Book Editors | Proofreaders
Historical Fiction | Historical Nonfiction | History
You write great historical fiction and have done your research. Maybe you’ve taken an event in history that fascinates you and created characters to witness it, as Tatiana de Rosnay did with Sarah’s Key. Or perhaps you’ve found an obscure character from the past and fictionalized his or her life, as Philipa Gregory did in The Other Boleyn Girl. You might have chosen to portray a historical “What if?” game about an event that could’ve happened, such as what Jim Fergus did in One Thousand White Women. You believe in your story and have peppered it with specifics and written dialogue that reflects the times. Now you need an editor who also loves the historical fiction genre to help make sure you’ve created a rich, consistent, and authentic historical world filled with believable, fascinating characters. A professional editor with extensive historical fiction editing experience can help strengthen your manuscript before it is offered to an agent, traditional publisher, or e-publisher.
DAVID ALAN has edited nearly 100 books and written 70 books, with a combined revenue of more than $20 million. His Goodreads.com rating of 4.39 (800-plus ratings) places him in the top 1 percentile of all authors/editors.
David specializes in nonfiction books, including sports, history, biography, young adult, and children’s. He has written and edited books for 20 publishers, including Random House, HarperCollins, St. Martin’s Press, and Scholastic.
"Excellence is his habit," asserted publisher Les Krantz, "and everybody I’ve teamed him up with (my clients, my authors, namely) loves to work with him. They are very vocal about it."
David edited the award-winning The Holocaust Chronicle, which earned a letter of commendation from Vice President Al Gore. CBS anchorman Harry Smith said on The Early Show about David’s Civil Rights Chronicle, "This should be in every home in America." After reviewing that book, Walter Cronkite agreed to write the foreword for David’s next effort, The Sixties Chronicle.
The Murder of Emmett Till, which David authored, was assigned reading for journalism students at New York University. He cowrote JFK Day by Day, which was featured on Today with Matt Lauer and Meredith Vieira. He has penned biographies on such individuals as Harvey Milk, Magic Johnson, Malala Yousafzai, Mitt Romney, Eminem, Malcolm X, Alex Rodriguez, and Amy Winehouse.
David has edited the writing of many scholars and such esteemed Americans as John Eisenhower, Margaret Truman, Bill Cosby, U.S. congressman John Lewis, and U.S. senators Daniel Inouye and Ben Nighthorse Campbell. He has written thousands of MLB and NFL player bios for The Topps Company.
David enjoys the challenge of working with new authors. For example, he recently encouraged a talented writer to pen a novel about her eventful life. She did, and with his editing help, she sold the manuscript to Eternal Press.
Quayside Publishing and Morgan Reynolds Publishing consider David one of their A-list freelance copy editors.
David would love to help YOU get your book published.
What David Can Do for You
- Evaluate your manuscript and suggest what he and you could do to get it "publish ready."
- Copy edit and proofread the manuscript to the point where it can be published as is.
- Help you create a book proposal for publishers and/or literary agents.
LISA BALTHAZAR has published over 100 books, including several award-winning and bestselling titles. She is also a publishing executive and editor with over 20 years of professional experience in the industry. She has been Editorial/Publishing Director for Golden Books, Price Stern Sloan-Penguin Random House, Intervisual Books, Gateway Learning Corp (Hooked on Phonics), and other established publishing houses.
Lisa is the lead writer for Writing Children’s Books for Dummies Second Edition (2013). Her latest YA, Surviving the Angel of Death: The True Story of a Mengele Twin in Auschwitz, with Eva Kor, got a stellar review by Archbishop Desmond Tutu; it was released in paperback in 2012 and has been published in numerous languages.
Lisa has edited dozens of novels for publishers such as Tanglewood Books, Simon & Schuster, Merrylane Press, and others.
Lisa has been editing fiction and nonfiction for 20 years—and she’s loved every minute. She has helped hundreds of writers hone their skills in the craft of writing. Her editing, whichever service you choose, always covers plot and storyline, character arc and development, drama and pacing, and writing style. Lisa is a writer’s advocate, mentor, cheerleader, and toughest critic, but you will come away from her with a better book.
Her awards include: Pennsylvania School Librarians Association (top 40 nonfiction titles for young adults), IParenting Media Award, Kirkus Best Books for Teens (2011), rave Horn Book review (2011), New Voices Award (Best Books for Kids, 2011, from the Association of Booksellers for Children), YALSA Readers Picks (2011), and the Parents Choice Silver Honor Award. (The LONG list is available on request.)
You will learn how to fix whatever ails your book. And you will increase your chances of success in the marketplace.
Lisa wants to help you make your book the best it can be. Her editing will make you wish you had found her sooner.
Judge: Indie Book Awards
Developmental Content Editing, Writing Assistance, Query Letters, Book Proposals, Submissions to Literary Agents and Publishers
BETH BRUNO is a columnist, author, and book editor. Hundreds of her articles have been published in print and online, and her first book, Wild Tulips, came out in 2001 and went into a second printing in 2002. Beth's proximity to New York and her position as President of the CT Authors and Publishers Association give her unique access to literary agents and publishers in and around New York City. Several of the authors whose manuscripts she has edited have been published in the mainstream, thanks to her referrals on their behalf.
Beth’s editing interests are eclectic and include a delicious mix of fiction, nonfiction, young adult, and children’s works. Among the 350+ manuscripts she has edited, she has a special affinity for: mystery/suspense, women’s fiction, memoir, psychology topics, romance, self-help, how-to, and both fiction and nonfiction for young adult (YA) readers.
In addition to editing, Beth serves as a judge for the Indie Book Awards, an excellent contest for authors who self-publish. Winners receive cash prizes, publicity, and introduction to literary agents and publishers.
"I want to thank Beth for the spectacular job she did editing my book, which has just been published. When Beth first*** received the manuscript, she understood what was missing and recognized the changes needed to improve the flow, characterization, plot, etc., of my novel. She had a keen eye for small details. Beth was also always very available to discuss suggestions, and she quickly came up with alternatives to solve the problems we encountered along the way. She guided me through the particulars of my novel to the final polished product. The result: A published book." Oscar Medina
THEODORA BRYANT focuses on mysteries, science fiction, fantasy, thrillers, adventure, and horror titles. She has considerable experience with trade non-fiction. As Editorial Director of her own publishing house, Theodora published almost 100 titles, garnering several awards in "Best Of" categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has invaluable knowledge about the industry, the type of people who run it, how to work within it, and tips for getting your foot in the door. She's reviewed, evaluated, and edited thousands of manuscripts through the years, and uses that knowledge to help her clients produce results-driven manuscripts, query letters, and synopses. She works particularly hard at staying in the author's "voice," making sure the facts and dialogue match the time period in which the book is set, and "losing" excess verbiage. She's a good mentor, hard worker, and in many cases, has ultimately become a good friend.
Owner, award-winning publishing company, 1994-2001
Freelance editor (with this network only) since 2002
Critiqued and edited hundreds of manuscripts
Dozens of authors now happily selling their books
Detailed written critique/evaluation of your manuscript that asks questions, points out conflicts, confused timelines, characterization difficulties, etc., in the manuscript itself so the guide is always there for you to follow as you rework it.
Mentor you with creative ideas, and guide you through the whole gamut of what’s what in the publishing industry (i.e.: whether traditional or self-publishing is best for you).
Hands on content edit (aka copy-edit, aka line edit), structural/stylistic edit of your manuscript, doing everything to get your manuscript ready for a traditional agent, a traditional editor, a self-publishing company, or ready for submission to an e-publisher.
Work with you on a query and/or synopsis when the manuscript is ready for publication, should you want that.
Manuscript Evaluations, Critiques, Organizational and Developmental Editing, Line Editing, Writing Assistance, Ghostwriting
CARLY CANTOR is a twice-published author of history books, an agent, and a publishing industry veteran who was an acquisitions editor at a New York publishing house for several years. She is currently a meticulous, hands-on independent editor who “becomes one” with every project, paying close attention to both the big picture and the small details. Her extensive experience includes critiquing, development editing, and line-editing.
She currently represents authors as an agent with a well-established NYC agency (Joëlle Delbourgo & Assoc.), which provides her with a foot in the New York publishing world (and access to the current thinking about what is hot and what is not).
Carly often works with academics on high-caliber material in the social sciences, helping to make their writing more accessible to a trade audience. One happy client, a medical doctor, said of her, “She is a consummate wordsmith, with the facility of not only understanding and integrating scientific and technical material but also illuminating arcane and otherwise opaque descriptions.”
Carly has authored two books: Francisco Vásquez de Coronado and The Mexican War (The Child’s World, 2003).
History books she has edited include:Brother Against Brother: The Lost Civil War Diary of Lt. Edmund Halsey
- The Legal 100: A Ranking of the Individuals Who Have Most Influenced the Law
- The Moses Mystery: The African Origins of the Jewish People
- Senseless Secrets: The Failures of U.S. Military Intelligence From George Washington to the Present
- The Hispanic Library series (Child’s World) — 8 history books
Michael is not accepting submissions until January 2018.
Substantive editing, copyediting, rewriting
Fiction and nonfiction: literary, how-to, psychology, self-help, crime fiction, adult, young adult, drama, fantasy, sci-fi, true crime, international relations, current affairs, nature and science, military history, forensic science, travel
MICHAEL CARR has edited or copyedited 300+ fiction and nonfiction titles for major publishers and authors. Notable nonfiction authors include Bernard Goldberg (NY Times best-seller Arrogance), CNN anchor Lou Dobbs (Exporting America), Rev. Al Sharpton (Al on America), and CNN Crossfire host Tucker Carlson (Politicians, Partisans, and Parasites). Michael edits most fiction genres but specializes in literary and historical, crime/mystery, drama, fantasy, and science fiction.
Notable fiction authors include Brad Meltzer (#3 NY Times best-seller The Zero Game), NY Times Notable Book of the Year author Archer Mayor (The Surrogate Thief, Gatekeeper, The Second Mouse), crime grandmaster Donald Westlake (the Dortmunder series), and the fantasy master Michael Moorcock (The White Wolf's Son).
Michael has also edited eight published volumes on world affairs and some twenty self-help books (medical, psychological, personal growth, and business) and has translated a dozen novels and other literary works from Spanish to English.
Developmental editing, ghostwriting, and book proposals for submission
HENRY DENARD is a writer and editor of commercial mainstream nonfiction and fiction.
Denard co-founded and was editor in chief at a publishing company (distributed by Random House) where he oversaw (and often helped to write) dozens of books.
Denard’s bestselling nonfiction and fiction authors include Chris Wallace, Catherine Crier, Matthew Modine, Brett Favre, Joe Namath, and Steven Pressfield. Denard’s titles have been featured in “The New York Times” (including front page) and on “Sixty Minutes,” “Oprah,” “The Today Show,” and “The Daily Show with Jon Stewart.”
Two of Denard’s published books sold to film studios for over $1 million.
Denard has also written for The New York Times Magazine and American Express’ Departures magazine.
On the film side, Denard produced The Conspirator, starring James McAvoy, Kevin Kline, and Robin Wright; directed by Robert Redford; Gone in 60 Seconds (Touchstone) starring Nicolas Cage; The Negotiator (Warner) starring Samuel Jackson and Kevin Spacey; and Citizen X (HBO). He is a member of the Writers Guild of America (WGA, the screenwriters’ union) and uses Final Draft when working with writers of screenplays.
Denard has experience with contract negotiations, film and book production, sales, distribution, marketing, publicity, and subsidiary rights.
He can assist with literary agent and publisher selection as well as the fiction or nonfiction submission package, including query letters and book proposals.
JOAN GIARDINO is an editor, proofreader, and translator with more than 25 years’ experience in the book publishing industry. Her clients include major book publishers, authors, illustrators, theater directors, and personal historians.
She has edited or proofread hundreds of award-winning published books—children, middle-grade, and young adult fiction, nonfiction, adult fiction and nonfiction, biographies, and personal memoirs. Since access to the Internet has given the reader the ability to “see” and/or “experience” situations and places far away in time and place, Joan makes certain that the text rings true when editing nonfiction, historical fiction, or fiction that includes real places and events.
Genres: Children, Middle Grade, Young Adult, Historical Fiction, Memoir, Autobiograpy, Biography, Science for Children, Middle Grade, and Young Adult
ANA HOWARD is the author of eight well-reviewed and award-winning novels, four of which are in the historical fiction genre, and has helped many others with their manuscripts. After working in public schools for many years, she has now been a part of the publishing industry for fifteen years and provides a creative and supportive environment. She is passionate about reading and editing historical fiction and offers the following services:
• Developmental, substantive and content editing
• Formatting and guidance on the submission process
• Query letters and synopses
• Advice for self-publishing authors
PUBLISHING CREDITS INCLUDE:
- Water at the Blue Earth, young adult historical fiction (Roberts Rinehart)
- A Ceiling of Stars, middle grade contemporary fiction (American Girl)
- Nowhere, Now Here, middle grade contemporary fiction (American Girl)
- The Magic of Ordinary Days, adult historical fiction (Viking Penguin)
- Under a Stand Still Moon, young adult historical fiction (Brown Barn Books)
- Call Me the Canyon, young adult historical fiction (Brown Barn Books)
- Nicki, contemporary middle grade fiction (American Girl)
- Thanks to Nicki, contemporary middle grade fiction (American Girl)
She has seen one of her novels made into film (for Hallmark Hall of Fame Productions on CBS) and has won numerous literary awards. She believes that even in today’s tough publishing climate, it is still possible for new writers to enter the business and succeed. Second to writing her own novels, she loves to mentor others to help them achieve their goals. She knows firsthand how writers benefit from the help and support of other writers and/or editors.
"My novel had lingered in the offices of editors at the Big Six for years. Ana’s editing was timely and skillful and showed an understanding of my work. I used 95% of her suggestions and cut 200 pages from a 600 page manuscript. End result is a book with a clean, compelling narrative that has been called 'a gripping read'. Reader reviews of my book at Amazon and Goodreads have been very gratifying and allowed me to enter the top 100 for science-fiction/fantasy. Kirkus Reviews selected Prophets of the Ghost Ants as one of their Best of 2011. I would recommend Ana Howard's services to any author whose work needs an edit. Cost of the service was more than fair and the end result was priceless." —Clark T. Carlton
JOHN DAVID KUDRICK (BA in Theology / MA in Journalism—Professional Writing: Fiction).
You're sitting at your computer, smiling, feeling an incredible sense of satisfaction in your heart. After more hours than you can count, you've finally finished your novel – a story from deep within your soul that you want to share with the world.
But then the questions start hitting your mind: Is it the very best that it can be? Will anyone even want to read it? What should I do with it now?
With nearly twenty years of experience as an editor, John David understands the gamut of feelings that comes with getting your novel from your hard drive and into print. That's why he'd love to partner with you in getting your novel to the next level …
- Manuscript Critique – With a detailed evaluation document and annotated comments/suggestions throughout your manuscript, find out how you can make your good book even better.
- Content Editing – Guidance and hands-on editorial help in reorganizing and revising your story to make it even more powerful and engaging. Includes two rounds of editorial review.
- Copyediting – Line-by-line editing to take care of grammar, word usage, tone, format, and more. Includes two rounds of editorial review.
- Proofreading – A final polish to clean up typos, inconsistencies, misspellings, and punctuation problems. Includes two rounds of editorial review.
- Ghostwriting – Crafting of a book-length manuscript using existing material from author. Also includes a follow-up copyedit. (NOTE: Ghostwriting available for Christian living/spirituality book projects only.)
Novels, short stories, creative nonfiction, mainstream trade, religion, philosophy, adventure, romance, science fiction, erotica, action/military, travel/lifestyle, gay/lesbian, ethnic/culture, literary journalism, memoir/autobiography, New Age, spirituality, poetry
“James Powell examines the symbols of language the way a biologist examines cells.” New York Times Review of Books
“James Powell assures us that the universe is a silent partner in a dialogue that goes on all the time.” New York Times Review of Books
JAMES N. POWEL is "a good literary surgeon," as one of his accomplished clients noted. As an editor of fiction and non-fiction, he views manuscripts with comprehensive vision and an eye for detail. He will read your fiction with an eye to making it believable and your non-fiction with a knack for making it both convincing and engaging.
His books and short stories have been translated into many languages and are known throughout the world. His list of publications includes The Tao of Symbols (Morrow 1982), Energy and Eros (Morrow 1985), The Prentice Hall Global Employment Guide (Prentice Hall 1983), Mandalas: The Dynamics of Vedic Symbolism (Sterling 1980), Derrida for Beginners (Writers and Readers 1996), Postmodernism for Beginners (Writers and Readers 1998), Eastern Philosophy for Beginners (2000), Deconstruction for Beginners (2005), and Slow Love: A Polynesian Pillow Book (2008).
His short story "The Silence of the Hummingbird" was published in Spanish in Revista Katharsis, in Malaga, Spain, and his journalism has appeared in Spirituality & Health, Tahiti Beach Press, the Santa Barbara Independent, and Montecito Journal.
Developmental editing, substantive editing, line editing, manuscript evaluation, publishing consultation
Fiction and nonfiction: literary, historical, mystery/suspense, adult, young adult, fantasy, sci-fi, horror, paranormal, erotica, humor, and new age/spirituality
ANDREA ROBB spent over a decade as an acquiring editor at Penguin Random House, working on key titles for Knopf, Doubleday, Pantheon, Vintage and Anchor Books. Prior to that, she was on the editorial team at The Book of the Month Club, where she evaluated hundreds of titles for club inclusion.
Notable fiction projects that Andrea has edited have included Jennifer McMahon's NY Times bestselling novels The Winter People, The Night Sister, and Burntown; the NY Times bestselling Veronica Mars mystery series; the Harvard Lampoon's NY Times bestselling parody Nightlight; the translations of Paulo Coelho's internationally bestselling novels The Spy, Adultery, Manuscript Found in Accra, and Aleph; Whiting Award-winner Melanie Sumner's How to Write a Novel; and Latifah Salom's debut suspense novel, The Cake House.
Nonfiction projects include blogger and comedian Samantha Irby's We Are Never Meeting in Real Life; Vela magazine founder Sarah Menkedick's debut essay collection Homing Instincts; multiple anthologies in the bestselling Foxfire series on Appalachian history and culture; the political travel guide The Nation Guide to the Nation; and new editions of Edward M. Hallowell and John J. Ratey's Driven to Distraction and Answers to Distraction.
In addition to her editing work, Andrea has worked with over one hundred bestselling and award-winning authors to tailor their copy and paperback packaging for the softcover audience, often developing new materials such as reading group guides, introductions, and glossaries.
Authors she's worked with in this capacity have included Erin Morgenstern (The Night Circus), Anne Rice (Prince Lestat), Chris Bohjalian (The Sandcastle Girls), Lisa Unger (Heartbroken), Karen Russell (Vampires in the Lemon Grove), Joby Warrick (The Triple Agent), Kate Alcott (The Dressmaker), Ariel Lawhon (Flight of Dreams), Kevin Kwan (Crazy Rich Asians), Stephen Harrigan (The Gates of the Alamo), Alex Kava (Hotwire), J. Courtney Sullivan (Maine), Jennifer Close (Girls in White Dresses), Peter Heller (The Dog Stars), and Emily St. John Mandel (Station Eleven).
Via a penname, Andrea is also the author of a successful young adult novel with HarperTEEN that was chosen as a selection of the Scholastic Book Club, and has written text for popular television tie-in projects published by Insight Editions.
S. J. SUTTON has worked in the book publishing and the film industries for thirty years—on the front lines and behind the scenes—finding projects to publish and/or produce, and developing and editing them, seeing them through to completion on the page or screen.
In the book publishing industry, she was a developmental editor, copy editor, and proofreader for Canfield Press, Harper & Row (now Harper Collins), Prentice-Hall, McGraw-Hill Book Company, Grune & Stratton, Abrams Publishers, and many others.In the film industry she worked as a story analyst and development consultant on feature film and television projects for DreamWorks, Disney, Showtime, Lifetime, among others, and worked on the development of films such as L.A. Confidential (Academy Award for Best Writing, Screenplay Based on Material Previously Produced or Published), Get On Up, Enigma, HBO's Vinyl, and countless others. She assisted writer/director Albert Brooks on Defending Your Life.
CAROLINE T. has been editing popular fiction for 20 years and has 200+ novels under her belt. Her ability to see the big picture, combined with an in-depth knowledge of today’s publishing market, makes her an invaluable partner in the editing and publishing process.
Editor of New York Times Best-Sellers
A former in-house editor at Pocket Books—a division of Simon & Schuster, the premiere New York City publisher of commercial and trade fiction—an outside editor for Harper Collins/Avon, and a reader for The Literary Guild and The Rhapsody Book Club, Caroline’s particular expertise is historical and contemporary romance, romantic comedy, and romantic suspense. Carla Neggers, Karen Robards and Andrea Kane—three New York Times, Publishers Weekly, and USA Today bestselling authors—had books edited by Caroline. She also specializes in suspense thrillers, crime fiction, amateur sleuths, sagas, inspirational romance, westerns, urban fantasy and African-American popular fiction. She holds workshops on the writer’s conference circuit and speaks at numerous venues to help advance the cause of popular fiction for women.
Known for her accessibility, Caroline is available to answer any questions a client may have; from a simple inquiry regarding point of view switching, to a larger issue regarding career path. She is a hands-on editor, likes to put her blue pen to work, and enjoys brainstorming with writers. She is a mentor, a guide and a source of vast knowledge on the subject of popular fiction. Caroline offers content and developmental editing with commentary; minor line-editing if necessary, submission help, and career consulting.