yours.
Minimum rates: 5 cents per word, $75 per hour.
Book Editor, Script and Screenplay Story Consultant
Publishing Consultant, Television and Film Industry Veteran
DreamWorks, Disney, Showtime, Lifetime, HBO
S.J. Sutton has worked in the book publishing and the film industries for thirty years-on the front lines and behind the scenes-finding projects to publish and/or produce, and developing and editing them, seeing them through to completion on the page or screen. In the book publishing industry, she was a developmental editor, copy editor, and proofreader for large publishers. In the film industry she worked as a story analyst and development consultant on feature film and television projects for DreamWorks, Disney, Showtime, Lifetime, among others, and worked on the development of films such as L.A. Confidential (Academy Award for Best Writing, Screenplay Based on Material Previously Produced or Published), Get On Up, Enigma, HBO’s Vinyl, and countless others. She assisted writer/director Albert Brooks on Defending Your Life.