|
MENU |
|
|
Historical Fiction
History
|
Editors Carrie Andrews is an honors graduate with a BA in English. She has worked in the publishing industry for several years as a project editor, copyeditor, and proofreader, with specialties in fiction, entertainment, and college-level textbooks. She works with companies such as Reader's Digest, Random House, Inc., Kensington Publishing, and Wadsworth/Thomson Learning. A bibliophile her entire life, Carrie has a natural talent for language. Her avid reading has helped her develop a sharp eye for detail and has honed her sense of flow. While copyediting, she strikes that delicate balance between maintaining an author's voice and making the language clear and vibrant. She is also a meticulous proofreader and fact checker. Clients have called her work "superb" and "astute." Authors enjoy Carrie's personable style and find her easy to work with.
BETH BRUNO is a columnist, author, and book editor. Hundreds of her articles have been published in print and online, and her first book, Wild Tulips, came out in 2001 and went into a second printing in 2002. Beth's proximity to New York and her position as President of the CT Authors and Publishers Association give her unique access to literary agents and publishers in and around New York City. Several of the authors whose manuscripts she has edited have been published in the mainstream, thanks to her referrals on their behalf. Beth's editing interests are eclectic and include a delicious mix of fiction, nonfiction, young adult, and children's works.
CONNIE BUCHANAN, editor of Tom Clancy's The Hunt for Red October, has edited and ghostwritten 200+ titles for publishers that include Time-Life Books, Brassey's/Macmillan, and Island Press. She performs everything from evaluations to basic copyediting and complete rewrites. One of Connie's priorities is helping authors communicate in concise, engaging prose that will attract the attention of agents. Areas of expertise include memoir, literary and commercial fiction, environmental issues, public policy, health/nutrition, U.S. and European history, military history, and art history. Connie has English degrees from Princeton and Oxford universities. Her book reviews and prize-winning short stories have appeared in the Baltimore Sun, the Washington Times, and the Journey Prize Anthology, among others. Says former Speaker of the House Jim Wright, author of Worth It All: My War for Peace, "Connie's editorial improvements are absolutely outstanding! I wonder why I didn't think to say it that way in the first place." Michael Carr has edited or copyedited 300+ fiction and nonfiction titles for major publishers and authors. Notable nonfiction authors include Bernard Goldberg (NY Times best-seller Arrogance), CNN anchor Lou Dobbs (Exporting America), Rev. Al Sharpton (Al on America), and CNN Crossfire host Tucker Carlson (Politicians, Partisans, and Parasites). Michael edits most fiction genres but specializes in literary and historical, crime/mystery, drama, fantasy, and science fiction. Notable fiction authors include Brad Meltzer (#3 NY Times best-seller The Zero Game), NY Times Notable Book of the Year author Archer Mayor (The Surrogate Thief, Gatekeeper, The Second Mouse), crime grandmaster Donald Westlake (the Dortmunder series), and the fantasy master Michael Moorcock (The White Wolf’s Son). Michael has also edited eight published volumes on world affairs and some twenty self-help books (medical, psychological, personal growth, and business) and has translated a dozen novels and other literary works from Spanish to English.
ESTHER DAVID-ROLAND is a writer and editor whose experience includes writing and editing in technical and non-technical subject areas. She has worked as a journalist, writer, and editor for more than 25 years and brings her many years of experience to each project. As a freelance copyeditor, Esther has worked with major publishers, businesses, and individuals, and has worked extensively with authors whose native language is not English. * Book editing (nonfiction)
The award-winning writing of KAREN DAVIS prompted one of many loyal clients to call her his "secret weapon in attaining communications supremacy." She earned magna cum laude degrees in English and history and world-class journalism credentials from the London Times and Regional Newspapers. Since 1976 she has been an international correspondent and author of hundreds of magazine and newspaper articles; publishing house editor (several books won American Library Association Outstanding Reference Source awards); acclaimed advertising writer (First Place in the Pacific Northwest, direct mail campaign) and technical writer ($10,000 First Place in North America, engineering paper); director of publications and marketing; author of style manuals; university lecturer in writing; and published lyricist and poet. She brings clarity and conciseness to confusing language and organization to chaos..
ALICE DAY has been an editor since 1988. After earning a graduate degree in creative writing at Brown University, she has worked at the book publishers Henry Holt and Company and Carroll & Graf Publishers. Writer Don Smith, whose awards include 19 regional Emmys, said of Alice Day, "She's the kind of editor every writer should be so lucky to have." Alice Day is an award-winning poet with four collections of poetry that have been published by nationally-recognized publishing houses. Kathleen Wakefield, whose novella won the 2008 Cleveland State University novella contest, said "that [Alice] has been an editor at a major New York publishing house gives her insight into that complicated world; that she is a poet, I believe, gives her the sensitivity to find the beauty of a writer's individual work." Alice Day has the skill and experience to focus on a writer's vision and help the writer realize it. She's a hands-on editor who's not afraid to cut words and offer insights. And she has a poet's sensitivity to language. Alice Day's specialty is fiction editing. She has worked with numerous award-winning authors (authors who have won the Pulitzer Prize, National Book Critics Circle Award, and the PEN/Faulkner Award, as well as first-time novelists) She does detailed manuscript evaluations, as well as developmental/substantive editing. She is also a skilled copy editor. Her fiction specialties include short stories, novellas, literary fiction, historical fiction, commercial fiction, women's fiction, chick lit, thrillers, mysteries, and detective/crime novels. STAVRA KETCHMARK has edited more than 200 fiction titles while working for major publishing houses, as well as numerous medical, technical, and scientific trade, academic, and professional titles. She specializes in a variety of fiction genres, including romance, historical, mystery, suspense, crime, horror, fantasy, science fiction, and young adult. Her nonfiction specialties include all medical disciplines, nursing, allied health, alternative health, political science/politics, history, journalism, religion, parenting, and cooking. Stavra has also helped a broad range of corporate clients fine-tune their annual reports, advertisements, websites, and other marketing materials to achieve the image they are seeking. Her edited manuscripts have been published by Wadsworth, Mosby, Signet, Roc, NAL Trade, Thompson Delmar Learning, and Onyx.
Lynda Lotman (see www.manuscriptediting.com) RON MARMARELLI is a specialist in nonfiction, especially biography, history, and literary journalism, with expertise in scholarly writing and documentation (MLA, Chicago/Turabian, APA). He also is experienced in editing fiction manuscripts, especially historical fiction and literary fiction, and can assist in preparation of book proposals, synopses, and queries. He is a published biographer and historian, a former newspaper journalist, and a university professor who also has been a freelance editor since 2000. He has taught university courses in writing and editing for more than 20 years, has written more than 20 biographical articles for reference works, and has written articles, essays, and book reviews for anthologies and journals. He has bachelor's and master's degrees in journalism and has done doctoral work in American studies.
DORRIE O'BRIEN focuses on mysteries, science fiction, fantasy, thrillers, adventure, and horror titles. She has considerable experience with trade non-fiction. As Editorial Director of her own publishing house, Dorrie published almost 100 titles, garnering several awards in "Best Of" categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has invaluable knowledge about the industry, the type of people who run it, how to work within it, and tips for getting your foot in the door. She’s reviewed, evaluated, and edited thousands of manuscripts through the years, and uses that knowledge to help her clients produce results-driven manuscripts, query letters, and synopses. She works particularly hard at staying in the author’s “voice,” making sure the facts and dialogue match the time period in which the book is set, and “losing” excess verbiage. She's a good mentor, hard worker, and in many cases, has ultimately become a good friend.
|
Submission Please fill out this form to request a quote OR Cut and paste the questions and answers into an e-mail: Required: Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes). (01) Word count of complete project (under "Tools" in MS Word): (02) Put your 100-word (approx) synopsis/description here (or attach): (03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary): (04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.): (05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months) (06) Level of editing desired/expected --
(07) Number of charts/tables/pictures (if any): (08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable: (09) Number of footnotes/references: (10) Do you have a contract with an agent or publisher?: (11) Do you plan to self-publish?: (12) What is your budget for the entire project? $ ________________ (13) Your name: (14) E-mail addresses: (15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.): (16) City, State, Country (or time zone): (17) The name(s) of the editor(s)/writer(s) you'd like to contact. (18) How did you learn about our service?: (19) Attach writing sample(s) (e.g., prologue, chapter 1, proposal, query) Notes: No hidden charges To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec. Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page. Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030. Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate. Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator. |
|
Search this site
powered by FreeFind |
|
|
All pages copyright 1998-2008. Last updated May 14, 2008.
www.book-editing.com
Site design by Kori-Kai Yoshida