Screenplay and Script Editors
DAVID A. CATHCART has worked as a writer, editor, publisher, journalist, screenwriter, blogger, copyeditor, copywriter, art director, and proofreader for almost 20 years. He has written, co-written and edited over 40 published books, both fiction and non-fiction. He has also written, co-written, and/or directed a dozen films and has shepherded dozens of writers through the editing and publishing process.
David's areas of specialty include Christian fiction and nonfiction, science fiction and fantasy, literary fiction, screenplays, creative nonfiction, business writing, how-to/self-help, autobiography and historical fiction. His clients appreciate his extensive knowledge of story structure, his attention to detail, his knowledge and experience of the marketplace and his friendly, honest approach.
Services offered: Writing, Ghostwriting, Manuscript Evaluation, Developmental/Substantive Editing, Copyediting, Proofreading, Book Proposal Development
Developmental editing, ghostwriting, and book proposals for submission
HENRY DENARD is a writer and editor of commercial mainstream nonfiction and fiction.
Denard co-founded and was editor in chief at a publishing company (distributed by Random House) where he oversaw (and often helped to write) dozens of books.
Denard’s bestselling nonfiction and fiction authors include Chris Wallace, Catherine Crier, Matthew Modine, Brett Favre, Joe Namath, and Steven Pressfield. Denard’s titles have been featured in “The New York Times” (including front page) and on “Sixty Minutes,” “Oprah,” “The Today Show,” and “The Daily Show with Jon Stewart.”
Two of Denard’s published books sold to film studios for over $1 million.
Denard has also written for The New York Times Magazine and American Express’ Departures magazine.
On the film side, Denard produced The Conspirator, starring James McAvoy, Kevin Kline, and Robin Wright; directed by Robert Redford; Gone in 60 Seconds (Touchstone) starring Nicolas Cage; The Negotiator (Warner) starring Samuel Jackson and Kevin Spacey; and Citizen X (HBO). He is a member of the Writers Guild of America (WGA, the screenwriters’ union) and uses Final Draft when working with writers of screenplays.
Denard has experience with contract negotiations, film and book production, sales, distribution, marketing, publicity, and subsidiary rights.
He can assist with literary agent and publisher selection as well as the fiction or nonfiction submission package, including query letters and book proposals.
Writing Coach, Mentor, Collaborator, and Ghostwriter Editing Services
Contemporary, Mainstream, Creative Nonfiction, Detective, Erotica, Gay/Lesbian, Literary Fiction, Memoir/Autobiography, Mystery, Psychological Thriller, Suspense, Women’s Fiction, Young Adult
TED GASNER edited hundreds of award-winning fiction and nonfiction titles during his six years as a supervising editor for Scholastic Inc. Ted developed book series for print, eReaders, and websites, then assigned topics to authors, helped them with their outlines and first drafts, and then took over from there to copyedit the final product.
As a freelance editor, Ted has edited novels, memoirs, marketing and advertising materials, textbooks, research papers, websites and whatever else has comes his way. He has a strong background in fiction, history, the sciences, and sports.
Ted specializes in developmental editing, copyediting, line editing, and proofreading. A strong communicator, he works as a team with authors to help them bring out the best of the manuscripts.
"Ted has an amazing ability to boil it down to the best moments in the least amount of words! I really like all the sophistication he brings to the writing. Casual tone but with varying sentence structures that keep it interesting." —Eileen Wacker, author of The Mom’s Code and Once Kids’ Fujimini Adventure Series
"I glanced over the edits – I don’t like them – I LOVE THEM!!! You’re a genius! You really made my girls pop! I had to laugh at a couple of your comments. Great catch about Facebook age appropriateness. So, THANK YOU, THANK YOU, THANK YOU for all that work! It’s so much red, I feel like a failing kid in seventh grade." -Yvette.
"I’ve had the privilege of working with Ted, and he is a consummate professional. A talented editor with a keen eye for detail, Ted always offers fresh and creative ideas to help strengthen my prose without compromising my voice. If you are looking for a caring, prompt, thorough editor, he is definitely the person to contact. —Lisa Fox, author of Knightly Desire
"I chose Ted Gasner over cheaper proposals because of his sample edit. He was worth every penny as he put MORE into the project than he needed to. Nice quality work and easy to work with." -Don McGann
S. J. SUTTON has worked in the book publishing and the film industries for thirty years—on the front lines and behind the scenes—finding projects to publish and/or produce, and developing and editing them, seeing them through to completion on the page or screen.
In the book publishing industry, she was a developmental editor, copy editor, and proofreader for Canfield Press, Harper & Row (now Harper Collins), Prentice-Hall, McGraw-Hill Book Company, Grune & Stratton, Abrams Publishers, and many others.In the film industry she worked as a story analyst and development consultant on feature film and television projects for DreamWorks, Disney, Showtime, Lifetime, among others, and worked on the development of films such as L.A. Confidential (Academy Award for Best Writing, Screenplay Based on Material Previously Produced or Published), Get On Up, Enigma, HBO's Vinyl, and countless others. She assisted writer/director Albert Brooks on Defending Your Life.
MARIE VALENTINE's editorial work ranges from conceptual and developmental brainstorming to copy editing and proofreading, as well as the nitty-gritty of print and Web production. She has worked in acquisitions and production for the renowned new age book publisher Llewellyn Worldwide. She has also served as a news editor and writer, business technology editor, poet and small press publisher of experimental works by contemporary writers. Marie will use her knowledge in literature and nonfiction to clarify your thoughts with minimal alteration, but she is also open to experiments and will adapt easily and quickly to your perceived vision and goals. A flexible editor and proofreader with a light touch, Marie will help your prose shine while keeping your personal style intact.
- 10+ years proofreading experience (print, web, digital, books, magazines, news weeklies, chapbooks and more)
- 6 years business and technology editing experience
- 5 years book manuscript editing experience, both fiction and nonfiction
- 4 years publisher acquisitions experience - Ruminator (small press), university press (U of MN), commercial press (Llewellyn). She knows what publishers look for in a book.
- 9 years academic editing and formatting
- Content organization
- Structural and substantive editing
- Formatting and style editing (MLA, Chicago, APA, AP, project-specific)
- Copy editing