STAVRA KETCHMARK has edited more than 200 fiction titles while working for major publishing houses, as well as numerous medical, technical, and scientific trade, academic, and professional titles. She specializes in a variety of fiction genres, including romance, historical, mystery, suspense, crime, horror, fantasy, science fiction, and young adult. Her nonfiction specialties include all medical disciplines, nursing, allied health, alternative health, political science/politics, history, journalism, religion, parenting, and cooking.
Stavra has also helped a broad range of corporate clients fine-tune their annual reports, advertisements, websites, and other marketing materials to achieve the image they are seeking.
Her edited manuscripts have been published by Wadsworth, Mosby, Signet, Roc, NAL Trade, Thompson Delmar Learning, and Onyx.
"Simply put, Stavra is a PRO!
She has been editing my work for over a year and I find her professional, accurate and easy to work with. Quite frankly, I don't know what I would do without her." —John Bishop, Executive Director, Accent On Success, www.TeachingMoments.com
KARL MORGAN is a book editor, script doctor, and writer. He has written for Epicurious, Thinkwell, and nerve.com, and his fiction has appeared in the Austin Chronicle and been read at Borders Books and on KUT public radio. Books he's edited have been singled out by the Chicago Review Press and Independent Publishers Group and have been praised by Deepak Chopra, Jim Belushi, and David Zucker (writer/director of Airplane! and Naked Gun). In 1997, he was named Boston University's Helen Deutsch Fellow--the school's most prestigious graduate writing fellowship. He edited the film industry book Reel People, the sports biography The Last Sure Thing: The Life and Times of Bobby Riggs (finalist for the Independent Press Best Memoir/Biography award), and the horror novel Wind Walker by Tom Chaney (screenwriter of Mosquito and director of Wrath of the Wendigo). He specializes in genre and mainstream fiction, scholarly non-fiction, and screenplays.
Non-fiction: memoir, biography/autobiography, works in translation, regional and world history, psychology, theology, physical and biological sciences
Screenplays: all genres
"Karl's editing is precise and intelligent. He knows how to deal with the most complex areas of my writing and how to make it more accessible for the audience. Karl's assistance was of great help to my book." --Eiko Ikegami, author of The Japanese Path to Modern Civility and The Taming of the Samurai, Harvard University Press
Alternates:
2010 at book-editing.com
help2010 at airmail.net
Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
attachment preferred). Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?
(19) How did you learn about our service?:
(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)
Notes:
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.