CONNIE BUCHANAN, editor of Tom Clancy's The Hunt for Red October, has edited and ghostwritten 200+ titles for publishers that include Time-Life Books, Brassey's/Macmillan, and Island Press. She performs everything from evaluations to basic copyediting and complete rewrites. One of Connie's priorities is helping authors communicate in concise, engaging prose that will attract the attention of agents.
Areas of expertise include memoir, literary and commercial fiction, environmental issues, public policy, health/nutrition, U.S. and European history, military history, and art history.
Connie has English degrees from Princeton and Oxford universities. Her book reviews and prize-winning short stories have appeared in the Baltimore Sun, the Washington Times, and the Journey Prize Anthology, among others. Says former Speaker of the House Jim Wright, author of Worth It All: My War for Peace, "Connie's editorial improvements are absolutely outstanding! I wonder why I didn't think to say it that way in the first place."
DIANE L. FOOSE has 20 years of experience as a full-time freelance copy editor and proofreader of books and journals in the fields of medicine and health, engineering, mathematics, law, the environment, and the social sciences. Some of the journals she has worked on are The Journal of Legal Medicine, Polycyclic Aromatic Compounds, Critical Reviews in Analytical Chemistry, Health Care for Women International, Ocean Development and International Law, Comparative Strategy, Traffic Injury Prevention, and Numerical Heat Transfer. Diane's assignments require an in-depth knowledge of editorial practices, familiarity with specific editorial styles (Chicago, APA, AMA), and an understanding of scientific and technical terms.
Fiction and nonfiction books, textbooks, short stories, scholarly journal articles, symposium proceedings, workshop manuals, newsletters,grant proposals, theses, dissertations
Medicine and health, psychology, environment, education, history, mathematics, political science, international studies, music & arts, engineering
JENNIFER
GARDNER is a full-time freelance proofreader and copyeditor who loves fact checking and is accomplished at substantive and structural editing. Her background is primarily in scientific and scholarly journals and books for publishers such as Taylor & Francis books and CRC Press as well as in “soft” science publications for such presses as Allworth and Pointed Leaf.
Journals she has worked on include Endothelium; Receptors and Channels; Environmental Forensics; Tribology Transactions; Journal of Children’s Health; Fiber & Integrated Optics; The Engineering Economist; Microscale Thermophysical Engineering; The Clinical Neuropsychologist; and several others. Books she has worked on include A Practical Guide to the Thematic Apperception Test: The TAT in Clinical Practice; Enhancing Intimacy in Marriage: A Clinician’s Guide; Self-Supervision: A Primer for Counselors and Helping Professionals; Cleanroom Microbiology for the Non-Microbiologist; Periodicities in Nonlinear Difference Equations; Home Treatment for Acute Mental Disorders; The Art of Writing Love Songs; Managing Artists in Pop Music; The Directors: Part 4; At War with Time; How to Start a Faux Painting or Mural Business; The Perfect Stage Crew; Improv for Actors; The Real Business of Photography; The Art of Auditioning; Business and Legal Forms for Illustrators; The Radio Producer’s Handbook; Moko Jumbies; and several others.
Science and medical editor and writer since 2001. Editing, copyediting, and writing of manuscripts, books, dissertations, grant proposals, etc. Topics range from ecology to epidemiology, from biochemistry to biomechanics, from environmental policy to paleontology, from natural products to swine nutrition. Focuses on organization, interpretation, and clear presentation of complex information.
Past clients include professionals and students from Australia, China, Japan, the Netherlands, Switzerland, Thailand, Uganda, Venezuela, even the U.S.! Goals are successful completion of specific writing project, and helping clients improve their own writing skills for future projects.
Val’s own work includes more than fifty publications in ecology, botany, zoology, physiology, biochemistry, and mathematical modeling (see her publication list), and one million dollars worth of successful grant proposals.
Over thirty years of teaching experience, including scientific writing courses. Served as advisor and/or mentor to many graduate and undergraduate students.
Past experience as associate editor, editorial board member, and/or reviewer for over two dozen scientific journals, including Science, and government funding agencies.
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KATE JOHNSON (BA, psychobiology, Yale University) has thirteen years of experience as a professional copyeditor, developmental editor, and proofreader. She has edited nonfiction books, textbooks, encyclopedia and journal articles, technical manuals, conference proceedings, newsletters, and online publications in a wide range of topics for professional, academic, and lay audiences. In addition to helping students and professors (including many for whom English is a second language) refine their medical, biological, and other natural science manuscripts, Kate enjoys working on materials in the humanities as well as cookbooks, travel guides, and do-it-yourself books. She is literate in scientific and medical terminology, well-versed in various style requirements (such as Chicago, AMA, and GPO), and adaptable to authors' or publishers' preferences.
Sample Topics: Agriculture, alternative medicine, anatomy, biology, botany, conventional medicine, cooking, ecology, geology, health care, hiking adventures, homeopathy, marine biology, medical devices and software, natural history, nutrition, oncology, psychiatry, psychology, rehabilitation, sexual dysfunction, sleep research and disorders, spine disorders and treatment, technical design, travel, urology, weight loss, women's studies, zoology
STAVRA KETCHMARK has edited more than 200 fiction titles while working for major publishing houses, as well as numerous medical, technical, and scientific trade, academic, and professional titles. She specializes in a variety of fiction genres, including romance, historical, mystery, suspense, crime, horror, fantasy, science fiction, and young adult. Her nonfiction specialties include all medical disciplines, nursing, allied health, alternative health, political science/politics, history, journalism, religion, parenting, and cooking.
Stavra has also helped a broad range of corporate clients fine-tune their annual reports, advertisements, websites, and other marketing materials to achieve the image they are seeking.
Her edited manuscripts have been published by Wadsworth, Mosby, Signet, Roc, NAL Trade, Thompson Delmar Learning, and Onyx.
HOLLY MONTEITH, a professional copy editor, holds a M.A. in linguistics from Rice University and a B.A. with honors in nonfiction writing from the Johns Hopkins University. She has worked as a copy editor within the scientific/technical/medical peer-reviewed journal industry for over 5 years and has extensive experience copyediting scientific and social science texts ranging from articles to theses to book manuscripts. Ms. Monteith’s copyediting expertise extends beyond the word level to encompass figure, table, and mathematical and chemical equation editing. Ms. Monteith specializes in the APA and Chicago editorial styles.
Expert in Microsoft applications Word, Excel, Outlook, and Powerpoint.
Expert in Corel Word Perfect.
Expert in LaTeX.
Proficient in Adobe Pagemaker.
Expert using the World Wide Web.
Educational background in German, Spanish, and Modern Standard Arabic.
Required:
Submit a sample of your book manuscript or story (Word/DOC or RTF
attachment preferred). The sample should be 5-50 pages. Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project? $ ________________
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.