Christian Fiction and Nonfiction
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Editors
"I cannot say enough about how great working with you was. You read my work, could see my intent and did not try to comprise its integrity. Your willingness to not get in the way of the story and your professionalism helped make my book just as I had envisioned it! I would highly recommend you to anyone that has a special piece of work needing a special editor. Again, thanks!" --Cindy Pitta, Dream Catcher
SANDRA JUDD is an editor, proofreader, and indexer with more than 20 years of experience in the publishing industry. Her clients have included university presses, large, mainstream publishers, and smaller presses and professional organizations. She has edited or proofread over 300 published books, on topics that include politics, history, business, literary criticism, ethnic history, anthropology, science and medicine, industry manuals, memoirs, Christian and inspirational, parenting and relationships, humor, and fiction. She has edited 20+ volumes in the Health Reference Series published by Omnigraphics, all published under her name as editor. She has also edited professional journals and newsletters, business plans, scholarly articles being prepared for publication, economic plans to be distributed to the state legislature, and a number of dissertations. She has prepared indexes for more than 30 published books. She strives for precision in language and is devoted to making the author's voice heard.
"While I have never met Sandy Judd face to face, I have used her services as a copyeditor since 1997. She is easy to work with, extremely competent, and has helped me improve my writing skills. I will continue to use her services as long as she is available." -- Lewis C. Forrest, Ed.D., technical writer and published author, North Carolina "As senior editor of a book publishing company, I used Sandy Judd’s services for several years as a proofreader and copyeditor. Her detail-oriented skills and her unfailing ability to meet deadlines kept her at the very top of my list." -- Kathryn Deering, Ann Arbor, Michigan "I kept Sandra Judd as busy as she’d let me while I was senior editor at Servant Publications (1995–2001). She produced high-quality work on time and at reasonable cost. I highly recommend her." -- Heidi Hess Saxton, former senior editor, Servant Publications
As an editor, John David has been privileged to work with some of the best publishers of fiction in the nation, including Whitaker House (where as senior editor he worked on James Byron Huggins' Nightbringer, a book that Library Journal named one of its annual top five Christian novels), David C. Cook, NavPress, Realms Fiction, and Marcher Lord Press. "I confess… did a lot of investigation over the Internet… from half way around the world… received a many sample edits / quotes from different editors (~12!). My choice was perfect. On a scale of 1-to10 I rate John a solid (plus) 10! First and foremost for the English… past tense-present tense… grammer —use of the em dash… POV… the whole nine yards. Perfect.And next – for him getting into the story… making very good COMMENTS and suggestions all throughout. This includes checking things on the Internet… noting that the coca cola slogan – “The Real Thing” did not come out in the time period that I mentioned it… and many other excellent comments." Michael Weiss
TOM GRANT LEMONS is a successful novelist, editorial consultant, publisher, ghostwriter, and managing editor. His historical fiction has won awards and appeared on bestseller lists, and his novels have been translated and published in Germany, Sweden, the Netherlands, South Africa, and Poland. Tom is passionate about the written word, and he is eager to bring his passion and expertise to your writing project. Authors Tom has worked with include Oliver North, T.D. Jakes, Bob Hamer, Joe Moscheo, and Hamilton Gayden. The fiction and nonfiction books Tom has worked on both as developmental editor and ghostwriter have been published by major houses including Broadman & Holman, Warner Faith Publishing, Hachette/Center Street, and Greenleaf Book Group. A skillful editor or ghostwriter can help you refine your words, create a flow that will pull readers in, and still leave the work stamped unmistakably with your unique literary voice. Tom has been able to do this for dozens of books and authors during his writing and editing career. One author told him, “It’s like you were inside my head.” Another wrote in the acknowledgments to his book, “…to Tom … who ‘got it’ immediately, and without whom this book would not have happened.”
“Tom is simply one of the finest men I've ever known and one of the best writers I've ever encountered. His combination of creativity, craftsmanship, integrity, and intelligence puts him at a level I've rarely seen.”—Gary Terashita, Executive Editor, B&H Publishing Group “Tom is an exceptional editor. An author himself, Tom is meticulous and creative in his work as he expertly brings a writer's best ideas forward. Not only are his editorial abilities outstanding, he is also warm, patient, caring, and thus a joy to work alongside. I recommend him wholeheartedly!”—Edwina Barvosa, Associate Professor, University of California at Santa Barbara Evaluation and Critique of a "Spiritual Thriller" Novel By Tom Lemons
"Throughout our work and rework on my manuscript, Mark was encouraging and kind, and he never made me feel like the rookie I am (was). He never left me feeling like he knew more about the publishing industry than I did — he just continued to teach me in an incredibly thoughtful and gentle way, fine-tuning my work and imploring me to be the best I could be. ... At the moment there are ten agencies and two publishers who have responded favorably to my query (which you taught me how to write, I might add) about my novel. " – Gary Kaschak ARLENE ROBINSON has developed and edited 450+ full-length manuscripts in a variety of genres since 1996. Her clients include women's fiction author Angie Daniels, sociology professor Joyce Tang and college-success guide author Josh Richardson. The true crime memoir The Twelfth Man Standing received Turner Broadcasting Network's Trumpet Award in 2002, and 'PRESSIONS: Memoirs of a Southern Cat by Edith M. Holmes won the YOUnity Reviewers Guild Top Honor Award. Arlene welcomes new or published authors as clients, and enjoys helping journalistic, business and academic writers transform their writings into marketable, polished products for mainstream readers. While not a professional humor writer, she could be. Arlene lives in the Deep South with her probation officer/journalist husband and two almost-adult sons, and looks forward to the day when her human offspring venture into the world as independently as she envisions her writings springing onto bookshelves.
"Arlene is everything you want in an editor: thorough, timely and accommodating. If it weren't for her, I certainly would not have landed a publisher for my manuscript. Not only was her editing topnotch, her advice on everything about publishing was very helpful. Arlene really cares about the work she does and it shows!" — Josh Richardson, Ahead of the Pack: Balancing Your Way to Personal Success in College, Thomson Delmar Learning SHANNON WILKINS – PhD in Professional Writing (medical communication emphasis) Shannon is not accepting submissions until April 1, 2012 Before focusing her energies on a freelance editing career, Shannon was a staff editor at Mayo Clinic, which has the largest in-house editorial service at a medical institution. In this role, she edited whatever manuscript came down the pike, whether it was about cardiology or dermatology. Such demands required her to be nimble in her approach to editing and to have a firm grasp of the medical resources necessary to assist authors in creating credible, cohesive documents. In her dissertation, she analyzed the arguments regarding the federal funding of embryonic stem cell research. Besides providing an understanding of the nexus between public discourse and science, the PhD degree nurtured in Shannon a strong sense of what belongs in a scientific document and what does not. Added to this scholarly knowledge is the practical experience of being the copyeditor of the Journal of Pediatric Pharmacology and Therapeutics for 5 years. During the past 8 years, Shannon has balanced her time between editing scientific documents and teaching college composition courses. She currently teaches a college course in technical communication. As Shannon follows the rhythm of an author’s language, she picks up the language of ESL writers that might need further clarity or the odd detail that seems out of place and needs to be researched. Her first clients were biomedical engineers whom she assisted in preparing their manuscripts for successful publication. Since her entry into the field of editing, she has edited manuscripts on pharmacology, dermatology, cardiology, echocardiography, endocrinology, transplantation, hand surgery, asthma, various cancers, and other topics. Shannon has edited manuscripts that have been published in several highly respected journals: Biomedical Microdevices Shannon considers all of the documents that she edits to be life documents—documents that are pivotal in the development of one’s life. Medical manuscripts are not just write-ups of research; they are documents that affect the career advancement of the writers and, often, the very lives of those in need of medical care. Various impediments may complicate journal acceptance of a manuscript, but the quality of expression should not be one of them. |
Submission Cut and paste the questions and answers into an e-mail: Alternates You may send your initial submission to all addresses to make sure it's received. Required: A sample is required to receive an estimate Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes). (01) Word count of complete project (under "Tools" in MS Word): (02) Put your 100-word (approx) synopsis/description here (or attach): (03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary): (04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.): (05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months) (06) Level of editing desired/expected --
(07) Number of charts/tables/pictures (if any): (08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable: (09) Number of footnotes/references: (10) Do you have a contract with an agent or publisher?: (11) Do you plan to self-publish?: (12) What is your budget for the entire project? (13) Your name: (14) E-mail addresses: (15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.): (16) City, State, Country (or time zone): (17) The name(s) of the editor(s)/writer(s) you'd like to contact. (18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want? (19) How did you learn about our service?: (20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query) Notes: No hidden charges To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec. Note: Questions about price and turnaround times cannot be given over the phone or via chat.
Contact live support if you do not receive a response within three hours (M-F, 9a-7p central). Expect longer response times if you submitted after U.S. business hours or on weekends. Help2012 at Airmail.net You may also leave voice mail for the network coordinator: 469-789-3030. This number is for verification of e-mail submissions only. Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate. Disclaimer: Your agreement, whether oral or written, is with your editor or publishing consultant, not with the editing network as a whole or its coordinator. |
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ROSANNE CORNBROOKS CATALANO specializes in children's and young adult books, fantasy novels, and Christian/inspirational manuscripts. Prompt and professional, Rosanne works well with any author's voice, providing clarity and punch while respecting the integrity of the work.
Copyediting, developmental editing
MARK ORRIN