Content editing, copyediting, writing, screenwriting, academic editing, APA format, proofreading
Fiction, memoirs, and academic editing (especially in Political Science, Film Studies, English Literature, U.S. History)
DAVID HENDERSON has built up a distinguished career as an editor, writer, and filmmaker. His flair for the written word, creative acumen, and meticulous attention to detail has earned him a loyal following of clients in need of copy editing, content editing, or ghostwriting.
After earning his master’s degree in Journalism at Northwestern University, he spent five years working for an academic press and later for a major publishing house before committing to freelancing full-time. His long track record has given him exposure to a wide range of authors, writing styles, and genres, including academic manuscripts, short- and long-form fiction, business communications, scholarly non-fiction works, self-help books, Christian and other religious-themed writing, manuscripts by non-native English speakers, humor writing, exposés, legal materials, and private correspondence. As a self-taught, award-winning filmmaker, David is also an authority on screenwriting for short or feature films.
David has helped guide a number of manuscripts to publication and looks forward to continuing to apply his critical insight and editorial skills to help bring more projects to fruition. In addition to an eagle-eyed ability to spot errors of mechanics and a thorough comprehension of even the most arcane points of grammar, his best attribute as an editor lies in his proficient knowledge of what makes a piece of writing work (and, importantly, what doesn’t). David relishes the process of working with the author to get at the heart of the substantive components of a novel, dissertation, or other text and finding ways to allow those parts to cohere into a functional, unified whole. Being an effective editor often also necessitates being an educator of sorts, especially when working with less experienced authors. Hence, David strives not only to revise and critique an author’s work but also to imbue him or her with a deeper understanding of the craft, which also ensures that he or she understands my own editorial changes and suggestions. He has found this approach to be very effective for producing polished works of fiction as well as satisfied clients.