Ghostwriting & Manuscript Development, Book Cover Design, Self-Publishing/Print-On-Demand Consultant
Ghostwriting, collaborative writing, and developmental restructuring for the following subject categories:
Art: As a lifetime artist (oil painting, drawing, graphic design, and photography), I have a deep appreciation for art, the art world, aesthetic philosophy, and creativity. I have had shows in France, Brazil, Vermont, and Pennsylvania. I am also a lifelong student of communications media and media technologies (old, new, and emerging media tools).
Business: I have written strategy plans, business continuity plans, marketing plans, and various kinds of sales copy and proposals. My corporate clients include: Merck, The Vanguard Group, Children’s Hospital of Philadelphia, Unisys, Devon Consulting, Lumina Americas, The Franklin Mint, The Devereux Foundation, and many others.
Ethnic / Culture/ Sociology: Special focus on social psychology and cultural change.
Nonfiction (general): Special focus on new ideas, philosophy, media, and social change.
Politics / Government: Special focus on international and public affairs.
Religion / New Age / Spirituality / Inspirational: I am interested in books that explore the relationship between consciousness change and social change and have studied all major religions extensively.
Science / Medical: I edited two substantial medical monographs, The Acid Monograph and The H2 Receptor Anthology, and wrote the Chemistry and Manufacturing Control section of the New Drug Application for Modafinil (Provigil). I also wrote several software and system development documents related to pharmaceuticals and healthcare procedures.
Self Help / How-To: I have written many technical manuals, such as software user guides and other how-to descriptions. I also have a deep interest in psychological self-help works.
Technical / Computers/ IT: I worked as a technical writer/ business analyst/ project manager in the IT field for many years and have written over 200 book-length technical and business documents. I have developed strong modeling and diagraming skills.
DEANNA H. BRADY is a highly versatile freelance writer and editor with more than two decades of experience. Known as an "editor's editor," she ghostwrites, rewrites, develops, and copyedits a wide range of material, including self-help/how-to books, novels (both literary and genre fiction), creative nonfiction, biographies/memoirs, proposals, cover and query letters, articles, essays, scripts, business communications, and Web content. She has written and edited marketing and advertising copy for Fortune 500 companies and is adept at editing ESL and translated text, as well as scientific/technical material. In addition, she specializes in projects concerning spirituality, ecology, Native American Indian culture, psychology, allopathic and complementary medicine, and health, and she particularly enjoys working with& fantasy, science fiction, historical, romance, adventure, mystery, and young adult literature.
Deanna spent more than a decade as a magazine editor. She also taught at California State University for a dozen years, has written several children's textbooks, and is an award-winning author of short fiction and poetry. Her many happy clients greatly appreciate her expertise, gentle guidance, and ability to preserve their individual voices and help make their manuscripts shine.
FAITH HICKMAN BRYNIE is the author of 25 nonfiction works related to science, medicine, health, psychology, and education. Her latest book, Brain Sense (Amacom, 2009) explains the latest advancements in neuroscience for general audiences. She has won numerous awards for her juvenile and young adult nonfiction, including “Best of the Year” from the American Association for the Advancement of Science and “Best for Teens” from the International Reading Association.
She has a Ph.D. in science curriculum and instruction, and she is an experienced editor of science activity books, trade books for middle school and high school, and textbooks K-12. She has worked for major publishers as writer, substantive editor, developmental editor, copyeditor, and fact checker. She excels at communicating complex ideas clearly and simply. Over the last eight years, she has assisted more than 20 authors with preparation of their nonfiction proposals and development of their manuscripts. Several have gone on to achieve publication and commercial success.
Brynie loves fiction, and she has written three novels, all published by Geneses under a pseudonym. She has won several contests and awards for her short fiction. She critiques novel manuscripts, helping authors develop their characters, plot, dialogue, voice, and style. Over the last eight years, she has critiqued more than 30 novels. Her advice has led to publication and commercial success for several novelists.
Nonfiction: assistance with the development of manuscripts, proposals, and queries; developmental/substantive editing; rewriting, ghostwriting
Fiction: novel critiques in all genres except romance and fantasy; no preschool, picture books, or rhyming poetry, please.
Note: Faith is not taking submissions until March 1, 2012.
CARLY CANTOR is a publishing industry veteran who has worked in-house at a New York publisher as an acquisitions editor and is a two-time published author (history books). Most recently, she has worked as an independent consultant and project editor for Random House, Prentice Hall, and iUniverse. She also represents authors as an agent with a well-established NYC agency. Her extensive experience includes critiquing, organizational and development editing, and line editing of fiction and nonfiction projects. She is a meticulous hands on editor who “becomes one” with every project, paying close attention to both the big picture and the small details.
She has often worked with academics, psychologists, and medical doctors on high-level material in the social or life sciences and has helped them make their writing more accessible to a trade audience. One thrilled client, a doctor, said of her, “She is a consummate wordsmith, with the facility of not only understanding and integrating scientific and technical material but also illuminating arcane and otherwise opaque descriptions. She expertly shapes the structure of a presentation for better narrative flow, simplifying complex material to make it reader-friendly.”
Carly also edits fiction, with an understanding of the importance of subtlety and nuance. She approaches fiction with an appreciation for how the brain works and for the idea that a reader likes to pick up clues and figure some things out for himself rather than be told everything directly about how characters are thinking and feeling. One novelist client said, “I have been guided by a number of different editors throughout my career. Without any hesitation, I can say that [she] is the best editor I have ever worked with.
“Carly was indispensable for the birth of my memoir. She helped me to not only tighten my writing but also improve the structure of the narrative to make it more thrilling. I found a very effective, inspirational guide in her ability to culturally translate my experience in Korea for American audiences.”
—Jid Lee, author of To Kill a Tiger (Overlook, 2009)
“My personal experience in working with Carly has been very rewarding. She has the grit to drill down into the material so that nothing is taken for granted. She also demonstrates an intuitive skill to help add an overarching structure to the work that helps expand its scope, further increasing the book’s accessibility to those audiences we wish to reach. Her persistence in getting the content to seamlessly flow from one technical subject to the next is a true gift.”
—John W. Cassidy, MD, author of Mindstorms: The Complete Guide for Families Living with Traumatic Brain Injury (Da Capo Press, 2009)
Val serves as advisor/mentor to graduate students; teaches scientific writing courses;
and edits scientific, biology, ecology, and and medical research papers.
Science and medical editor and writer since 2001. Editing, copyediting, and writing of manuscripts, books, dissertations, grant proposals, etc. Topics range from ecology to epidemiology, from biochemistry to biomechanics, from environmental policy to paleontology, from natural products to swine nutrition. Focuses on organization, interpretation, and clear presentation of complex information.
Past clients include professionals and students from Australia, China, Japan, the Netherlands, Switzerland, Thailand, Uganda, Venezuela, even the U.S.! Goals are successful completion of specific writing project, and helping clients improve their own writing skills for future projects.
Val’s own work includes more than fifty publications in ecology, botany, zoology, physiology, biochemistry, and mathematical modeling (see her publication list), and one million dollars worth of successful grant proposals.
Over thirty years of teaching experience, including scientific writing courses. Served as advisor and/or mentor to many graduate and undergraduate students.
Past experience as associate editor, editorial board member, and/or reviewer for over two dozen scientific journals, including Science, and government funding agencies.
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TINA HARDY is a professional copy editor and proofreader who specializes in the editing of scholarly works, specifically academic and student documents. Many of her clients are authors whose first language is not English.
She has edited hundreds of academic titles and has been involved with dozens of scholarly journals, primarily in the fields of psychology, scientific measurement, and communication.
Tina has been repeatedly recognized for her ability to grasp complex concepts and for expertly balancing between reader comprehension and instruction. She is an expert in Chicago and APA formatting.
* Copyediting, line editing, and proofreading (nonfiction)
* Specialties: scholarly/academic manuscripts, education, psychology, communication, and scientific measurement
* Website copyediting and proofreading
* ESL editing
* Developmental editing (nonfiction)
* Formatting: Chicago Manual of Style, APA 5th and 6th editions
If you are writing a scholarly article, academic essay, thesis, dissertation, or research paper, Tina will ensure that your grammar, spelling, punctuation, tense, and so forth, are 100% correct.
She will review your document and ensure total compliance with your style of choice, using her extensive expertise in Chicago or APA style as her guide. She will work to mold your document into the appropriate form, ensuring items such as headings, abbreviations, technical terms, citations, references, and so forth, all conform to the appropriate style.
She will work with you to ensure that your word choice and word form flow naturally, so that each sentence builds on the next to advance your argument in a logical, consistent, and cohesive manner, all while keeping your natural voice intact.
This will result in a document that is precise, exact, and
flawless in its message and presentation.
Recent books Tina has edited include the following:
Collaborate, Communicate, and Differentiate! (Wendy W. Murawski and Sally Spencer), SAGE, forthcoming (2011).
Homelessness Comes to School (Joseph Murphy and Kerri Tobin), SAGE, forthcoming (2011).
Making ALL Kids Smarter: Strategies That Help All Students Reach Their Highest Potential (John DeLandtsheer), SAGE, 2011.
Social Problems: Community, Policy, and Social Action (Anna Leon-Guerrero), Pine Forge Press, 2011.
Encyclopedia of Religion in America (Charles H. Lippy, Peter W. Williams, Eds.), CQ Press, 2010.
Testimonials:
"You are so skilled at making recommendations, asking questions, and eliciting creativity from us. Your thoroughness and thoughtfulness in editing made our revisions easy and logical. We will ask for you again!" Margarita Calderón, Johns Hopkins University, coauthor (with Liliana Minaya-Rowe) of Preventing Long-Term ELs
"Tina Hardy's editing skills are outstanding. Her ability to revise in a way that captures the original intentions of the author is top-notch!" Maria Grant, Director, Secondary Teacher Education Program, California State University, Fullerton, coauthor (with Douglas Fisher) of Reading and Writing in Science: Tools to Develop Disciplinary Literacy
"Tina Hardy is a quality professional copy editor with an enormous understanding of the concepts and extraordinary attention to even the smallest details. I would confidently recommend her services to those who want their projects manicured properly. She's on my extremely short list of trusted editors for anything I'm involved with." Stephen Thomas, The Pioneer News
"I have worked with many editors. I have written 20 books. This is the best job I've seen to date. You have made what we said clearer with every edit and NEVER compromised the message we want to send. We accept everything you have done gleefully with no changes. Thanks so much. This has been a total pleasure for both of us." Peter Desberg, coauthor (with Jeffrey Miller) of Understanding and Engaging Adolescents
SANDRA JUDD is an editor, proofreader, and indexer with more than 20 years of experience in the publishing industry. Her clients have included university presses, large, mainstream publishers, and smaller presses and professional organizations. She has edited or proofread over 300 published books, on topics that include politics, history, business, literary criticism, ethnic history, anthropology, science and medicine, industry manuals, memoirs, Christian and inspirational, parenting and relationships, humor, and fiction.
She has edited 20+ volumes in the Health Reference Series published by Omnigraphics, all published under her name as editor.
She has also edited professional journals and newsletters, business plans, scholarly articles being prepared for publication, economic plans to be distributed to the state legislature, and a number of dissertations.
She has prepared indexes for more than 30 published books.
She strives for precision in language and is devoted to making the author's voice heard.
Nonfiction: Inspirational, self-help, business, science and medicine, ethnology, history, political science, memoirs, scholarly/textbooks
"While I have never met Sandy Judd face to face, I have used her services as a copyeditor since 1997. She is easy to work with, extremely competent, and has helped me improve my writing skills. I will continue to use her services as long as she is available." -- Lewis C. Forrest, Ed.D., technical writer and published author, North Carolina
"As senior editor of a book publishing company, I used Sandy Judd’s services for several years as a proofreader and copyeditor. Her detail-oriented skills and her unfailing ability to meet deadlines kept her at the very top of my list." -- Kathryn Deering, Ann Arbor, Michigan
"I kept Sandra Judd as busy as she’d let me while I was senior editor at Servant Publications (1995–2001). She produced high-quality work on time and at reasonable cost. I highly recommend her." -- Heidi Hess Saxton, former senior editor, Servant Publications
HOLLY MONTY, MA, MAComm, ELS, has been a professional APA and Chicago style editor and writer for 10 years.
Since operating as a freelance editor and writer, Ms. Monty, a Microsoft Word and LaTeX expert, has worked on books and articles published by many of the world’s leading publishers, including Cambridge University Press, Oxford University Press, MIT Press, John Wiley, Springer, Lawrence Erlbaum, Pearson-Prentice Hall, Berg, Macmillan, Berkshire, American Geophysical Union, Praeger, Greenwood, Blackwell, Elsevier, Sage, Begell House, Teacher Ideas Press, Libraries Unlimited, UTH Zürich, RAND Corporation, and other top names in academic and nonfiction publishing. To date, she has edited over 1,500 published journal articles, over 100 nonfiction books, and a wealth of dissertations and theses. An elected member of the board of governors of the Editorial Freelancers Association from 2007 to 2008, Ms. Monty is proud to have worked with a diversity of students and academics from a broad range of our nation's universities. Given her wealth of experience, she is adept at working within the precise terms of your university's thesis/dissertation guidelines or with the publication guidelines of any peer-reviewed journal.
SHANNON WILKINS – PhD in Professional Writing (medical
communication emphasis)
Shannon is not accepting submissions
until April 1, 2012
Before focusing her energies on a freelance editing career, Shannon was a staff editor at Mayo Clinic, which has the largest in-house editorial service at a medical institution. In this role, she edited whatever manuscript came down the pike, whether it was about cardiology or dermatology. Such demands required her to be nimble in her approach to editing and to have a firm grasp of the medical resources necessary to assist authors in creating credible, cohesive documents.
In her dissertation, she analyzed the arguments regarding the federal funding of embryonic stem cell research. Besides providing an understanding of the nexus between public discourse and science, the PhD degree nurtured in Shannon a strong sense of what belongs in a scientific document and what does not. Added to this scholarly knowledge is the practical experience of being the copyeditor of the Journal of Pediatric Pharmacology and Therapeutics for 5 years. During the past 8 years, Shannon has balanced her time between editing scientific documents and teaching college composition courses. She currently teaches a college course in technical communication.
As Shannon follows the rhythm of an author’s language, she picks up the language of ESL writers that might need further clarity or the odd detail that seems out of place and needs to be researched. Her first clients were biomedical engineers whom she assisted in preparing their manuscripts for successful publication. Since her entry into the field of editing, she has edited manuscripts on pharmacology, dermatology, cardiology, echocardiography, endocrinology, transplantation, hand surgery, asthma, various cancers, and other topics. Shannon has edited manuscripts that have been published in several highly respected journals:
Biomedical Microdevices Echocardiography Endocrine Practice IEEE Transactions on Biomedical Engineering Journal of Pediatric Pharmacology and Therapeutics Journal of the AmericanAcademy of Dermatology Journal of the AmericanCollege of Cardiology: Cardiovascular Imaging Mayo Clinic Proceedings Neurocritical Care Techniques in Hand & Upper Extremity Surgery
Shannon considers all of the documents that she edits to be life documents—documents that are pivotal in the development of one’s life. Medical manuscripts are not just write-ups of research; they are documents that affect the career advancement of the writers and, often, the very lives of those in need of medical care. Various impediments may complicate journal acceptance of a manuscript, but the quality of expression should not be one of them.
You may send your initial submission to all addresses to make sure it's received.
Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
attachment preferred). Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
A sample is required to receive an estimate
for editing services
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?
(19) How did you learn about our service?:
(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)
Notes:
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note:Questions about price and turnaround times cannot be given over the phone or via chat.
To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours (M-F, 9a-7p central). Expect longer response times if you submitted after U.S. business hours or on weekends.
You may also send your submission to our alternate e-mail addresses if you do not receive a response within three hours M-F:
Help2012 at Airmail.net
editingnetwork at gmail.com
contact at editing-writing.com
You may also leave voice mail for the network coordinator: 469-789-3030. This number is for verification of e-mail submissions only.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your editor or publishing consultant, not with the editing network as a whole or its coordinator.