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Book reviews by our editors Carr, David. The Night of the Gun: A Reporter Investigates the Darkest Story of His Life—His Own (New York: Simon and Schuster, 2008). Coetzee, J.M. Disgrace. DeLillo, Don. Libra. Fawcett, Bill. Oval Office Oddities: An Irreverent Collection of Presidential Facts, Follies, and Foibles (Harper Paperbacks). Murakami, Haruki. Kafka on the Shore. Kemp, Cecil O., Jr. Better Way of Living Meyer, Stephanie. Twilight O'Donohue, John. To Bless the Space Between Us: A Book of Blessings Pupek, Jayne. Tomato Girl Rees, Matt Beynon. The Collaborator of Bethlehem a client. The Hat |
Self-Help
How-To Books
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Editors SARAH ANDERSON is a freelance editor and writer, experienced in fiction and nonfiction. Her work has been called outstanding, and she was solely responsible for editing the three most successful romances published by Banbury Books and distributed by Dell. Her recent nonfiction projects include A Loving Guide to These Shifting Times and Biography of A Time Traveler: the Man behind the 2012 Phenomenon. Recent fiction projects include The Apprentice and Sisters of War. Sarah is an acknowledged contributor to The Wisdom of The Enneagram, published by Bantam. She has self-published a relationships handbook, Relationships Made Easy: How to get along with all kinds of people, and has written articles on the psychology of personality. Clients are particularly impressed by her ability to make their text sparkle while maintaining their voice. She is flexible, personable, and highly proficient. As one client noted, Sarah is clearly a gifted, disciplined editor. It was obvious that she took great care to preserve my voice, and not to change meaning when structure needed adjusting. Her art is subtle – at first glance, I wondered what she'd done . . . but the changes added power, conviction, and flow to my thoughts. I am so glad I found my way to Sarah! Specialties:
Genres: women’s fiction, literary fiction, memoir, biographies, religion, new age, spirituality, inspiration, self-help, how-to MICHAEL ANDERSON Ghostwriting & Manuscript Development, Book Cover Design, Self-Publishing/Print-On-Demand Consultant Ghostwriting, collaborative writing, and developmental restructuring for the following subject categories:
Award-winning writer and editor H. L. BELL is committed to helping other writers make their work the best it can possibly be. Intimately familiar with the thrills and insecurities of the writing process, she empathizes and works especially well with other writers. Clients have praised her as an editor with an engaging manner, a meticulous attention to detail, and a consummate skill with language. She has edited a broad range of acclaimed fiction and nonfiction titles, including Bonnie Jo Campbell’s American Salvage, finalist for the 2009 National Book Award in fiction. Her own fiction and book reviews have appeared in Jane, Salon, The Women’s Review of Books, and the Chicago Reader. Services
Literary attorney and editor Bruce Bortz has a passion for the publishing business that can't be measured. He's combined thirty years of journalistic experience with 15+ years book publishing experience and now offers his services as a classic generalist, editing both fiction and nonfiction. He wears every hat in the publishing business, trading back and forth as duty requires—From manuscript acquisitions to contract negotiations to editing to marketing. His philosophy is simple: do what you love, do what you're good at, and do lots of it.
"I've had the privilege to work with Bruce on several writing and editorial projects. He is the master! When ghostwriting, he has a unique talent for drawing out those things from the author that make a difference to the storyline. When editing, he instinctively knows what needs to be done to the manuscript in order for it to touch its reader with the greatest impact. And he always has the long-term interest of the project in mind. He begins planning the marketing campaign the first day he is introduced to a work, including how the cover should look and how to gain the most attention from the media. I got much more than I expected from Bruce and highly recommend him as an integral member of any publishing team."—Jill Bertolet, Publisher, Tapestry Press DEANNA BRADY is a highly versatile freelance writer and editor with more than two decades of experience. She ghostwrites, rewrites, and edits self-help books, novels, biographies, cover and query letters, proposals, articles, essays, scripts, textbooks, business communications, Web content, and literary fiction. Deanna taught in the Continuing Education Department at California State University for a dozen years. In addition to writing several children's textbooks, she is an award-winning author of short fiction and poetry. For more than two decades, Deanna has written and edited virtually every type of nonfiction literature, including advertising and marketing copy, prospectuses, and training materials, for major corporations, magazines, and publishing firms. She also works with most genres of fiction, including young adult, romance, historical, autobiographical, mystery, adult, horror, and science fiction. She is adept at editing ESL text, dialects, and British language variation and also specializes in subjects concerning spirituality, ecology, alternative healing, and American Indian culture.
VIRGINIA CLARK has been an editor and proofreader of fiction and nonfiction for many years, working on more than 200 titles. She specializes in literary and popular fiction, detective/crime fiction, biography, self-help, history, music, and the visual arts, especially film. She was a staff copyeditor for Simon & Schuster in New York starting in 1989 for five years and has continued to freelance for them ever since, as well as for other presses including Algonquin; Duke University; Farrar, Straus, & Giroux; and the University of California. Fiction she has copyedited includes Richard Condon, The Emperor of America; Quinn Dalton, High-Strung; David Freeman, A Hollywood Life and It's All True; Kem Nunn, The Dogs of Winter; Kate Walbert, The Gardens of Kyoto and Our Kind; and Meg Wolitzer, Surrender, Dorothy. Detective/crime authors include Jan Burke, George C. Chesbro, Nick Gaitano, Alison Glen, Philip Harper, David Osborn, Ian Rankin, and Jan Roberts. She has copyedited autobiographies including Miles Davis, Miles; Faye Dunaway, Looking for Gatsby; Charlton Heston, In the Arena; and Neil Simon, Rewrites: A Memoir; as well as biographies such as Joseph McBride, The Catastrophe of Success: Frank Capra and McBride's Steven Spielberg. She has also worked on large collections including The Companion to 20th-Century Music, Parker's Wine Buyer's Guide, and The Rolling Stone Encyclopedia of Rock & Roll. In addition, she has been proofreader/copyeditor for October Magazine since 1989, as well as for various other magazines such as for Condé Nast publications.
BONNIE HILL is a writer-friendly editor/mentor who has helped numerous authors break into print. She teaches workshops for Writer's Digest Online Workshops and speaks at writing conferences across the country. Her workshop members have won awards (such as the Hackney Literary Prize for fiction) and sold everything from novels to nonfiction books, essays and cowboy poetry to top publishers such as Woman's Day, Cosmopolitan, Writer's Digest, Story Line Press, Santa Monica Press, and Simon & Schuster. Twenty-three years as an editor have failed to kill Bonnie Hill's love for the written word. When editing your work, her goal is not to change for the sake of change, but to make you sound more like *you* -- without leaving editorial fingerprints.
"She is quite simply the finest editor I've ever met and/or worked with. And I don't say that lightly. She's a truly gifted editor." Cindy Wathen, editor of the award-winning nonfiction book, Remembering Cesar, and former editor for McGraw Hill and the University of California Press. LINDA HINES ghostwrites, rewrites, and edits novels, business manuscripts, self-help books, short stories, essays, articles, biographies, literary fiction, proposals, and cover and query letters. She has edited over 100 fiction and non-fiction works and wrote and produced articles as managing editor of a subscription-based, B2B newsletter. She specializes in subjects such as humor, mystery, business, current events and politics, psychology, holistic healing, organic gardening, nature and the environment, weight loss, fitness, health, diet and nutrition, spirituality, alternative healing.
"[F]riendly and professional. ... Any writer knows how important it is to have an editor who is approachable. Linda also displayed marvelous editing skills that enhanced my work and prepared it for the competitive publishing market. I used Linda's skills a second time, I was that impressed. It pays to have an editor who has updated knowledge about the publishing market. Most of all, I enjoyed working with Linda because she saw our partnership as a team." Jo-Ann Langtree writes and edits books, stories, and articles in the following fields: business, medical, insurance, health, holistic health, spirituality, religion, psychic phenomena, young-adult fiction, children's books, mystical experience, self-help, New Age, nutrition, diet, exercise, saints & masters, gurus, theosophy, Christianity, homeopathy, vitamins & minerals, herbs, and food supplements. She was a writer and editor for Aetna Life & Casualty. As editor of Life NEWS, she had sole responsibility for finding, developing, writing, editing, and proofing all articles. Topics included new products, sales campaigns, insurance-agent interviews, accolades, seminars, Company acquisitions and policies. Jo-Ann also edits personal and business sites.
NOTE: JO-ANN IS BOOKING FOR JANUARY 2010 LORNA LYNCH has over twenty-five years of developmental editing experience and has worked on more than a hundred books to date. She also co-owned a monthly newspaper and wrote hundreds of articles. She has a tremendous instinct for what "works" and what doesn't in both fiction and non-fiction, and has guided numerous authors to publishing success. Her primary goal is to see that writing with some potential becomes writing with great potential, and she works closely with authors to achieve that goal. Her area of expertise is character-driven fiction; however, she has edited books of all stripes, including political commentary, how-to books, humor, mysteries, romance novels, children's books, young adult fiction, detective novels, and psychological thrillers.
"I was very happy with the job Lorna did for me. The edit was very sharp and the critique very detailed. She broke down the manuscript from top to bottom and all of her points were excellent. She not only focused on technical structure, but also the substance of the story. She pointed out many things that I would not have discovered on my own and she looked at the manuscript not only as an editor, but as a reader--which is very important. I would definitely use Lorna again as my editor." – Derek Lively, Diary of the Devil's Son KEVIN D. MILLER specializes in editing fiction of all kinds—including screenplays—but he has a particular fondness for science fiction and fantasy. As an editor and instructor of creative writing, Kevin has helped dozens of new and experienced writers hone their craft and prepare their manuscripts for publication. Many of Kevin's clients, such as Spencer Tillman of CBS Sports, have gone on to lucrative publishing deals with Thomas Nelson, Lyon Hudson, Crown and William B. Eerdman's. Clients appreciate Kevin's extensive knowledge of story structure, his attention to detail and his knowledge of the marketplace. A professional writer, screenwriter and editor for the past 12 years, Kevin has worked as both a staff writer and as a freelancer. During that time, he has amassed numerous writing and editing credits. These include over 40 published books, including: Scoring in the Red Zone (Ghostwriter, Thomas Nelson Publishers; World's Easiest Pocket Guide to Buying Your First Home" (with Larry Burkett, Northfield publishing) Kevin is also the co-founder of Fresh Wind Press and Clarion: Journal of Spirituality and Justice. He has taught creative writing at various colleges and conferences across North America. Services:
Genres
MARK ORRIN, M.A., Johns Hopkins (Teaching Fellow, 1971), has authored ten published books, scores of articles and poems, and taught writing on college and university levels. A seasoned publications editor, he has also mentored numerous successful American and international authors and poets. During a career in fund raising, Mark was considered one of America's leading copywriters, copy chiefs and creative/strategic consultants. He has been listed in Who's Who In the West, Who's Who In America, Who's Who In Entertainment and The Dictionary of International Biography.
"Throughout our work and rework on my manuscript, Mark was encouraging and kind, and he never made me feel like the rookie I am (was). He never left me feeling like he knew more about the publishing industry than I did — he just continued to teach me in an incredibly thoughtful and gentle way, fine-tuning my work and imploring me to be the best I could be. ... At the moment there are ten agencies and two publishers who have responded favorably to my query (which you taught me how to write, I might add) about my novel. " – Gary Kaschak SARA WILSON has worked in the publishing industry both in-house and as a freelancer for nearly ten years as a project editor, copyeditor, proofreader, and more recently, developmental editor with specialties in entertainment, nursing, and college-level textbooks. She works with companies such as Random House, Inc., Pearson Education/Prentice Hall Health, Wadsworth/Thomson Learning, Augsburg Fortress, and Chelsea House Publishers. Sara also edits and proofreads for magazines, nonprofits, and businesses.
"Our nonprofit organization hired Sara Wilson to copyedit a complex and lengthy handbook with a good deal of specialized language, charts, and forms. She did an excellent job not only in catching errors, but also in helping improve the readability and usability of the publication. Her work was thorough and professional, and I would definitely use her services again on future projects." |
Submission Cut and paste the questions and answers into an e-mail: Alternates: Required: Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes). (01) Word count of complete project (under "Tools" in MS Word): (02) Put your 100-word (approx) synopsis/description here (or attach): (03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary): (04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.): (05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months) (06) Level of editing desired/expected --
(07) Number of charts/tables/pictures (if any): (08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable: (09) Number of footnotes/references: (10) Do you have a contract with an agent or publisher?: (11) Do you plan to self-publish?: (12) What is your budget for the entire project? (13) Your name: (14) E-mail addresses: (15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.): (16) City, State, Country (or time zone): (17) The name(s) of the editor(s)/writer(s) you'd like to contact. (18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want? (19) How did you learn about our service?: (20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query) Notes: No hidden charges To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec. Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page. Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030. Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate. Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator. |
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