Book Editing Associates - Fiction and Nonfiction - Book Editors Network

Levels of Editing

    Proofreading.
    Traditionally:
    Checking typeset copies against the original manuscript to correct errors introduced during typesetting or multiple copyediting passes.
    Commonly: (As humanly possible) Detection and correction of any obvious errors in the manuscript (e.g., typos).

     

    Copyediting, Line Editing. Editing for grammar, usage, spelling, punctuation, and other mechanics of style; checking for consistency of mechanics and for internal consistency of facts; inserting headings; editing tables for content and format; and inserting (or marking the location of) art, tables, figures, and lists.

     

    Substantive/Developmental/Structural Editing. Clarifying or reorganizing a manuscript for content and structure, clarifying meaning, eliminating jargon, and other nonmechanical editing.
    May include some rewriting and reorganization of text.
    Does not include research, writing original material, checking/correcting reading level, or creating/recasting tables/figures unless specified.

     

    Rewriting. Creating a new manuscript, or parts of a manuscript, using research and content supplied by the client.  
    Does not include research or writing original material unless specified.

    Submission

    Cut and paste the questions and answers into an e-mail:

    EditMyBook@Gmail.com

    Alternates
    2012@Book-Editing.com
    Help2012@Airmail.net
    Contact@Editing-Writing.com

    You may send your initial submission to all addresses to make sure it's received.

    Required:
    Submit the first 50 pages of your manuscript (Word/DOC or RTF attachment preferred). Large files should be zipped. Attachment not required if writing has not started (e.g., because you're looking for a ghostwriter).

    A sample is required to receive an estimate
    for editing services

    Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes).

    (01) Word count of complete project (under "Tools" in MS Word):

    (02) Put your 100-word (approx) synopsis/description here (or attach):

    (03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):

    (04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):

    (05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)

    (06) Level of editing desired/expected --

    • Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
    • Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
    • Rewriting / Ghostwriting
    • Critique / Evaluation

    (07) Number of charts/tables/pictures (if any):

    (08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:

    (09) Number of footnotes/references:

    (10) Do you have a contract with an agent or publisher?:

    (11) Do you plan to self-publish?:

    (12) What is your budget for the entire project?
    $ ________________
    (Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)

    (13) Your name:

    (14) E-mail addresses:

    (15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.):

    (16) City, State, Country (or time zone):

    (17) The name(s) of the editor(s)/writer(s) you'd like to contact.
    (If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):

    (18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?

    (19) How did you learn about our service?:

    (20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)


    Notes:

    No hidden charges
    We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)

    To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association

    It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.

    LIVE AGENT

    Note: Questions about price and turnaround times cannot be given over the phone or via chat.
    To obtain a price quote please follow the procedures listed on our quotes page.

     

    Contact live support if you do not receive a response within three hours (M-F, 9a-7p central). Expect longer response times if you submitted after U.S. business hours or on weekends.

    You may also send your submission to our alternate e-mail addresses if you do not receive a response within three hours M-F:

    Help2012 at Airmail.net
    editingnetwork at gmail.com
    contact at editing-writing.com

    You may also leave voice mail for the network coordinator: 469-789-3030. This number is for verification of e-mail submissions only.


    Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate.

    Disclaimer: Your agreement, whether oral or written, is with your editor or publishing consultant, not with the editing network as a whole or its coordinator.