Poetry Editors

Editors

SARAH ANDERSON is a freelance editor and writer, experienced in fiction and nonfiction. Her work has been called outstanding, and she was solely responsible for editing the three most successful romances published by Banbury Books and distributed by Dell. Her recent nonfiction projects include A Loving Guide to These Shifting Times and Biography of A Time Traveler: the Man behind the 2012 Phenomenon. Recent fiction projects include The Apprentice and Sisters of War. Sarah is an acknowledged contributor to The Wisdom of The Enneagram, published by Bantam. She has self-published a relationships handbook, Relationships Made Easy: How to get along with all kinds of people, and has written articles on the psychology of personality.

Clients are particularly impressed by her ability to make their text sparkle while maintaining their voice. She is flexible, personable, and highly proficient. As one client noted,

Sarah is clearly a gifted, disciplined editor. It was obvious that she took great care to preserve my voice, and not to change meaning when structure needed adjusting. Her art is subtle – at first glance, I wondered what she'd done . . . but the changes added power, conviction, and flow to my thoughts. I am so glad I found my way to Sarah!

Specialties:

Copyediting
Line editing
Rewriting
Developmental editing

Genres: women’s fiction, literary fiction, memoir, biographies, religion, new age, spirituality, inspiration, self-help, how-to

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DEANNA BRADY is a highly versatile freelance writer and editor with more than two decades of experience. She ghostwrites, rewrites, and edits self-help books, novels, biographies, cover and query letters, proposals, articles, essays, scripts, textbooks, business communications, Web content, and literary fiction. Deanna taught in the Continuing Education Department at California State University for a dozen years. In addition to writing several children's textbooks, she is an award-winning author of short fiction and poetry.

For more than two decades, Deanna has written and edited virtually every type of nonfiction literature, including advertising and marketing copy, prospectuses, and training materials, for major corporations, magazines, and publishing firms. She also works with most genres of fiction, including young adult, romance, historical, autobiographical, mystery, adult, horror, and science fiction. She is adept at editing ESL text, dialects, and British language variation and also specializes in subjects concerning spirituality, ecology, alternative healing, and American Indian culture.

Developmental editing
Copyediting
Ghostwriting, rewriting
Query letters, cover letters, synopses
Fiction: literary fiction, children's / young adult literature, genre fiction, historical, romance, science fiction, fantasy, mystery suspense, psychological, crime, supernatural, action/adventure
Nonfiction: business, marketing, advertising, web copy, proposals, self-help, self-improvement, how-to, children's textbooks, memoir, personal essay, biography, medical, alternative health, diet, nutrition, religion, spirituality, ethnic, journalism, legal, technical, scientific, screenwriting, novelization, film and television, music, art, query letters, cover letters, synopses

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The award-winning writing of KAREN DAVIS prompted one of many loyal clients to call her his "secret weapon in attaining communications supremacy." She earned magna cum laude degrees in English and history and world-class journalism credentials from the London Times and Regional Newspapers. Since 1976 she has been an international correspondent and author of hundreds of magazine and newspaper articles; publishing house editor (several books won American Library Association Outstanding Reference Source awards); acclaimed advertising writer (First Place in the Pacific Northwest, direct mail campaign) and technical writer ($10,000 First Place in North America, engineering paper); director of publications and marketing; author of style manuals; university lecturer in writing; and published lyricist and poet. She brings clarity and conciseness to confusing language and organization to chaos..

Copy Editing & proofreading
Technical editing
Business, marketing, and advertising writing
Screenplays
Journalism and reporting
Writing instruction
Fiction: historical, mainstream, literary
Nonfiction: history, creative, literary, business

"You are a magician with language. The ms. reads much better now, which is amazing because it had already been revised at least thirty times and professionally edited. I've learned a great deal from you and it's been a pleasure working with someone so pleasant, extremely talented, and knowledgeable.... Now I don't think I'd want my agent to see anything you haven't seen first! Thank you for doing such a marvelous job. Don't be surprised if you get some referrals. You're brilliant."— Linda Dennis Richmond, author

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ALICE DAY has been an editor since 1988. After earning a graduate degree in creative writing at Brown University, she has worked at the book publishers Henry Holt and Company and Carroll & Graf Publishers. Writer Don Smith, whose awards include 19 regional Emmys, said of Alice Day, "She's the kind of editor every writer should be so lucky to have." Alice Day is an award-winning poet with four collections of poetry that have been published by nationally-recognized publishing houses. Kathleen Wakefield, whose novella won the 2008 Cleveland State University novella contest, said "that [Alice] has been an editor at a major New York publishing house gives her insight into that complicated world; that she is a poet, I believe, gives her the sensitivity to find the beauty of a writer's individual work." Alice Day has the skill and experience to focus on a writer's vision and help the writer realize it. She's a hands-on editor who's not afraid to cut words and offer insights. And she has a poet's sensitivity to language.

Alice Day's specialty is fiction editing. She has worked with numerous award-winning authors (authors who have won the Pulitzer Prize, National Book Critics Circle Award, and the PEN/Faulkner Award, as well as first-time novelists) She does detailed manuscript evaluations, as well as developmental/substantive editing. She is also a skilled copy editor.

Her fiction specialties include short stories, novellas, literary fiction, historical fiction, commercial fiction, women's fiction, chick lit, thrillers, mysteries, and detective/crime novels.

"Alice is a joy to work with and someone I recommend most highly to other writers. She is a skillful, sensitive editor with excellent judgment and tremendous respect for an author's voice. Whether she's commenting on the overall arc of a story or zeroing in on a specific phrase or line of dialogue, her comments are always insightful and instructive." --Amanda Filipacchi, author of Nude Men and Vapor

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CAROL HEGBERG is an internationally published, award-winning writer and content editor. Her novel is entitled Pen Pals. Her poetry, scripts, short stories, and articles have been published in many magazines and books. Carol knows the endurance, tenacity, and patience a writer must possess to become published. Beginning writers, published authors, agents with needy clients, and publishers who need developmental editing for their writers use her services. She helps rewrite speeches, short stories or collections, articles, essays, and manuscripts. She helps develop inspirational, Christian, and picture-book manuscripts, children and young-adult fiction and nonfiction. She's available for writing help with manuscript submissions, query letters, and book proposals.

Developmental editing, rewriting, mentoring
Juvenile & young adult fiction/nonfiction, Christian topics

"Carol breathed life into my top-selling children's story with her wonderful way with words." Nancy S. Mure, author of Irregular Joe

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MARK ORRIN, M.A., Johns Hopkins (Teaching Fellow, 1971), has authored ten published books, scores of articles and poems, and taught writing on college and university levels. A seasoned publications editor, he has also mentored numerous successful American and international authors and poets. During a career in fund raising, Mark was considered one of America's leading copywriters, copy chiefs and creative/strategic consultants. He has been listed in Who's Who In the West, Who's Who In America, Who's Who In Entertainment and The Dictionary of International Biography.

Ghostwriting, mentoring, developmental editing, line editing
Manuscript critiques and evaluations
Book proposals
"Self-agenting" your book
Fiction: science fiction, fantasy, sword-and-sorcery, Westerns, mysteries, adolescent and children's books, action-suspense
Non-fiction: memoirs, inspirational, public issues, self-help.

"Throughout our work and rework on my manuscript, Mark was encouraging and kind, and he never made me feel like the rookie I am (was). He never left me feeling like he knew more about the publishing industry than I did — he just continued to teach me in an incredibly thoughtful and gentle way, fine-tuning my work and imploring me to be the best I could be. ... At the moment there are ten agencies and two publishers who have responded favorably to my query (which you taught me how to write, I might add) about my novel. " – Gary Kaschak

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Submission

Cut and paste the questions and answers into an e-mail:

EditMyBook@Gmail.com

Alternates:
2010 at book-editing.com
help2010 at airmail.net

Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF attachment preferred). Large files should be zipped. Attachment not required if writing has not started (e.g., because you're looking for a ghostwriter).

Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes).

(01) Word count of complete project (under "Tools" in MS Word):

(02) Put your 100-word (approx) synopsis/description here (or attach):

(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):

(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):

(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)

(06) Level of editing desired/expected --

Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation

(07) Number of charts/tables/pictures (if any):

(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:

(09) Number of footnotes/references:

(10) Do you have a contract with an agent or publisher?:

(11) Do you plan to self-publish?:

(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)

(13) Your name:

(14) E-mail addresses:

(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.):

(16) City, State, Country (or time zone):

(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):

(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?

(19) How did you learn about our service?:

(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)

Notes:

No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)

To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association

It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.

LIVE AGENT

Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page. Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.

Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate.

Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.