BOOK EDITORS AND WRITERS: ETHNICITY, CULTURE, SOCIOLOGY

Ethnicity / Cultural / Multicultural Studies / Sociology

Editors

Carrie Andrews is an honors graduate with a BA in English. She has worked in the publishing industry for several years as a project editor, copyeditor, and proofreader, with specialties in fiction, entertainment, and college-level textbooks. She works with companies such as Reader's Digest, Random House, Inc., Kensington Publishing, and Wadsworth/Thomson Learning. A bibliophile her entire life, Carrie has a natural talent for language. Her avid reading has helped her develop a sharp eye for detail and has honed her sense of flow. While copyediting, she strikes that delicate balance between maintaining an author's voice and making the language clear and vibrant. She is also a meticulous proofreader and fact checker. Clients have called her work "superb" and "astute." Authors enjoy Carrie's personable style and find her easy to work with.

Copyediting, proofreading
Formatting: Chicago Manual of Style, 15^th ed, American Medical Association, 9^th ed, American Psychological Association, 5^th ed
Fiction: African American, inspirational, thrillers, suspense, historical, fantasy, romance, and the classics
Non-Fiction: World history, world politics, American government, singing, psychology, philosophy, speech, physical chemistry, oral history, self-help, alternative medicine articles, scientific journals!
Entertainment: Video game strategy

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CONNIE BUCHANAN, editor of Tom Clancy's The Hunt for Red October, has edited and ghostwritten 200+ titles for publishers that include Time-Life Books, Brassey's/Macmillan, and Island Press. She performs everything from evaluations to basic copyediting and complete rewrites. One of Connie's priorities is helping authors communicate in concise, engaging prose that will attract the attention of agents.

Areas of expertise include memoir, literary and commercial fiction, environmental issues, public policy, health/nutrition, U.S. and European history, military history, and art history.

Connie has English degrees from Princeton and Oxford universities. Her book reviews and prize-winning short stories have appeared in the Baltimore Sun, the Washington Times, and the Journey Prize Anthology, among others. Says former Speaker of the House Jim Wright, author of Worth It All: My War for Peace, "Connie's editorial improvements are absolutely outstanding! I wonder why I didn't think to say it that way in the first place."

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ARLENE ROBINSON has developed and edited 200+ full-length manuscripts in a variety of genres since 1996. Her clients include women's fiction author Angie Daniels, sociology professor Joyce Tang and college-success guide author Josh Richardson. The true crime memoir The Twelfth Man Standing received Turner Broadcasting Network's Trumpet Award in 2002, and 'PRESSIONS: Memoirs of a Southern Cat by Edith M. Holmes, won the YOUnity Reviewers Guild Top Honor Award. Arlene welcomes new or published authors as clients, and enjoys helping journalistic, business and academic writers transform their writings into marketable, polished products for mainstream readers. She also takes pride in helping non-native-English writers produce topnotch fiction and nonfiction works.

While not a professional humor writer, she could be. Arlene lives in the Deep South with her probation officer/journalist husband and two almost-adult sons, and looks forward to the day when her human offspring venture into the world as independently as she envisions her writings springing onto bookshelves.

Substantive and developmental editing, copyediting
Fiction and nonfiction critiques
Book layout and graphics
ESL Style Conversions ("Americanization")

Arlene is booking for March 2008.

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Submission

Please fill out this form to request a quote

Cut and paste the questions and answers into an e-mail:

2008@book-editing.com

Required:
Submit a sample of your book manuscript or story (Word/DOC or RTF attachment preferred). The sample should be 5-50 pages. Large files should be zipped. Attachment not required if writing has not started (e.g., because you're looking for a ghostwriter).

Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes).

(01) Word count of complete project (under "Tools" in MS Word):

(02) Put your 100-word (approx) synopsis/description here (or attach):

(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):

(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):

(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)

(06) Level of editing desired/expected --

Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation

(07) Number of charts/tables/pictures (if any):

(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:

(09) Number of footnotes/references:

(10) Do you have a contract with an agent or publisher?:

(11) Do you plan to self-publish?:

(12) What is your budget for the entire project? $ ________________

(13) Your name:

(14) E-mail addresses:

(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.):

(16) City, State, Country (or time zone):

(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):

(18) How did you learn about our service?:

(19) Attach writing sample(s) (e.g., prologue, chapter 1, proposal, query)

Notes:

No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)

To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association

It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.

LIVE AGENT

Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page. Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.

Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate.

Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.