Mystery and Suspense Fiction Editors
LISA BALTHAZAR has published over 100 books, including several award-winning and bestselling titles. She is also a publishing executive and editor with over 20 years of professional experience in the industry. She has been Editorial/Publishing Director for Golden Books, Price Stern Sloan-Penguin Random House, Intervisual Books, Gateway Learning Corp (Hooked on Phonics), and other established publishing houses.
Lisa is the lead writer for Writing Children’s Books for Dummies Second Edition (2013). Her latest YA, Surviving the Angel of Death: The True Story of a Mengele Twin in Auschwitz, with Eva Kor, got a stellar review by Archbishop Desmond Tutu; it was released in paperback in 2012 and has been published in numerous languages.
Lisa has edited dozens of novels for publishers such as Tanglewood Books, Simon & Schuster, Merrylane Press, and others.
Lisa has been editing fiction and nonfiction for 20 years—and she’s loved every minute. She has helped hundreds of writers hone their skills in the craft of writing. Her editing, whichever service you choose, always covers plot and storyline, character arc and development, drama and pacing, and writing style. Lisa is a writer’s advocate, mentor, cheerleader, and toughest critic, but you will come away from her with a better book.
Her awards include: Pennsylvania School Librarians Association (top 40 nonfiction titles for young adults), IParenting Media Award, Kirkus Best Books for Teens (2011), rave Horn Book review (2011), New Voices Award (Best Books for Kids, 2011, from the Association of Booksellers for Children), YALSA Readers Picks (2011), and the Parents Choice Silver Honor Award. (The LONG list is available on request.)
You will learn how to fix whatever ails your book. And you will increase your chances of success in the marketplace.
Lisa wants to help you make your book the best it can be. Her editing will make you wish you had found her sooner.
Judge: Indie Book Awards
Developmental Content Editing, Writing Assistance, Query Letters, Book Proposals, Submissions to Literary Agents and Publishers
BETH BRUNO is a columnist, author, and book editor. Hundreds of her articles have been published in print and online, and her first book, Wild Tulips, came out in 2001 and went into a second printing in 2002. Beth's proximity to New York and her position as President of the CT Authors and Publishers Association give her unique access to literary agents and publishers in and around New York City. Several of the authors whose manuscripts she has edited have been published in the mainstream, thanks to her referrals on their behalf.
Beth’s editing interests are eclectic and include a delicious mix of fiction, nonfiction, young adult, and children’s works. Among the 350+ manuscripts she has edited, she has a special affinity for: mystery/suspense, women’s fiction, memoir, psychology topics, romance, self-help, how-to, and both fiction and nonfiction for young adult (YA) readers.
In addition to editing, Beth serves as a judge for the Indie Book Awards, an excellent contest for authors who self-publish. Winners receive cash prizes, publicity, and introduction to literary agents and publishers.
"I want to thank Beth for the spectacular job she did editing my book, which has just been published. When Beth first*** received the manuscript, she understood what was missing and recognized the changes needed to improve the flow, characterization, plot, etc., of my novel. She had a keen eye for small details. Beth was also always very available to discuss suggestions, and she quickly came up with alternatives to solve the problems we encountered along the way. She guided me through the particulars of my novel to the final polished product. The result: A published book." Oscar Medina
“When Beth first received the manuscript, she understood what was missing and recognized the changes needed to improve the flow, characterization, plot, etc., of my novel. She had a keen eye for small details. Beth was also always very available to discuss suggestions, and she quickly came up with alternatives to solve the problems we encountered along the way. She guided me through the particulars of my novel to the final polished product. The result: A published book.” Oscar Medina
THEODORA BRYANT focuses on mysteries, science fiction, fantasy, thrillers, adventure, and horror titles. She has considerable experience with trade non-fiction. As Editorial Director of her own publishing house, Theodora published almost 100 titles, garnering several awards in "Best Of" categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has invaluable knowledge about the industry, the type of people who run it, how to work within it, and tips for getting your foot in the door. She's reviewed, evaluated, and edited thousands of manuscripts through the years, and uses that knowledge to help her clients produce results-driven manuscripts, query letters, and synopses. She works particularly hard at staying in the author's "voice," making sure the facts and dialogue match the time period in which the book is set, and "losing" excess verbiage. She's a good mentor, hard worker, and in many cases, has ultimately become a good friend.
Owner, award-winning publishing company, 1994-2001
Freelance editor (with this network only) since 2002
Critiqued and edited hundreds of manuscripts
Dozens of authors now happily selling their books
Detailed written critique/evaluation of your manuscript that asks questions, points out conflicts, confused timelines, characterization difficulties, etc., in the manuscript itself so the guide is always there for you to follow as you rework it.
Mentor you with creative ideas, and guide you through the whole gamut of what’s what in the publishing industry (i.e.: whether traditional or self-publishing is best for you).
Hands on content edit (aka copy-edit, aka line edit), structural/stylistic edit of your manuscript, doing everything to get your manuscript ready for a traditional agent, a traditional editor, a self-publishing company, or ready for submission to an e-publisher.
Work with you on a query and/or synopsis when the manuscript is ready for publication, should you want that.
Michael is not accepting submissions until January 2018.
Substantive editing, copyediting, rewriting
Fiction and nonfiction: literary, how-to, psychology, self-help, crime fiction, adult, young adult, drama, fantasy, sci-fi, true crime, international relations, current affairs, nature and science, military history, forensic science, travel
MICHAEL CARR has edited or copyedited 300+ fiction and nonfiction titles for major publishers and authors. Notable nonfiction authors include Bernard Goldberg (NY Times best-seller Arrogance), CNN anchor Lou Dobbs (Exporting America), Rev. Al Sharpton (Al on America), and CNN Crossfire host Tucker Carlson (Politicians, Partisans, and Parasites). Michael edits most fiction genres but specializes in literary and historical, crime/mystery, drama, fantasy, and science fiction.
Notable fiction authors include Brad Meltzer (#3 NY Times best-seller The Zero Game), NY Times Notable Book of the Year author Archer Mayor (The Surrogate Thief, Gatekeeper, The Second Mouse), crime grandmaster Donald Westlake (the Dortmunder series), and the fantasy master Michael Moorcock (The White Wolf's Son).
Michael has also edited eight published volumes on world affairs and some twenty self-help books (medical, psychological, personal growth, and business) and has translated a dozen novels and other literary works from Spanish to English.
Developmental editing, ghostwriting, and book proposals for submission
HENRY DENARD is a writer and editor of commercial mainstream nonfiction and fiction.
Denard co-founded and was editor in chief at a publishing company (distributed by Random House) where he oversaw (and often helped to write) dozens of books.
Denard’s bestselling nonfiction and fiction authors include Chris Wallace, Catherine Crier, Matthew Modine, Brett Favre, Joe Namath, and Steven Pressfield. Denard’s titles have been featured in “The New York Times” (including front page) and on “Sixty Minutes,” “Oprah,” “The Today Show,” and “The Daily Show with Jon Stewart.”
Two of Denard’s published books sold to film studios for over $1 million.
Denard has also written for The New York Times Magazine and American Express’ Departures magazine.
On the film side, Denard produced The Conspirator, starring James McAvoy, Kevin Kline, and Robin Wright; directed by Robert Redford; Gone in 60 Seconds (Touchstone) starring Nicolas Cage; The Negotiator (Warner) starring Samuel Jackson and Kevin Spacey; and Citizen X (HBO). He is a member of the Writers Guild of America (WGA, the screenwriters’ union) and uses Final Draft when working with writers of screenplays.
Denard has experience with contract negotiations, film and book production, sales, distribution, marketing, publicity, and subsidiary rights.
He can assist with literary agent and publisher selection as well as the fiction or nonfiction submission package, including query letters and book proposals.
Before STACEY DONOVAN became a professional editor more than 20 years ago, she worked in a literary agency where she learned how to say no more often than yes, and include reasons why. A stint in advertising followed, teaching her to tell it short and sweet, meet deadlines, and most important: never give up.
Donovan is a ten-time published book author of both fiction and non-fiction. She has edited or ghostwritten dozens of published books for her clients. Two became New York Times Bestsellers, and another nominated for Best First Novel by International Thriller Writers. She is experienced in many genres: Contemporary/Mainstream; Caper/Detective; Erotica; Gay/Lesbian; Literary Fiction; Mystery; Psychological Thriller; Suspense; Women's Fiction; Young Adult; Memoir/Autobiography; Creative Nonfiction.
- Detailed critique/evaluation of your manuscript
- Developmental/structural/stylistic edit of your manuscript
- Complete revision of your manuscript
- Collaborate with you in a mentoring capacity as you edit your manuscript
- Collaborate with you on a query and/or synopsis when the manuscript is ready for publication
- Determine with you which literary agent would be suitable for representation
- Determine with you whether to pursue mainstream, small, or self-publishing
- Consultation on your initial and/or ongoing Social Media strategy
Donovan is a writing coach, mentor, collaborator and ghostwriter. She has published dozens of non-fiction articles on design and art, and specialized in celebrity interviews with experts in their field. She is also a Publishing and Social Media strategist.
KARIN GRAHAM is a trained editor. She has a bachelor's degree in comparative literature from the University of Virginia, a JD from William and Mary Law School, and a certificate in editing from the University of California Berkeley Extension. Karin honed her skills in turning facts and events into a coherent story in the crucible of the courtroom and her years as an attorney make her utterly attuned to the way that just the right (or wrong) word can change everything. She uses those skills to bring out the best in your work.
If your novel has fight scenes or involves any aspect of police procedures or the law, Karin is your specialist. Karin is a trained martial artist, with a third degree black belt in tae kwon do and years of training in hapkido and Krav Maga (which is a street-fighting self-defense system designed by a man fighting to survive in 1930s Eastern Europe). This means that Karin is uniquely able to evaluate the realism of your fight scenes. She has accompanied police on search warrants, observed autopsies, and been to countless crime scenes. She has training in arson prosecution and investigations and has given lectures to investigors on the subject of search and seizure law and to college students about the insanity defense.
Karin understands that just because editors can change a manuscript doesn't mean they should. An editor's job is to make the author's manuscript stand out, not to remake it as their own.
CAROLINE HILEY is a full-service editor who specializes in copyediting novels, particularly in the crime, mystery, and suspense categories. She works with both traditional publishers and independent authors to help make their stories shine.
Whether for stand-alone titles or series, she focuses on consistency, accuracy, and clarity, so that authors can successfully connect with their readers (while avoiding any embarrassing bloopers). Because she writes fiction and nonfiction herself, she knows the creative process from both sides and understands how editing can help or hinder.
Caroline thoroughly grooms a manuscript, checking spelling, grammar, punctuation, formatting, and style; tracking character traits and story timeline; confirming proper names, dates, places, and other technical or historical elements; flagging any spots that may raise a question in the reader’s mind. Authors then accept or reject the revisions, and move on to the next stage in their story’s progression.
In addition to copyediting, Caroline offers substantive editing (also called line editing), a more detailed work-through of a manuscript without the full immersion that goes with developmental editing. For authors seeking guidance for their own revisions, she also offers manuscript evaluation.
JOHN DAVID KUDRICK (BA in Theology / MA in Journalism—Professional Writing: Fiction).
You're sitting at your computer, smiling, feeling an incredible sense of satisfaction in your heart. After more hours than you can count, you've finally finished your novel – a story from deep within your soul that you want to share with the world.
But then the questions start hitting your mind: Is it the very best that it can be? Will anyone even want to read it? What should I do with it now?
With nearly twenty years of experience as an editor, John David understands the gamut of feelings that comes with getting your novel from your hard drive and into print. That's why he'd love to partner with you in getting your novel to the next level …
- Manuscript Critique – With a detailed evaluation document and annotated comments/suggestions throughout your manuscript, find out how you can make your good book even better.
- Content Editing – Guidance and hands-on editorial help in reorganizing and revising your story to make it even more powerful and engaging. Includes two rounds of editorial review.
- Copyediting – Line-by-line editing to take care of grammar, word usage, tone, format, and more. Includes two rounds of editorial review.
- Proofreading – A final polish to clean up typos, inconsistencies, misspellings, and punctuation problems. Includes two rounds of editorial review.
- Ghostwriting – Crafting of a book-length manuscript using existing material from author. Also includes a follow-up copyedit. (NOTE: Ghostwriting available for Christian living/spirituality book projects only.)
FLOYD LARGENT has edited a wide variety of mystery and thriller manuscripts, some pure mystery and others with technological and/or speculative overtones. He believes that when you get right down to it, most great books are mysteries—even those marketed in different genres. As a wide reader in the field, he understands its tropes and subcategories, from cozy British-style mysteries to the gritty work of Westlake and Leonard, and can bring a sympathetic touch to your manuscript. In addition to developmental editing, Mr. Largent can provide publishing assistance (especially concerning manuscript mechanics, query letters, book synopses, and proposals), content development, manuscript evaluation, and mentoring services. He’s especially proud of his close relationships with the authors with whom he works, and always has time to talk writing.
Mr. Largent’s published mystery/thriller authors include:
- David Broughton, author of the mystery/thriller Frozen in Time, released by Amazon Digital Services.
- George Potter, author of mysteries Death in the Empty Quarter and In Search of the Yellow Dog, both published by Crimson Star Publishing.
- Gary Towner, author of the mystery/thrillers The Mbuji Juju and The Dead Still Walk, released by Amazon Digital Services.
- Short stories
- Developmental content editing
- Manuscript mechanics and formatting
- Book proposals
- Submission advice
Developmental editing, substantive editing, line editing, manuscript evaluation, publishing consultation
Fiction and nonfiction: literary, historical, mystery/suspense, adult, young adult, fantasy, sci-fi, horror, paranormal, erotica, humor, and new age/spirituality
ANDREA ROBB spent over a decade as an acquiring editor at Penguin Random House, working on key titles for Knopf, Doubleday, Pantheon, Vintage and Anchor Books. Prior to that, she was on the editorial team at The Book of the Month Club, where she evaluated hundreds of titles for club inclusion.
Notable fiction projects that Andrea has edited have included Jennifer McMahon's NY Times bestselling novels The Winter People, The Night Sister, and Burntown; the NY Times bestselling Veronica Mars mystery series; the Harvard Lampoon's NY Times bestselling parody Nightlight; the translations of Paulo Coelho's internationally bestselling novels The Spy, Adultery, Manuscript Found in Accra, and Aleph; Whiting Award-winner Melanie Sumner's How to Write a Novel; and Latifah Salom's debut suspense novel, The Cake House.
Nonfiction projects include blogger and comedian Samantha Irby's We Are Never Meeting in Real Life; Vela magazine founder Sarah Menkedick's debut essay collection Homing Instincts; multiple anthologies in the bestselling Foxfire series on Appalachian history and culture; the political travel guide The Nation Guide to the Nation; and new editions of Edward M. Hallowell and John J. Ratey's Driven to Distraction and Answers to Distraction.
In addition to her editing work, Andrea has worked with over one hundred bestselling and award-winning authors to tailor their copy and paperback packaging for the softcover audience, often developing new materials such as reading group guides, introductions, and glossaries.
Authors she's worked with in this capacity have included Erin Morgenstern (The Night Circus), Anne Rice (Prince Lestat), Chris Bohjalian (The Sandcastle Girls), Lisa Unger (Heartbroken), Karen Russell (Vampires in the Lemon Grove), Joby Warrick (The Triple Agent), Kate Alcott (The Dressmaker), Ariel Lawhon (Flight of Dreams), Kevin Kwan (Crazy Rich Asians), Stephen Harrigan (The Gates of the Alamo), Alex Kava (Hotwire), J. Courtney Sullivan (Maine), Jennifer Close (Girls in White Dresses), Peter Heller (The Dog Stars), and Emily St. John Mandel (Station Eleven).
Via a penname, Andrea is also the author of a successful young adult novel with HarperTEEN that was chosen as a selection of the Scholastic Book Club, and has written text for popular television tie-in projects published by Insight Editions.
CAROLINE T. has been editing popular fiction for 20 years and has 200+ novels under her belt. Her ability to see the big picture, combined with an in-depth knowledge of today’s publishing market, makes her an invaluable partner in the editing and publishing process.
Editor of New York Times Best-Sellers
A former in-house editor at Pocket Books—a division of Simon & Schuster, the premiere New York City publisher of commercial and trade fiction—an outside editor for Harper Collins/Avon, and a reader for The Literary Guild and The Rhapsody Book Club, Caroline’s particular expertise is historical and contemporary romance, romantic comedy, and romantic suspense. Carla Neggers, Karen Robards and Andrea Kane—three New York Times, Publishers Weekly, and USA Today bestselling authors—had books edited by Caroline. She also specializes in suspense thrillers, crime fiction, amateur sleuths, sagas, inspirational romance, westerns, urban fantasy and African-American popular fiction. She holds workshops on the writer’s conference circuit and speaks at numerous venues to help advance the cause of popular fiction for women.
Known for her accessibility, Caroline is available to answer any questions a client may have; from a simple inquiry regarding point of view switching, to a larger issue regarding career path. She is a hands-on editor, likes to put her blue pen to work, and enjoys brainstorming with writers. She is a mentor, a guide and a source of vast knowledge on the subject of popular fiction. Caroline offers content and developmental editing with commentary; minor line-editing if necessary, submission help, and career consulting.
DON WHITE is an award-winning editor with more than twenty years' publishing experience. He's worked on three New York Times bestsellers and three Los Angeles Times bestsellers. Among the notable writers he's edited are Gore Vidal, Edward Albee, E. Lynn Harris, Edmund White, and Samuel R. Delany.
He's equally at home in fiction (literary novels, commercial fiction, mysteries) and nonfiction (memoir, biography, general nonfiction). As an editor and writer he's freelanced for Doubleday, Penguin, Bantam, Basic Books, and Beacon, among others.
Don has been singled out for distinction by the American Library Association, Publishers Weekly, and Out Magazine. As an independent scholar he's authored three books on African American history as well as several books for gay and lesbian readers. He's also an emeritus board member of the Lambda Literary Foundation. Don lives in New York City.