Fiction Editors | Westerns
THEODORA BRYANT focuses on mysteries, science fiction, fantasy, thrillers, adventure, and horror titles. She has considerable experience with trade non-fiction. As Editorial Director of her own publishing house, Theodora published almost 100 titles, garnering several awards in "Best Of" categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has invaluable knowledge about the industry, the type of people who run it, how to work within it, and tips for getting your foot in the door. She's reviewed, evaluated, and edited thousands of manuscripts through the years, and uses that knowledge to help her clients produce results-driven manuscripts, query letters, and synopses. She works particularly hard at staying in the author's "voice," making sure the facts and dialogue match the time period in which the book is set, and "losing" excess verbiage. She's a good mentor, hard worker, and in many cases, has ultimately become a good friend.
Owner, award-winning publishing company, 1994-2001
Freelance editor (with this network only) since 2002
Critiqued and edited hundreds of manuscripts
Dozens of authors now happily selling their books
Detailed written critique/evaluation of your manuscript that asks questions, points out conflicts, confused timelines, characterization difficulties, etc., in the manuscript itself so the guide is always there for you to follow as you rework it.
Mentor you with creative ideas, and guide you through the whole gamut of what’s what in the publishing industry (i.e.: whether traditional or self-publishing is best for you).
Hands on content edit (aka copy-edit, aka line edit), structural/stylistic edit of your manuscript, doing everything to get your manuscript ready for a traditional agent, a traditional editor, a self-publishing company, or ready for submission to an e-publisher.
Work with you on a query and/or synopsis when the manuscript is ready for publication, should you want that.
JOHN DAVID KUDRICK (BA in Theology / MA in Journalism—Professional Writing: Fiction).
You're sitting at your computer, smiling, feeling an incredible sense of satisfaction in your heart. After more hours than you can count, you've finally finished your novel – a story from deep within your soul that you want to share with the world.
But then the questions start hitting your mind: Is it the very best that it can be? Will anyone even want to read it? What should I do with it now?
With nearly twenty years of experience as an editor, John David understands the gamut of feelings that comes with getting your novel from your hard drive and into print. That's why he'd love to partner with you in getting your novel to the next level …
- Manuscript Critique – With a detailed evaluation document and annotated comments/suggestions throughout your manuscript, find out how you can make your good book even better.
- Content Editing – Guidance and hands-on editorial help in reorganizing and revising your story to make it even more powerful and engaging. Includes two rounds of editorial review.
- Copyediting – Line-by-line editing to take care of grammar, word usage, tone, format, and more. Includes two rounds of editorial review.
- Proofreading – A final polish to clean up typos, inconsistencies, misspellings, and punctuation problems. Includes two rounds of editorial review.
- Ghostwriting – Crafting of a book-length manuscript using existing material from author. Also includes a follow-up copyedit. (NOTE: Ghostwriting available for Christian living/spirituality book projects only.)
Novels, short stories, creative nonfiction, mainstream trade, religion, philosophy, adventure, romance, science fiction, erotica, action/military, travel/lifestyle, gay/lesbian, ethnic/culture, literary journalism, memoir/autobiography, New Age, spirituality, poetry
“James Powell examines the symbols of language the way a biologist examines cells.” New York Times Review of Books
“James Powell assures us that the universe is a silent partner in a dialogue that goes on all the time.” New York Times Review of Books
JAMES N. POWEL is "a good literary surgeon," as one of his accomplished clients noted. As an editor of fiction and non-fiction, he views manuscripts with comprehensive vision and an eye for detail. He will read your fiction with an eye to making it believable and your non-fiction with a knack for making it both convincing and engaging.
His books and short stories have been translated into many languages and are known throughout the world. His list of publications includes The Tao of Symbols (Morrow 1982), Energy and Eros (Morrow 1985), The Prentice Hall Global Employment Guide (Prentice Hall 1983), Mandalas: The Dynamics of Vedic Symbolism (Sterling 1980), Derrida for Beginners (Writers and Readers 1996), Postmodernism for Beginners (Writers and Readers 1998), Eastern Philosophy for Beginners (2000), Deconstruction for Beginners (2005), and Slow Love: A Polynesian Pillow Book (2008).
His short story "The Silence of the Hummingbird" was published in Spanish in Revista Katharsis, in Malaga, Spain, and his journalism has appeared in Spirituality & Health, Tahiti Beach Press, the Santa Barbara Independent, and Montecito Journal.
CAROLINE T. has been editing popular fiction for 20 years and has 200+ novels under her belt. Her ability to see the big picture, combined with an in-depth knowledge of today’s publishing market, makes her an invaluable partner in the editing and publishing process.
Editor of New York Times Best-Sellers
A former in-house editor at Pocket Books—a division of Simon & Schuster, the premiere New York City publisher of commercial and trade fiction—an outside editor for Harper Collins/Avon, and a reader for The Literary Guild and The Rhapsody Book Club, Caroline’s particular expertise is historical and contemporary romance, romantic comedy, and romantic suspense. Carla Neggers, Karen Robards and Andrea Kane—three New York Times, Publishers Weekly, and USA Today bestselling authors—had books edited by Caroline. She also specializes in suspense thrillers, crime fiction, amateur sleuths, sagas, inspirational romance, westerns, urban fantasy and African-American popular fiction. She holds workshops on the writer’s conference circuit and speaks at numerous venues to help advance the cause of popular fiction for women.
Known for her accessibility, Caroline is available to answer any questions a client may have; from a simple inquiry regarding point of view switching, to a larger issue regarding career path. She is a hands-on editor, likes to put her blue pen to work, and enjoys brainstorming with writers. She is a mentor, a guide and a source of vast knowledge on the subject of popular fiction. Caroline offers content and developmental editing with commentary; minor line-editing if necessary, submission help, and career consulting.