Book Editing, Proofreading, Book Proposals
Query Letters, Publishing Assistance, Ghostwriting,
Manuscript Evaluation and Critique
Religion / New Age / Spirituality / Inspirational
Editors
SARAH ANDERSON is a freelance editor and writer, experienced in fiction and nonfiction. Her work has been called outstanding, and she was solely responsible for editing the three most successful romances published by Banbury Books and distributed by Dell. Her nonfiction projects include a psychologist’s spiritual autobiography, which she developed from existing material and transcripts, and a book on marriage. She is an acknowledged contributor to The Wisdom of The Enneagram, published by Bantam. She has self-published a relationships handbook, Relationships Made Easy: How to get along with all kinds of people, and has written articles on the psychology of personality. Clients love her flexibility and her personable style.
Carrie Andrews is an honors graduate with a BA in English. She has worked in the publishing industry for several years as a project editor, copyeditor, and proofreader, with specialties in fiction, entertainment, and college-level textbooks. She works with companies such as Reader's Digest, Random House, Inc., Kensington Publishing, and Wadsworth/Thomson Learning. A bibliophile her entire life, Carrie has a natural talent for language. Her avid reading has helped her develop a sharp eye for detail and has honed her sense of flow. While copyediting, she strikes that delicate balance between maintaining an author's voice and making the language clear and vibrant. She is also a meticulous proofreader and fact checker. Clients have called her work "superb" and "astute." Authors enjoy Carrie's personable style and find her easy to work with.
Copyediting, proofreading
Formatting: Chicago Manual of Style, 15th ed, American Medical Association, 9th ed, American Psychological Association, 5th ed
Fiction: African American, inspirational, thrillers, suspense,
historical, fantasy, romance, and the classics
Non-Fiction: World history, world politics, American government, singing,
psychology, philosophy, speech, physical chemistry, oral
history, self-help, alternative medicine articles, scientific
journals!
CONNIE BUCHANAN, editor of Tom Clancy's The Hunt for Red October, has edited and ghostwritten 200+ titles for publishers that include Time-Life Books, Brassey's/Macmillan, and Island Press. She performs everything from evaluations to basic copyediting and complete rewrites. One of Connie's priorities is helping authors communicate in concise, engaging prose that will attract the attention of agents.
Areas of expertise include memoir, literary and commercial fiction, environmental issues, public policy, health/nutrition, U.S. and European history, military history, and art history.
Connie has English degrees from Princeton and Oxford universities. Her book reviews and prize-winning short stories have appeared in the Baltimore Sun, the Washington Times, and the Journey Prize Anthology, among others. Says former Speaker of the House Jim Wright, author of Worth It All: My War for Peace, "Connie's editorial improvements are absolutely outstanding! I wonder why I didn't think to say it that way in the first place."
The award-winning writing of KAREN DAVIS prompted one of many loyal clients to call her his "secret weapon in attaining communications supremacy." She earned magna cum laude degrees in English and history and world-class journalism credentials from the London Times and Regional Newspapers. Since 1976 she has been an international correspondent and author of hundreds of magazine and newspaper articles; publishing house editor (several books won American Library Association Outstanding Reference Source awards); acclaimed advertising writer (First Place in the Pacific Northwest, direct mail campaign) and technical writer ($10,000 First Place in North America, engineering paper); director of publications and marketing; author of style manuals; university lecturer in writing; and published lyricist and poet. She brings clarity and conciseness to confusing language and organization to chaos..
LINDA HINES ghostwrites, rewrites, and edits novels, business manuscripts, self-help books, short stories, essays, articles, biographies, literary fiction, proposals, and cover and query letters. She has edited over 100 fiction and non-fiction works and wrote and produced articles as managing editor of a subscription-based, B2B newsletter. She specializes in subjects such as humor, mystery, business, current events and politics, psychology, holistic healing, organic gardening, nature and the environment, weight loss, fitness, health, diet and nutrition, spirituality, alternative healing.
Book editor, ghostwriter
Fction: genre fiction, young adult literature, literary fiction, mystery, suspense, psychological, crime, supernatural, action, adventure, short story
Nonfiction: business, self-help, self-improvement, how-to , memoir, personal essay, biography, alternative medicine, holistic healing, diet, nutrition, spirituality
STAVRA KETCHMARK has edited more than 200 fiction titles while working for major publishing houses, as well as numerous medical, technical, and scientific trade, academic, and professional titles. She specializes in a variety of fiction genres, including romance, historical, mystery, suspense, crime, horror, fantasy, science fiction, and young adult. Her nonfiction specialties include all medical disciplines, nursing, allied health, alternative health, political science/politics, history, journalism, religion, parenting, and cooking.
Stavra has also helped a broad range of corporate clients fine-tune their annual reports, advertisements, websites, and other marketing materials to achieve the image they are seeking.
Her edited manuscripts have been published by Wadsworth, Mosby, Signet, Roc, NAL Trade, Thompson Delmar Learning, and Onyx.
Jo-Ann Langtree writes and edits books, stories, and articles in the following fields: business, medical, insurance, health, holistic health, spirituality, religion, psychic phenomena, young-adult fiction, children's books, mystical experience, self-help, New Age, nutrition, diet, exercise, saints & masters, gurus, theosophy, Christianity, homeopathy, vitamins & minerals, herbs, and food supplements. She was a writer and editor for Aetna Life & Casualty. As editor of Life NEWS, she had sole responsibility for finding, developing, writing, editing, and proofing all articles. Topics included new products, sales campaigns, insurance-agent interviews, accolades, seminars, Company acquisitions and policies. Jo-Ann also edits personal and business sites.
JIM McDONOUGH has edited books on such different subjects as translations from Greek and Latin prose and poetry, Roman history, Catholic schools, Jews and Gentiles in the ancient world, Martin Luther, World War II, the Bible, foreign phrases used in English contexts, and biography. He has also edited a medical dictionary, a historical novel on the First Crusade, and encyclopedia articles. He prefers the Chicago/Turabian style. When he receives a manuscript with great idea but less than ideal presentation of these ideas, he takes great delight in helping the author give form, organization, and polish to the work so as to increase its chances of publication and of getting the author's ideas across effectively to the public. He also enjoys helping persons with Ph.D.s prepare their dissertation or other research for publication by university presses and trade publishers.
JAMES POWELL, as the New York Times Review of Books observed, "assures us that the universe is a silent partner in a dialoguge that goes on all the time." On the other hand, he is "a good literary surgeon," as one of his accomplished fiction clients noted. Obviously then, as an editor of fiction and non-fiction, he views manuscripts with both a broad, comprehensive vision and an eye for detail, for "the right word in the right place." Powell's editors will tell you that his books need no editing, as Powell is, himself, an editor. He will read your fiction with and eye to making it believable and your non-fiction with a knack for making it both convincing and engaging. His books and short stories have been translated into many languages and are known throughout the world. His list of publications includes The Tao of Symbols (Morrow 1982), Energy and Eros (Morrow 1985), The Prentice Hall Global Employment Guide (Prentice Hall 1983), Mandalas: The Dynamics of Vedic Symbolism (Sterling 1980), Derrida for Beginners (Writers and Readers 1996), Postmodernism for Beginners (Writers and Readers 1998), Eastern Philosophy for Beginners (2000), and Deconstruction for Beginners (2005). His short story "The Silence of the Hummingbird" was published in Spanish in Revista Katharsis, in Malaga, Spain and his journalism has appeared in the Santa Barbara Independent and Montecito Journal.
ARLENE ROBINSON has developed and edited 200+ full-length manuscripts in a variety of genres since 1996. Her clients include women's fiction author Angie Daniels, sociology professor Joyce Tang and college-success guide author Josh Richardson. The true crime memoir The Twelfth Man Standing received Turner Broadcasting Network's Trumpet Award in 2002, and 'PRESSIONS: Memoirs of a Southern Cat by Edith M. Holmes, won the YOUnity Reviewers Guild Top Honor Award. Arlene welcomes new or published authors as clients, and enjoys helping journalistic, business and academic writers transform their writings into marketable, polished products for mainstream readers. She also takes pride in helping non-native-English writers produce topnotch fiction and nonfiction works.
While not a professional humor writer, she could be. Arlene lives in the Deep South with her probation officer/journalist husband and two almost-adult sons, and looks forward to the day when her human offspring venture into the world as independently as she envisions her writings springing onto bookshelves.
Substantive and developmental editing, copyediting
A. J. SOBCZAK is an editor, proofreader, and writer (business writing, business methods, business history, communication, literary analysis, fiction in various genres) with more than 18 years of experience in the publishing industry. He has edited nonfiction work, both articles and books, in a variety of fields, including various social sciences, technical research, and medical research. He has edited dozens of books and journals in the social sciences, research methods, mathematics, political science, psychology, business and management, history, and health and medicine, among other topics, and also has worked on several successful doctoral dissertations.
He is an expert in APA and Chicago styles and is on several publishers' lists of "go-to" editors for manuscripts with heavy math content. His fiction specialties include science fiction, fantasy, mystery, and young adult.
Writing, copyediting, developmental editing
Manuscript evaluations and critiques
Fiction: science fiction, horror, mystery, mainstream, short story
Required:
Submit a sample of your book manuscript or story (Word/DOC or RTF
attachment preferred). The sample should be 5-50 pages. Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project? $ ________________
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.