Writers & EditorsThe manuscript editors and proofreaders posted on this site specialize in numerous fiction genres and nonfiction topics.
Michael has been a professional technical and business writer for over thirty years and has written over 200 book-length documents. In 2006, he published a book that explores forecasts for human science, spiritual culture, technology, media, economics, and governance. In 2008, he delivered a presentation on The Impact of Advanced Media Technology to the World Future Society conference in Washington, DC. His educational background includes studies at Harvard University (Social Relations), Temple University (Technical Writing), and Villanova University (Computer Science), plus a wide array of seminars and continuing education courses in psychodynamics and spiritual psychology. Read Michael's article: People DO Judge a Book by Its Cover: How Your Book Cover Design Represents You
Award-winning writer and editor H. L. BELL is committed to helping other writers make their work the best it can possibly be. Intimately familiar with the thrills and insecurities of the writing process, she empathizes and works especially well with other writers. Clients have praised her as an editor with an engaging manner, a meticulous attention to detail, and a consummate skill with language. She has edited a broad range of acclaimed fiction and nonfiction titles, including Bonnie Jo Campbell’s American Salvage, finalist for the 2009 National Book Award in fiction. Her own fiction and book reviews have appeared in Jane, Salon, The Women’s Review of Books, and the Chicago Reader.
Services
JEANNETTE BOUVIER can help your ideas soar, dazzle, and rise above the ordinary. She is passionate about language and concerned about its correct usage (to the point of mentally correcting the grammar on public signs!). She brings a multicultural background and approach to every project, offering diverse viewpoints and an expression encompassing many different perspectives. She holds two masters degrees and a doctorate, so brings a strong background in academia to bear on projects as well. As a freelance writer and editor, she blends grammatical correctness with scintillating prose for projects as diverse as documentary and educational videos, articles and magazine columns, business plans, press releases, patent applications, technical documentation and business manuals, marketing collateral, Web site copy, brochures, advertising campaigns, and academic work. Edited fiction projects include mainstream, historical, mystery, romance, and speculative fiction manuscripts. Whatever your project, she can help you express it with words that will make a difference.
Literary Contracts: Contracts Not Optional How Long Does it Take to Write a Book? Words and Writing: Fictional Genres
Deanna spent more than a decade as a magazine editor. She also taught at California State University for a dozen years, has written several children's textbooks, and is an award-winning author of short fiction and poetry. Her many happy clients greatly appreciate her expertise, gentle guidance, and ability to preserve their individual voices and help make their manuscripts shine.
D.J. BRUNO works closely with authors to develop, liven, and perfect their books and articles. She provides manuscript critiques that offer extensive feedback on every aspect of a narrative, as well as ghostwriting, developmental editing, copy editing, proofreading, and marketing (proposal, query, and synopsis development and agent contact). A fiction writer herself, she was an editorial assistant and reader at Ploughshares, had her fiction published in various literary magazines, taught literature and grammar, and edited a range of material from memoir to erotica, biography, short fiction, poetry, travel writing, personal essays, and literary and commercial fiction. She specializes in film and photography, food and wine, nutrition, travel, psychology, memoir, and literary fiction.
Manuscript Submission Services: Your initial contact with an agent or publisher is your first impression; therefore, it's crucial that you put your best foot forward when drafting a letter. What I can do . . . "Thanks for your flexibility, great attitude, and hard work. It was a pleasure working with you on this project." - Sarah Yezzi, Senior Technical Editor, Prentice Hall
She has a Ph.D. in science curriculum and instruction, and she is an experienced editor of science activity books, trade books for middle school and high school, and textbooks K-12. She has worked for major publishers as writer, substantive editor, developmental editor, copyeditor, and fact checker. She excels at communicating complex ideas clearly and simply. Over the last eight years, she has assisted more than 20 authors with preparation of their nonfiction proposals and development of their manuscripts. Several have gone on to achieve publication and commercial success. Brynie loves fiction, and she has written three novels, all published by Geneses under a pseudonym. She has won several contests and awards for her short fiction, which has been published in such magazines as Thema, Alfred Hitchcock Mystery Magazine, Midnight Zoo, Aberrations, Over My Dead Body!, Haunts, and others. She critiques novel manuscripts, helping authors develop their characters, plot, dialogue, voice, and style. Over the last eight years, she has critiqued more than 30 novels. Her advice has led to publication and commercial success for several novelists.
Note: Faith is not taking submissions until March 1, 2012.
Services offered:
Articles “Carly was indispensable for the birth of my memoir. She helped me to not only tighten my writing but also improve the structure of the narrative to make it more thrilling. I found a very effective, inspirational guide in her ability to culturally translate my experience in Korea for American audiences.” “My personal experience in working with Carly has been very rewarding. She has the grit to drill down into the material so that nothing is taken for granted. She also demonstrates an intuitive skill to help add an overarching structure to the work that helps expand its scope, further increasing the book’s accessibility to those audiences we wish to reach. Her persistence in getting the content to seamlessly flow from one technical subject to the next is a true gift.”
KATHRYN CLAPPER is a writer’s editor. She is passionate about partnering with both nonfiction and fiction authors to bring their ideas and stories alive. With 10 years of experience editing more than 300 titles and textbooks for major publishers such as National Geographic, Candlewick Press, Scholastic, Prentice Hall, Pearson Longman, and Blackwell-Wiley, Kathryn knows what it takes to convert an idea into a bound book. With every manuscript, she acts as an advocate of the reader while holding true to the author’s style. Her talents do not stop at developmental editing, however. As an eagle-eyed copyeditor and proofreader, she relentlessly perfects details while keeping the big picture in mind. Kathryn is a certified English teacher with a bachelor’s degree from Princeton University (anthropology) and a master’s degree from the Harvard Graduate School of Education (teaching and curriculum). Her areas of expertise include literary nonfiction, YA fiction, biography, general interest nonfiction, scholarly works, children’s nonfiction, and instructional content in the humanities and social sciences. Kathryn offers the following services:
“Thank you for a truly excellent job in editing my nonfiction book. Before retaining your services, I interviewed a number of editors for the job. All of them were highly credentialed editing professionals. However, I was looking for additional qualities in selecting my editor: intellectual integrity, sensitivity, encouragement, and someone that truly enjoys working with writers. I found these qualities and more in working with you. I also found an inspirational guide. You did an outstanding job!” Henry Dahut "If I were to build my dream editor from scratch ... Kathryn Clapper. She's everything an author needs and wants: highly skilled, thorough, professional, dependable, kind, and cool under fire. With more than 70 books in print, I've worked with plenty of editors in my career, but very few are in Kathryn's class. I can always trust that in her capable hands my work will shine. She is, simply, the best!" - Trudi Strain Trueit, children's fiction and nonfiction author "I worked with Kathryn Clapper on a book a while back and found her approach refreshing after a couple of not-so-wonderful experiences with other editors. Entirely professional, she was relaxed and friendly without losing focus on the job at hand, demanding of high standards without making either one of us crazy, and forthright about business matters without being cold. I would work with her again anytime. A thoroughly pleasant professional." - Stephen Peters, writer/storyteller
"I cannot say enough about how great working with you was. You read my work, could see my intent and did not try to comprise its integrity. Your willingness to not get in the way of the story and your professionalism helped make my book just as I had envisioned it! I would highly recommend you to anyone that has a special piece of work needing a special editor. Again, thanks!" --Cindy Pitta, Dream Catcher
Water at the Blue Earth, young adult historical fiction (Roberts Rinehart, 1998) She has seen one of her novels made into film (for Hallmark Hall of Fame Productions) and has won numerous literary awards. She believes that even in today’s tough publishing climate, it is still possible for new writers to enter the business and succeed. Second to writing her own novels, she loves to mentor others to help them achieve their goals. She knows firsthand how writers benefit from the help and support of others writers and/or editors. Specialties
"Anne has provided expert level editing assistance to me in the writing of my manuscript. Her ideas and creativity have been invaluable to me." Kandi Hofmeister, author of the memoir, Held. "Anne's insight and original input helped improve my novel and matched my expectations beautifully." Andrea Kolub, author of The Lady in the Cape. Writing Historical Fiction that Sells
Other projects include editing of:
"Esther coached, edited, commented, and offered constructive suggestions. Her ideas and comments were more helpful than those I received from colleagues. " John R. Schultz, consultant, writer, retired professor "Esther was great! She was very informative and clear as to the reasons for changes she suggested. Very bright and intuitive, it was a pleasure working with her and hope to do so again soon." "I am completely satisfied with her work, and the extra effort she made to understand what I needed. It felt like she was around the corner in regards to how quickly she responded." —Maria Flores (substance abuse counselor) "Esther was very involved and enthusiastic editing my book. It was a pleasure working with her." —Nadzija Gajic-Sikiric (retired surgeon) "I was VERY pleased with the whole experience from start to finish! I will definitely use this service again. The copyediting was very constructive and helpful. It was very easy to ask questions and get in contact with my consultant. Esther turned a stressful situation into a fun one. Thanks again!!!!"
"You are a magician with language. The ms. reads much better now, which is amazing because it had already been revised at least thirty times and professionally edited. I've learned a great deal from you and it's been a pleasure working with someone so pleasant, extremely talented, and knowledgeable.... Now I don't think I'd want my agent to see anything you haven't seen first! Thank you for doing such a marvelous job. Don't be surprised if you get some referrals. You're brilliant."— Linda Dennis Richmond, author
"After researching many, many book editors, I chose Alice because
I was impressed with her extensive list of accomplishments, both as an editor
with top publishing houses and as a poet and author in her own right. [That
she] actually managed to exceed my (already sky-high) expectations was quite
a feat! She took a manuscript that had completely gone off the rails in terms
of pacing and focus, and put it squarely back on track – somehow she was
able to see through all the extraneous, meandering subplots and envision the
work as it was meant to be. As my editor, Alice not only extracted (read: rescued)
the core story from its runaway cast of supporting characters and sub motifs,
but went on to cultivate the roots of that core story until it transformed into
a road map of the simply but poignantly plotted, character-driven literary novel
I had sat down to write more than two years before. In addition to several such
fundamental plot fixes, Alice also provided a meticulous list, complete with
page numbers, of every chronological inconsistency, every mix-up of a character’s
name or background, and every oversight in which I had unintentionally and prematurely
revealed plot twists and other information to the reader. I was blown away by
how thoroughly she knew every detail of each and every character and minor event
of the novel inside out, in just two weeks – in this way too, she had
become more versed in my own novel than I was at that time. Throughout the editing
process, Alice was very generous and patient with me in answering my millions
of questions about her invaluable feedback and suggestions. I feel confident
that I’ll not only be able to rewrite the novel in accordance with the
new, cogent outline Alice helped me create, but also, to use this restructuring
to push the narrative, and the writing, to its fullest literary potential." "As a novice, writing my first novel, I was amazed by Alice's ability
to visualize my entire novel and make succinct comments that were specific to
a particular sentence while referring to the structure and narrative of the
entire work." "Alice is very professional, knows writing, knows the business. I hope she’s available for my next project. I not only received a professional editing of my piece, but peace of mind as well."” - Barbara Wade "Alice Day is a clever, intelligent, thoughtful, and thorough editor.
She is nurturing yet highly professional, with keen eyes and ears. She hones
in on the heart and matter and delivers the goods…a goldmine for any
writer." "Alice Day is a joy to work with and someone I recommend most highly
to other writers. She is a skillful, sensitive editor with excellent judgment
and tremendous respect for an author's voice. Whether she's commenting on the
overall arc of a story or zeroing in on a specific phrase or line of dialogue,
her comments are always insightful and instructive."
Before STACEY DONOVAN became a professional editor more than 20 years ago, she worked in a literary agency where she learned how to say no more often than yes, and include reasons why. A stint in advertising followed, teaching her to tell it short and sweet, meet deadlines, and most important: never give up. Donovan is a six-time published book author of both fiction and non-fiction. She has edited or ghostwritten more than a dozen published books for her clients. Two became New York Times Bestsellers, and another nominated for Best First Novel by International Thriller Writers. She is experienced in many genres: Contemporary/Mainstream; Caper/Detective; Erotica; Gay/Lesbian; Literary Fiction; Mystery; Psychological Thriller; Suspense; Women's Fiction; Young Adult; Memoir/Autobiography; Creative Nonfiction. Specialties
Donovan is a writing coach, mentor, collaborator and ghostwriter. She has published dozens of non-fiction articles on design and art, and specialized in celebrity interviews with experts in their field. She is also a Publishing and Social Media strategist.
JOAN DUNAYER has been a professional editor for more than two decades. She has edited research papers, dissertations, journal articles, magazine articles, and books on a wide range of topics, including psychology, language, literature, education, politics, and medicine. THESIS AND DISSERTATION EDITOR APA FORMAT EXPERT A graduate of Princeton University, Joan has master’s degrees in psychology, English education, and English literature. She has taught writing to high school, college, and university students. At the University of Pennsylvania, Joan taught classes on preparing psychology reports in APA format. In addition to being an expert in APA style, Joan is thoroughly familiar with Chicago and MLA styles. Joan also has written professionally. Her articles and essays have appeared in magazines, journals, textbooks, and anthologies. Most of her writing has focused on literature, language, psychology, philosophy, and politics. For example, she has written the commentaries for new editions of twenty-one literary classics. "My committee chair suggested that I have my dissertation professionally reviewed to insure that its formatting complied with the latest version of APA standards. Luckily I found Joan Dunayer. She was easy to work with, provided quick turn-around, realistic pricing, and suggestions that made my dissertation stronger. Her work made me confident that my dissertation would not be held up by the university’s APA police . . . And it wasn’t! I am pleased to say that I have now completed my doctoral journey." -- Edward Lisi, Northcentral University "Joan has been very helpful with clarifying concepts throughout the whole chapters that she worked with me. She always made sharp comments which helped me to re-shape my thoughts and writings. Joan attended my request on specific things, and helped to make the whole documents in better shape. She was never late with giving me feedback. She is the best editor that I have ever worked with, and I am truthfully recommending her." -- (Contact information on request) "Joan was excellent. She replied very quickly to my emails, and she was extremely helpful. Her knowledge and experience were invaluable to me. I think I received a wonderful value for the cost of the service. I would recommend her to anyone without reservation. Her honesty was helpful as well as her insight. I would have loved to have her as my graduate advisor." —Scott Carey "Joan is an outstanding editor. She is timely, sincere, and honest with the work she provides. Before contacting Joan, I was frustrated and felt as if I was not going to meet my deadline for my proposal. Now, thanks to her professional consultation, my proposal is definitely on the right track." "A fair price for high-quality work. I would highly recommend her to others seeking assistance for their dissertations. Thank you so much. Money well spent!") "Joan did a very thorough review of my dissertation. Her expertise in grammar, punctuation, sentence structure, and most importantly APA formatting was invaluable to me. I would definitely use Joan again." "Joan’s assistance with my dissertation proposal exceeded my expectations, and went beyond the reason for which I had originally contracted her services. Her comments and suggestions were on-target, insightful, and helped me to craft an even better document that was tighter, smoother, and more acceptable to my academic review board. I intend to ask for her services again prior to my dissertation submission." "Joan did a very thorough review of my dissertation. Her expertise in grammar, punctuation, sentence structure and, most importantly, APA formatting was invaluable to me. I would definitely use Joan again." “I consider myself a skilled writer, but I admit that after this experience I realize I have much to learn. I have never had my writing so effectively edited. Joan’s suggestions and revisions were masterfully crafted to retain and enhance the meaning of my writing. I will certainly ask Joan to help me craft future projects. I feel very fortunate to have found her.” —W.B. Elder, University of Utah
MARLO GARNER is an editor, children's author, and illustrator. She has been editing children's books and teaching writing for children since the late 1990s. She is on faculty at the Rhode Island School of Design (RISD) Continuing Education and teaches ‘Writing for Children's Books.’ Her first book for children Let's Visit Space was recently released in 2007 by Macmillan McGraw-Hill, and her second Author at Work, Dr Seuss is forthcoming. Marlo’s middle grade chapter book Ginny Giles series, is due for release mid 2009 from Clean Slate Press. She is currently writing a YA novel, a middle grade fantasy, and innumerable picture book texts (which spring forth at the most inopportune times). Marlo is a member of the Society of Children's Book Writers and Illustrators (SCBWI) and the Guild of Natural Science Illustrators (GNSI). Marlo believes in not only editing the work of her clients, but in teaching them to become better writers, equipping them with knowledge they will need as they continue on their journey, while keeping the integrity and unique voice of each author’s work. Marlo is passionate about all sub-genres of children's books and finds it almost impossible to choose which she prefers editing, reading, or writing. She will happily tackle texts in rhyming verse and is a wizard with a rhyming dictionary and her mental metronome.
SHERRY GERSHON has performed developmental and intensive line-editing for over 250 books, primarily novels by new authors, and she contributed the chapter entitled "The Book Doctor is In: The Seven Most Common First Novel Problems and How to Avoid Them" in THE PORTABLE WRITERS' CONFERENCE (Quill Driver 2007). A former bookstore owner, Sherry knows what sells: Her own books have been published by Forge/Tor, Viking and Warner; her first book was nominated for the PEN West USA Literary Award for Nonfiction, and her first novel was aired as a TV movie. Some of her editing clients have subsequently sold their books to major publishers, including Knopf, Harper-Collins, Berkley-Putnam, St. Martin's Press, Greenleaf Book Group Press, and Jossey-Bass. She particularly enjoys working on mysteries, thrillers, adventure novels, and speculative fiction/science fiction, but has also had experience with young adult novels (two YA novels she edited were published by Knopf), memoirs, and both contemporary and historical fiction (including an historical published by St. Martin’s Press). “THE BLOODIEST QUEEN will be my thirty-third published book; I've grown lazy and jaded and had thought there was little anyone could teach me, but I wound up being blown away by Sherry’s editorial acumen. She understood all the nuances of the scene in question better than I did — and pointed out exactly what wasn't working, and why. She then gave me a suggestion which was nothing short of brilliant in terms of making the whole thing work beautifully. Trust me, Sherry is an honest, top-notch professional editor. Whether you're an aspiring writer or an established professional, if you're writing a novel and could use some help, please consider Sherry.” — Jeanne Kalogridis “Sherry worked with me on my manuscript for my novel Glint, published by St. Martin's Press. I do not hesitate to say that without her help and suggestions, I might still be trying to figure out what I should be doing. In other words, her editing accelerated my learning curve by at least a year, if not more. I don't know how to put a value on it, except to call it immeasurable. I am grateful for having had the opportunity to work with her and I hope to work with her again in the future.” — Joseph Valentinetti The Seven Most Common Novel Problems and How to Avoid Them ANNE GREENBERG was an in-house editor of children's books for 16 years at Simon & Schuster/Pocket Books, specializing in fiction for readers 5–8 (but not picture books), 8–12, and young adult. Now she is a full-time freelance, doing developmental editing, editing, and copyediting of adult fiction and nonfiction, in addition to children's books. Known for her thorough yet sensitive work, at Pocket/S&S she edited more than 550 books (including all-new Nancy Drew and Hardy Boys titles) and worked with more than 40 writers, including first-time authors. Honors for her list include The Queen of Everything by Deb Caletti, a teen novel that garnered two starred reviews and the cover of the Bulletin of the Center for Children's Books; Why Do They Hate Me?, a nonfiction compilation that was named a VOYA Nonfiction Honor Book; and Violet Eyes by Nicole Luiken, a teen science fiction novel that was a YALSA Quick Pick nominee. As a freelance she has edited Walking the Line by Mike Lude with Bill Knight (sports autobiography), Sniper Shot by Barry Ozeroff (adult thriller), Spider Riders: The Shards of the Oracle by Tedd Anasti and Patsy Cameron-Anasti with Stephen D. Sullivan (children's sf), and Defender: Hyperswarm by Tim Waggoner (sf). Copyedited works include Winning by Jack Welch with Suzy Welch (business); Shine by Star Jones Reynolds; The Last Night of the Yankee Dynasty by Buster Olney (sports); Arthritis by John D. Clough, MD; One Stroke, Two Survivors by Bernice Kleiman with Herb Kleiman (health); The Van Gogh Conspiracy by J. Madison Davis (thriller); The Rare and the Beautiful by Cressida Connolly (biography); and Running Money: Hedge Fund Honchos, Monster Markets and My Hunt for the Big Score by Andy Kessler (business).
TIM GRUNDMANN, is an author, playwright and TV scriptwriter and story editor with 25 years of experience. His books in the Doug Chronicles series are published by Disney Press. He was part of the creative team behind Pee-wee's Playhouse on CBS (for which he wrote the show "bible"), and developed the HBO comedy Norman's Corner with Seinfeld creator Larry David. As head writer and story editor for the Disney Channel's New Mickey Mouse Club and Nickelodeon's Doug, he guided scripts from concept to final draft. He's written episodes of Allegra's Window and Welcome, Freshmen for Nickelodeon, and was developmental writer for Mowgli and His Friends and WaysideSchool for the Disney Channel and ABC-TV. As house writer for Broadcast Arts in NYC, he wrote scripts, proposals, treatments and show bibles for TV shows starring Gilbert Gottfried, Madeline Kahn and others. Recently he wrote scripts for the PC game My Scene Goes Hollywood for Vivendi Universal Games. BOOKS Doug Chronicles: Lost in Space 3 chapter books for kids (ages 7-12), published by Disney Press, 1998-2000.
Pee-wee’s Playhouse - CBS Television. Wrote show bible, proposal, developed show with Paul Rubens and Broadcast Arts for CBS. 1985-86. Norman's Corner, a Cinemax Comedy Special with Gilbert Gottfried, co-written with Larry David. 1987. Story Editor and writer. “Developed by” credit. (The New) Mickey Mouse Club - for Disney Channel (Blue Wave Prods). Head writer, (1991-92). Duties included managing writing staff and scripts from concept to final drafts, as well as writing comedy sketches and interstitial material for a daily show. Also for "Mickey Mouse Club": writer for pilot (1988), 4 seasons as staff writer, 1989-91. Also wrote songs (music and lyrics) for several episodes. Doug - cartoon series for Nickelodeon (Jumbo Pictures). Story Editor for 2nd Season (1991-92). Duties included managing writers, as well as working with executive producer and Nickelodeon story editor throughout the script-writing process from concept to outline to final draft. Wrote the episodes “Doug’s Secret Song” and “Doug’s Big News”. Marx Madness - animated TV series for Gaumont (French TV) based on the Marx Brothers, co-produced and wrote development material, show bible; 1998-98. The Misfits: animated feature for Good Times Video and Pop Inc. Prods., sequel to “Rudolph”; co-produced and wrote development material, show bible; 1999. How My Body Works - writer for pilot segments for Reader's Digest CD-Rom, Aug. 1995. How To Show Grown-ups the Museum - writer, for Roberts/Strong Prods. Educational video promotional script, Dec-Jan, 1995. The Wheels on the Bus - for Good Times Video. CD-ROM for kids. Writer for 2 stories, June-Oct 1994. My Scene Goes Hollywood – PC Game for Vivendi Universal. Script writer, 2005 Allegra's Window - for Nickelodeon. Writer for "I've Got a Secret" episode. May 1994. Welcome Freshmen - for Nickelodeon. Head writer for five episodes, wrote two, 4th season (July-October 1993). Duties included managing staff writers, editing and rewriting scripts. Greetings from Gilbert - HBO Video with Gilbert Gottfried featuring “Norman’s Corner” (writer). 1988. Staff writer at Broadcast Arts, 1985-88, wrote proposals, bibles, scripts and developed several shows, among them: “Pee-wee's Playhouse” (wrote proposal, bible, developed show), "Norman's Corner", a Cinemax Comedy Special with Gilbert Gottfried, “Wayside School" for ABC (proposal, bible, draft), Mowgli and His Friends for unproduced Disney Channel series based on "Jungle Book".
fX network (Fox cable channel - March ‘95-April ‘97). Duties included writing and producing 42 light and informative 50-second “channel hosting” hits per week for on-air talent. Content varied from background info on fX acquired programs, to promos.
fX network from March ‘95-to March ‘96. Duties included checking news copy and supervising 8 live one-minute news breaks per day.
TINA HARDY is a professional copy editor and proofreader who specializes in the editing of scholarly works, specifically academic and student documents. Many of her clients are authors whose first language is not English. She has edited hundreds of academic titles and has been involved with dozens of scholarly journals, primarily in the fields of psychology, scientific measurement, and communication. Tina has been repeatedly recognized for her ability to grasp complex concepts and for expertly balancing between reader comprehension and instruction. She is an expert in Chicago and APA formatting. * Copyediting, line editing, and proofreading (nonfiction) If you are writing a scholarly article, academic essay, thesis, dissertation, or research paper, Tina will ensure that your grammar, spelling, punctuation, tense, and so forth, are 100% correct. She will review your document and ensure total compliance with your style of choice, using her extensive expertise in Chicago or APA style as her guide. She will work to mold your document into the appropriate form, ensuring items such as headings, abbreviations, technical terms, citations, references, and so forth, all conform to the appropriate style. She will work with you to ensure that your word choice and word form flow naturally, so that each sentence builds on the next to advance your argument in a logical, consistent, and cohesive manner, all while keeping your natural voice intact. This will result in a document that is precise, exact, and Recent books Tina has edited include the following:
Testimonials: "You are so skilled at making recommendations, asking questions, and eliciting creativity from us. Your thoroughness and thoughtfulness in editing made our revisions easy and logical. We will ask for you again!" Margarita Calderón, Johns Hopkins University, coauthor (with Liliana Minaya-Rowe) of Preventing Long-Term ELs "Tina Hardy's editing skills are outstanding. Her ability to revise in a way that captures the original intentions of the author is top-notch!" Maria Grant, Director, Secondary Teacher Education Program, California State University, Fullerton, coauthor (with Douglas Fisher) of Reading and Writing in Science: Tools to Develop Disciplinary Literacy "Tina Hardy is a quality professional copy editor with an enormous understanding of the concepts and extraordinary attention to even the smallest details. I would confidently recommend her services to those who want their projects manicured properly. She's on my extremely short list of trusted editors for anything I'm involved with." Stephen Thomas, The Pioneer News "I have worked with many editors. I have written 20 books. This is the best job I've seen to date. You have made what we said clearer with every edit and NEVER compromised the message we want to send. We accept everything you have done gleefully with no changes. Thanks so much. This has been a total pleasure for both of us." Peter Desberg, coauthor (with Jeffrey Miller) of Understanding and Engaging Adolescents
SANDRA JUDD is an editor, proofreader, and indexer with more than 20 years of experience in the publishing industry. Her clients have included university presses, large, mainstream publishers, and smaller presses and professional organizations. She has edited or proofread over 300 published books, on topics that include politics, history, business, literary criticism, ethnic history, anthropology, science and medicine, industry manuals, memoirs, Christian and inspirational, parenting and relationships, humor, and fiction. She has edited 20+ volumes in the Health Reference Series published by Omnigraphics, all published under her name as editor. She has also edited professional journals and newsletters, business plans, scholarly articles being prepared for publication, economic plans to be distributed to the state legislature, and a number of dissertations. She has prepared indexes for more than 30 published books. She strives for precision in language and is devoted to making the author's voice heard.
"While I have never met Sandy Judd face to face, I have used her services as a copyeditor since 1997. She is easy to work with, extremely competent, and has helped me improve my writing skills. I will continue to use her services as long as she is available." -- Lewis C. Forrest, Ed.D., technical writer and published author, North Carolina "As senior editor of a book publishing company, I used Sandy Judd’s services for several years as a proofreader and copyeditor. Her detail-oriented skills and her unfailing ability to meet deadlines kept her at the very top of my list." -- Kathryn Deering, Ann Arbor, Michigan "I kept Sandra Judd as busy as she’d let me while I was senior editor at Servant Publications (1995–2001). She produced high-quality work on time and at reasonable cost. I highly recommend her." -- Heidi Hess Saxton, former senior editor, Servant Publications
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As an editor, John David has been privileged to work with some of the best publishers of fiction in the nation, including Whitaker House (where as senior editor he worked on James Byron Huggins' Nightbringer, a book that Library Journal named one of its annual top five Christian novels), David C. Cook, NavPress, Realms Fiction, and Marcher Lord Press. "I confess… did a lot of investigation over the Internet… from half way around the world… received a many sample edits / quotes from different editors (~12!). My choice was perfect. On a scale of 1-to10 I rate John a solid (plus) 10! First and foremost for the English… past tense-present tense… grammer —use of the em dash… POV… the whole nine yards. Perfect.And next – for him getting into the story… making very good COMMENTS and suggestions all throughout. This includes checking things on the Internet… noting that the coca cola slogan – “The Real Thing” did not come out in the time period that I mentioned it… and many other excellent comments." Michael Weiss
TOM GRANT LEMONS is a successful novelist, editorial consultant, publisher, ghostwriter, and managing editor. His historical fiction has won awards and appeared on bestseller lists, and his novels have been translated and published in Germany, Sweden, the Netherlands, South Africa, and Poland. Tom is passionate about the written word, and he is eager to bring his passion and expertise to your writing project. Authors Tom has worked with include Oliver North, T.D. Jakes, Bob Hamer, Joe Moscheo, and Hamilton Gayden. The fiction and nonfiction books Tom has worked on both as developmental editor and ghostwriter have been published by major houses including Broadman & Holman, Warner Faith Publishing, Hachette/Center Street, and Greenleaf Book Group. A skillful editor or ghostwriter can help you refine your words, create a flow that will pull readers in, and still leave the work stamped unmistakably with your unique literary voice. Tom has been able to do this for dozens of books and authors during his writing and editing career. One author told him, “It’s like you were inside my head.” Another wrote in the acknowledgments to his book, “…to Tom … who ‘got it’ immediately, and without whom this book would not have happened.”
“Tom is simply one of the finest men I've ever known and one of the best writers I've ever encountered. His combination of creativity, craftsmanship, integrity, and intelligence puts him at a level I've rarely seen.”—Gary Terashita, Executive Editor, B&H Publishing Group “Tom is an exceptional editor. An author himself, Tom is meticulous and creative in his work as he expertly brings a writer's best ideas forward. Not only are his editorial abilities outstanding, he is also warm, patient, caring, and thus a joy to work alongside. I recommend him wholeheartedly!”—Edwina Barvosa, Associate Professor, University of California at Santa Barbara Evaluation and Critique of a "Spiritual Thriller" Novel By Tom Lemons
HERBERT M. LEVINE is a freelance writer and editor (nonfiction). His publications include 36 books and more than 75 articles. Subjects include: American government, state and local government, world politics, terrorism, arms control, state and local government, public administration, civil liberties, gun control, illegal drugs, chemical and biological weapons, and immigration. His articles have appeared in newspapers, magazines, journals, and reference books (including an encyclopedia). He served as a consultant for book projects on counterterrorism and evaluated and edited the work of academics and former government officials for that project. He holds a Ph.D. in public law and government from Columbia University. He taught political science for 20 years at the University of Southwestern Louisiana. He has edited numerous doctoral dissertations. He advised dissertation writers on the substance and style of their work and directed them to publishing markets. Dr. Levine is an expert in APA and Chicago writing requirements.
"Herbert Levine was outstanding. His editing comments made it very clear that he spent a great amount of concentrated effort on the project, and he is clearly an exceptional scholar. He returned his comments 3 days before the deadline. I could not have asked for a better experience!" Laurie Sandefer
“Kelly [has] a good sense of humor and a tactful way of communicating, who relates to writers as equals, not underlings. With each manuscript Kelly has edited for me, I've gained invaluable knowledge about the craft of fiction writing. ~Stacey Coverstone, author of High Lonesomehas SUZANNE MANNESS is an English professor specializing in technical and business writing. She has written and edited technical manuals, informational brochures, business proposals, and grants. She has also written computer user manuals and technical instrumentation directions. Additionally, she has edited many medical textbooks and medical articles on such subjects as heart transplants, pain management, and anesthesiology. She is an expert in all documentation systems such as Chicago Style, Harvard, APA, American Anthropological Association, and MLA. Her specialty is taking complex material and translating that material into a clear, concise, audience-friendly document.
DON McCLAIRE uses forty years of editing and writing experience to help both fiction and non-fiction writers polish their work for publication. He’s spent his career as a magazine editor (11 years), award-winning public relations executive (six years), head of his own marketing communications firm (21 years), professional editor, and writing instructor. He’s written and placed hundreds of press releases and trade magazine articles, and has produced three non-fiction “how-to” books, two young-adult novels, and four Donna McClaire-bylined romance novels, all published. McClaire’s work won him The Public Relations Association’s highest award, the Silver Anvil, plus two Golden Trumpets from the Chicago Public Relations Associarion. McClaire knows firsthand, after editing for others for years and judging numerous writing contest entries, the many mistakes unpublished writers make. He spreads this knowledge by conducting workshops at weekend writing conferences and teaching two online writing classes: Editor-Proof That First Chapter for WriterUniv.com, and 21 Steps to Fog-Free Writing, at WritersOnlineClasses.com. He'll edit your manuscript, correcting things you may have been doing wrong your whole writing career. Areas of focus include appearance, hooks, plot, motivation, dialogue, setting, point of view, research, conflict, and voice. He'll also edit weak verb forms, strip away author intrusions, identify character filters, ban redundancies, eliminate foggy phrases, correct passive voice sentences, slash misused and overused words, and correct other writing bugaboos. These are all problems an acquisitions editor or literary agent won't take the time or effort to tell you about, but they could keep you from being published! "I’m going back and redoing everything I’ve everwritten…ever! When you edited the first chapter of my latest manuscript, you opened my eyes to a whole new world—and that’s way too cheesy to be an exaggeration! I can’t thank you enough for the See Don's articles: McClaire Tackles Tough Editing Problems Don't Be an Information Dumper JIM McDONOUGH has edited books on such different subjects as translations from Greek and Latin prose and poetry, Roman history, Catholic schools, Jews and Gentiles in the ancient world, Martin Luther, World War II, the Bible, foreign phrases used in English contexts, and biography. He has also edited a medical dictionary, a historical novel on the First Crusade, and encyclopedia articles. He prefers the Chicago/Turabian style. When he receives a manuscript with great idea but less than ideal presentation of these ideas, he takes great delight in helping the author give form, organization, and polish to the work so as to increase its chances of publication and of getting the author's ideas across effectively to the public. He also enjoys helping persons with Ph.D.s prepare their dissertation or other research for publication by university presses and trade publishers.
HOLLY MONTY, MA, MAComm, ELS, has been a professional APA and Chicago style editor and writer for 10 years. Since operating as a freelance editor and writer, Ms. Monty, a Microsoft Word and LaTeX expert, has worked on books and articles published by many of the world’s leading publishers, including Cambridge University Press, Oxford University Press, MIT Press, John Wiley, Springer, Lawrence Erlbaum, Pearson-Prentice Hall, Berg, Macmillan, Berkshire, American Geophysical Union, Praeger, Greenwood, Blackwell, Elsevier, Sage, Begell House, Teacher Ideas Press, Libraries Unlimited, UTH Zürich, RAND Corporation, and other top names in academic and nonfiction publishing. To date, she has edited over 1,500 published journal articles, over 100 nonfiction books, and a wealth of dissertations and theses. An elected member of the board of governors of the Editorial Freelancers Association from 2007 to 2008, Ms. Monty is proud to have worked with a diversity of students and academics from a broad range of our nation's universities. Given her wealth of experience, she is adept at working within the precise terms of your university's thesis/dissertation guidelines or with the publication guidelines of any peer-reviewed journal. THEODORA O'BRIEN focuses on mysteries, science fiction, fantasy, thrillers, adventure, and horror titles. She has considerable experience with trade non-fiction. As Editorial Director of her own publishing house, Theodora published almost 100 titles, garnering several awards in "Best Of" categories. Almost half of the titles were bought for paperback reprints, and two were optioned for TV/movies. She has invaluable knowledge about the industry, the type of people who run it, how to work within it, and tips for getting your foot in the door. She’s reviewed, evaluated, and edited thousands of manuscripts through the years, and uses that knowledge to help her clients produce results-driven manuscripts, query letters, and synopses. She works particularly hard at staying in the author’s “voice,” making sure the facts and dialogue match the time period in which the book is set, and “losing” excess verbiage. She's a good mentor, hard worker, and in many cases, has ultimately become a good friend.
"I am absolutely sure I wouldn't have gotten the publishing contract if it hadn't been for Theodora's evaluation and editing. What an enormous find she was for me!" Shayne Easson, Wrath of Zar.
"Throughout our work and rework on my manuscript, Mark was encouraging and kind, and he never made me feel like the rookie I am (was). He never left me feeling like he knew more about the publishing industry than I did — he just continued to teach me in an incredibly thoughtful and gentle way, fine-tuning my work and imploring me to be the best I could be. ... At the moment there are ten agencies and two publishers who have responded favorably to my query (which you taught me how to write, I might add) about my novel. " – Gary Kaschak JAMES POWELL is "a good literary surgeon," as one of his accomplished clients noted. As an editor of fiction and non-fiction, he views manuscripts with a broad, comprehensive vision and an eye for detail-for "the right word in the right place." Powell's editors will tell you that his books need no editing, as Powell is, himself, an editor. He will read your fiction with an eye to making it believable and your non-fiction with a knack for making it both convincing and engaging. His books and short stories have been translated into many languages and are known throughout the world. His list of publications includes The Tao of Symbols (Morrow 1982), Energy and Eros (Morrow 1985), The Prentice Hall Global Employment Guide (Prentice Hall 1983), Mandalas: The Dynamics of Vedic Symbolism (Sterling 1980), Derrida for Beginners (Writers and Readers 1996), Postmodernism for Beginners (Writers and Readers 1998), Eastern Philosophy for Beginners (2000), and Deconstruction for Beginners (2005), and Slow Love: A Polynesian Pillow Book (2008). His short story "The Silence of the Hummingbird" was published in Spanish in Revista Katharsis in Malaga, Spain and his journalism has appeared in the Santa Barbara Independent and Montecito Journal.
"The turnaround time was excellent. The work was fabulous!!" Nova University student. "His editing really streamlined my ideas. Mr. Powell's service offered much needed support." ARLENE ROBINSON has developed and edited 450+ full-length manuscripts in a variety of genres since 1996. Her clients include women's fiction author Angie Daniels, sociology professor Joyce Tang and college-success guide author Josh Richardson. The true crime memoir The Twelfth Man Standing received Turner Broadcasting Network's Trumpet Award in 2002, and 'PRESSIONS: Memoirs of a Southern Cat by Edith M. Holmes won the YOUnity Reviewers Guild Top Honor Award. Arlene welcomes new or published authors as clients, and enjoys helping journalistic, business and academic writers transform their writings into marketable, polished products for mainstream readers. While not a professional humor writer, she could be. Arlene lives in the Deep South with her probation officer/journalist husband and two almost-adult sons, and looks forward to the day when her human offspring venture into the world as independently as she envisions her writings springing onto bookshelves.
"Arlene is everything you want in an editor: thorough, timely and accommodating. If it weren't for her, I certainly would not have landed a publisher for my manuscript. Not only was her editing topnotch, her advice on everything about publishing was very helpful. Arlene really cares about the work she does and it shows!" — Josh Richardson, Ahead of the Pack: Balancing Your Way to Personal Success in College, Thomson Delmar Learning NANCY ROSENBAUM is an expert at eliminating extraneous verbiage to bring the important points into clearer focus in works of fiction and non-fiction. As a rewriter, proofreader, editor, fact-checker, and indexer, Nancy works from the reader's perspective to help her authors generate more polished manuscripts, whether they self-publish or pursue commercial representation. Her clients' works have been on subjects as diverse as memoirs, fictional tales, short stories, self-help and new-age topics, diet and personal health care, and wealth management, to career and business management, political treatises, philosophical and social science critiques, business development and marketing optimization, textbooks, historical studies, travel and tourism guides, and finance and economics. Whether her clients need assistance with book proposals, query letters, critiques, or fine-tuning of completed manuscripts, Nancy is ready and able to provide just the right touch to hold the reader's attention. Nancy earned a bachelor's degree in English Literature from Mt. Holyoke College and studied technical documentation and business communications at Northeastern University and Massachusetts Institute of Technology. "Nancy went above and beyond heavy editing, putting my 70 page, 15,000 word Capstone in APA compliance. Her ability to understand the material and translate into higher level English is very impressive. The feedback from my professor was ‘exceptional work’ and he turned it back to me with no corrections. Her work was PERFECT. I can’t thank her and the editing network enough. Well done!" - Brian Bowman, Embry-Riddle Aeronautical, Deputy Group Commander, USAF "It has been a pleasure working with Nancy Rosenbaum. Her professionalism is outstanding. She walked me through the every step of the editing process and, was always available. The quality of work was far more superior than I had expected. I intend on using both Nancy and the service again to assist with the final editing of my dissertation project." "Nancy Rosenbaum was very accessible and easy to work with. She was responsive, and most importantly, I’m very happy with the finished result (edited manuscript)." —Steve Todd "I didn't know that services of this caliber existed online!" "She is a master of APA and of the English language!" —Jasey Kolarik, Aurora University "Nancy did an amazing job of making my manuscript much more polished and professional. Her services included rephrasing, tightening text, and proofreading. Nancy was a joy to work with. I highly recommend her services to anyone."
KAREN SCHADER specializes in fiction and nonfiction for children and young adults, including chapter books, picture books, and educational resources. She has worked as a substantive editor, copyeditor, and proofreader for authors, trade publishers, and educational publishers. With an academic background in child development, she brings an understanding of children to her work, and several of her titles have been recognized with iParenting Media Awards and National Health Information Awards. A client once described Karen's editing as going beyond "simple grammar and sentence structure to style, age-appropriateness, and clarity." She respects readability, grammar, punctuation, accuracy, deadlines—and the importance of preserving the author's voice.
A. J. SOBCZAK is an editor, proofreader, and writer (business writing, business methods, business history, communication, literary analysis, fiction in various genres) with more than 25 years of experience in the publishing industry. He has edited nonfiction work, both articles and books, in a variety of fields, including various social sciences, technical research, and medical research. He has edited dozens of books and journals in the social sciences, research methods, mathematics, political science, psychology, business and management, history, and health and medicine, among other topics, and also has worked on several successful doctoral dissertations. He is an expert in APA and Chicago styles and is on several publishers' lists of "go-to" editors for manuscripts with heavy math content. His fiction specialties include science fiction, fantasy, mystery, and young adult.
Editor of New York Times Best-Sellers A former in-house editor at Pocket Books—a division of Simon & Schuster, the premiere New York City publisher of commercial and trade fiction—an outside editor for Harper Collins/Avon, and a reader for The Literary Guild and The Rhapsody Book Club, Caroline’s particular expertise is historical and contemporary romance, romantic comedy, and romantic suspense. Carla Neggers, Karen Robards and Andrea Kane—three New York Times, Publishers Weekly, and USA Today bestselling authors—had books edited by Caroline. She also specializes in suspense thrillers, crime fiction, amateur sleuths, sagas, inspirational romance, westerns, urban fantasy and African-American popular fiction. She holds workshops on the writer’s conference circuit and speaks at numerous venues to help advance the cause of popular fiction for women. Known for her accessibility, Caroline is available to answer any questions a client may have; from a simple inquiry regarding point of view switching, to a larger issue regarding career path. She is a hands-on editor, likes to put her blue pen to work, and enjoys brainstorming with writers. She is a mentor, a guide and a source of vast knowledge on the subject of popular fiction. Caroline offers content and developmental editing with commentary; minor line-editing if necessary, submission help, and career consulting. A good editor is counselor, advocate, guide, parent, friend, and teacher. Caroline was my editor at Atria Books, a division of Pocket Books. With her determined guidance, I published three novels that were well-received, and of which I am still very proud. Writing isn’t done in a vacuum. Good writing is dependent upon the close relationship of an author with a professional editor. Caroline helped me to hone my writing skills—where I might have thought the story was being told well, she pointed out where it wasn’t. When I went off the rails, she set me back on track. When it was good, she was a cheerleader. Caroline held me to a high standard; and, in exchange, she shepherded my books through the publication process and out into the world. Any writer who is serious about his or her work would be lucky to have Caroline as an editor. She is professional, knowledgeable, and dedicated to working with writers to achieve their goals. I count myself incredibly blessed to have been one of Caroline’s authors. -- Susan Wilson, author of Hawke’s Cove, Cameo Lake, and The Fortune-Teller’s Daughter. “Caroline. and I worked together as an author/editor team for a dozen years. She is, by far, the finest editorial partner I've ever had the good fortune to work with. Her instincts about how to make the book the best it can be are dead-on, and her willingness and abilities to achieve that end (without making the author feel that the book is no longer his/her own) are amazing. She has experience in a broad range of genres, and she puts that experience to work whole-heartedly. There is no one I would more strongly recommend to you if you want to make your book the best it can be, and if you want the best chances of becoming published or further published!” -- NY Times bestselling author, Andrea Kane MADGE WALLACE is a professional freelance indexer. She creates indexes found at the back of nonfiction books. When an index is done according to generally accepted indexing standards, it performs flawlessly. The reader finds what he is looking for and doesn’t give the index a second thought. On the other hand, if the index is poorly done, the reader becomes frustrated and will likely move on to the next book. Worse yet, a nonfiction book published without an index may not be taken seriously by the publishing industry. In short, a good index enhances the value of a book to readers, reviewers, librarians, instructors, and researchers. It is a mark of a serious book. Indexing is a skill Madge acquired after many years of writing freelance for newspapers and magazines, as well as authoring four published books. Her award-winning novel, Paying the Price, the story of a real estate deal in Hawaii that goes terribly bad, was published in 2005. Her Hawaii Real Estate Exam Book has been used by students all over the world to pass the Hawaii real estate licensing exam. As an indexer Madge puts herself in the mind of the potential reader and anticipates his needs. Indexing involves such things as
Madge has a degree in mathematics, and is a graduate of the U.S.D.A. Graduate School's Basic Indexing Course, a tried and true standard for indexers. She is a member of the American Society of Indexers. She indexes books on topics ranging from history to politics, cookbooks to real estate, social studies to biography, and health and wellness to Hawaiiana. All subjects will be considered. Madge welcomes your questions on indexing. To learn more about the importance of indexing, see her article, "Good Indexes Sell Books." And if you are considering doing your index yourself, please see "Author as Indexer: the Good, the Bad and the Possible." "This book was a challenging indexing project. Madge Wallace...did an excellent job sorting through this complicated task and the result is a book of which everyone involved is very proud." "We greatly appreciate your diligence and care in creating the index for Patients Beyond Borders Second Edition—a quantum improvement. I was particularly pleased with the way you distilled a large amount of technical information—potentially confusing to the reader of a consumer guide—into an accessible, friendly format. Try as we might, we could not find an error in your work!"
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