Before Stacey Donovan became a professional editor more than 20 years ago, she worked in a literary agency where she learned how to say no more often than yes, and include reasons why. A stint in advertising followed, teaching her to tell it short and sweet, meet deadlines, and most important: never give up.
Donovan is a six-time published book author of both fiction and non-fiction. She has edited or ghostwritten more than a dozen published books for her clients. Two became New York Times Bestsellers, and another nominated for Best First Novel by International Thriller Writers. She is experienced in many genres: Contemporary/Mainstream; Caper/Detective; Erotica; Gay/Lesbian; Literary Fiction; Mystery; Psychological Thriller; Suspense; Women’s Fiction; Young Adult; Memoir/Autobiography; Creative Nonfiction.
Specialties
Detailed critique/evaluation of your manuscript
Developmental/structural/stylistic edit of your manuscript
Complete revision of your manuscript
Collaborate with you in a mentoring capacity as you edit your manuscript
Collaborate with you on a query and/or synopsis when the manuscript is ready for publication
Determine with you which literary agent would be suitable for representation
Determine with you whether to pursue mainstream, small, or self-publishing
Consultation on your initial and/or ongoing Social Media strategy
Donovan is a writing coach, mentor, collaborator and ghostwriter. She has published dozens of non-fiction articles on design and art, and specialized in celebrity interviews with experts in their field. She is also a Publishing and Social Media strategist.
You will find a complete summary of Donovan’s in-house and freelance work experience, a list of her published books, and a list of the published books of her clients, at http://www.donovanedits.com/bookclients.html.
PUBLISHED BOOK PROJECTS
"Thomas Wolfe Wasn’t Kidding" - A Cup of Comfort For Writers Anthology Non-Fiction by Stacey Donovan
Publisher: Adams Media, 2007
Red Shoe Diaries (books 1-4), by Stacey Donovan & Elise D’Haene
Publisher: Penguin/Berkley Books, 2005-2006
Your Fate Is In Your Hands, by Stacey Donovan & Donna McCue
Publisher: Pocket/Simon & Schuster, 2000
Dive A novel by Stacey Donovan
Publisher: Penguin/Putnam, 1995; iUniverse, 2000
PARTIAL LIST OF PUBLISHED CLIENT TITLES (Ghostwritten and/or edited)
FICTION
McNally’s Dilemma (G.P. Putnam’s Sons), mystery fiction by Lawrence Sanders,
-A New York Times Bestseller
Shadow of Death (Oceanview Publishing), mystery fiction by Patricia Gussin, M.D.
-Nominated for Best First Mystery by Mystery Writers Association of America
The Hampton Affair (G.P. Putnam’s Sons), suspense fiction by Vincent Lardo
Ready to Fall (Bridge Works Publishing), contemporary women’s fiction by Claire Cook
Chinhominey’s Secret (Bridge Works Publishing), literary fiction by Nancy Kim
Find Courtney (Bridge Works Publishing), psychological thriller fiction by Melissa Clark
Boy on a Pony (Moreland Press),contemporary fiction by George Abagnalo
Scrambled Eggs (Five Star Press), caper/suspense fiction by Boris Riskin
Deadly Bones (Five Star Press), caper/suspense fiction by Boris Riskin
NON-FICTION
Family Outing (Little, Brown and Company), nonfiction memoir by Chastity Bono & Billie Fitzpatrick
Credit Card Debt (Avon), nonfiction by Alex Daskaloff
Displacing Place: Mobile Communication in the 21st Century (Peter Lang Publishing Group),
nonfiction by Sharon Kleinman, Ph.D., Editor
*Other titles editor is contractually unable to reveal
SPECIALTIES:
Writing nonfiction for 20+ years (Memoir, Creative Non-fiction, How-to, Financial)
Writing fiction for 20+ years (Contemporary/Mainstream; Caper/Detective; Erotica; Gay/Lesbian; Literary Fiction; Mystery; Psychological Thriller; Suspense; Women’s Fiction; Young Adult)
Publishing strategist for 10+ years (i.e., manuscript preparation, submission materials, literary agency representation)
Social media strategist for 3+ years (i.e., the when and where of user-created online content)
Writing articles for 5+ years (design, art)
Conducting Interviews for 3 years (celebrity experts)
IN-HOUSE & FREELANCE PROFESSIONAL EXPERIENCE
9/89-Present DONOVAN EDITS – DO MEDIA Writer/Editor/Coach/Ghost/Social Media Strategist
5/98-9/03 BRIDGE WORKS PUBLISHING (Bridgehampton, NY)
Consulting Editor - Fiction
10/87-1/89 ORION HOME VIDEO, INC. (NYC)
Copywriter - Promotion - Brochures; catalogs; video cassettes; trade/consumer ads; sales PR
5/85-3/87 CBS/FOX, INC. (NYC)
Copywriter - Promotion - Catalogs; video cassettes;
laser discs; trade and consumer ads
8/86-9/87 AMERICAN CIVIL LIBERTIES UNION (NYC)
Copywriter, Special Assistant to Membership Services Manager - Direct mail to sustaining and new member client list
6/84-6/89 EQUITY ADVERTISING AGENCY, INC. (NYC)
Account Executive – Copywriting recruitment and general display advertising, monthly newsletter; coordinate ad copy and layout for newspaper, magazine, trade publications
8/81-5/84 LEWIS ADVERTISING AGENCY, INC. (NYC) Public Relations - Press release and trade article copywriting for in-house corporate use; real estate publications
9/83-4/84 ASTORIA STUDIOS (Queens, NY)
Production Assistant - in the filming of Francis Ford Coppola's "Cotton Club"
8/83-6/84 ANN ELMO LITERARY AGENCY (NYC)
Assistant to Ann Elmo - Manuscript preparation for submittal to publishers
"I knew my manuscript needed a major overhaul, but I was afraid
that, at 119,000 words, I wouldn't find someone who would or could
do a thorough job, especially because it was dark, sexual, possibly
controversial, and maybe not even publishable. I was wrong. I'm
very fortunate to have had Stacey Donovan take on my project. She
exceeded my expectations beyond anything I could have imagined.
I still don't know that my novel will see publication, but I've
probably quadrupled my chances now that Stacey has given me some
guidance and direction." - Catherine Dix
"Working with Stacey has been a thoroughly rewarding experience,
one which has far surpassed my expectations. She consistently went
above and beyond in working on my manuscript, providing both insightful
and thought-provoking feedback, which opened my mind to hitherto
unexplored areas and ideas. To top it all off, she even helped me
with my submission strategy as well as the query letter and synopsis,
for which I am hugely grateful." (Contact information on request.)
"Stacey did an absolutely fabulous job. I can't recommend her enough. She went above and beyond her line of duty and her critique was thorough, catching many plot details and errors that I previously missed. Thank you so much!" - Christine Catlin
"Had it not been your network, I would not have found, Stacey. Aside polishing my work, she was dedicated to my personal development as a writer. I now have a manuscript that I'm proud of, thanks to you, Lynda. I shall forever be indebted to you for organizing these excellent editors" - Constancia E. Matanawui
I owe my writing career to Stacey Donovan. I was astounded at her instincts and her talent to not only point out opportunities for improvement, but to offer concrete guidance as to how to implement necessary changes. I had no idea that inspiration, editing excellence, and patient teaching could all be wrapped up in one individual. Now that I'm working on my fifth book, I look back with gratitude to Stacey who so generously shared her expertise and provided such valuable direction. - Patricia Gussin, MD
Stacey Donovan is the right woman at the right time. I was with a terribly muddled manuscript - more like jottings than a real piece of writing. Stacey worked her magic on my writing - and suddenly (well - not so sudden in her mind - probably, in fact, rather laborious for her) the writing came to life. But that wasn't the best part of what she brought to bear on my manuscript. It was the level of organization she found. Yes - in some sense it was inherent already - waiting to be born - but after years of my messing with the book (as well as several other editors who tackled the job and failed), I didn't seem to have what it took to give birth to this baby on my own. Let's say Stacey was the mid-wife - or the doula. She is the one who birthed it and made it a coherent whole. I recommend her unconditionally to anyone who is writing challenged for any reason. - Dr. Jane Goldberg
Last year, on a friend's recommendation, I sent the manuscript for a novel I had just completed to Stacey for review. Not only did I find her critique to be inspired and precise, I also found her to be totally supportive and encouraging. Her feedback was invaluable, for not only was she unafraid to point out what she saw as shortcomings in my work, but also showed great enthusiastic for those elements of the work she digged. I would have no hesitation recommending Stacey to anyone looking for an honest, intelligent review of their work. - Brett Morris
If you want an editor who will not give up on making your work, be it fiction or nonfiction, the best it can possibly be, then Stacey Donovan is the right choice. I’ve worked with Stacey on several published works, and the one indefatigable quality that defines her is an unwavering dedication to excellence. She is a writer’s writer – intuitive, resilient, tireless – with an emphasis on craft, authenticity, and surprise. Stacey knows down to her bones what is ineffable in any creative work.
-Elise D'Haene
Because of Stacey Donovan's insightful questions and belief I could do better and reach deeper, the novel I was writing went from being a rather predictable story to one full of surprises that kept the pages turning. The story was told from three points-of-view, and Stacey helped me develop each narrator’s story and knit them into a cohesive whole. She stayed involved throughout the entire project, including my query letter and strategy for approaching agents. While the novel didn’t sell, it did land an excellent agent, who has continued to be responsive to me based on that effort. Stacey taught me to be precise in my word choice and how to more effectively use details to evoke character. In addition, she was a pleasure to work with and very knowledgeable about the industry and current marketplace. She consistently kept to our agreed upon schedule and was always available for my endless questions. I am a much stronger and more confident writer for having worked with her.
-Laura Stein
Working with Stacey has been very rewarding. Her thoughtful and thought-provoking insight lingers. She doesn’t make changes just for the sake of making changes, or just because she knows better (which she does), but shares her reasoning with you so it’s a learning process. Understanding where her changes come from allows you to then apply the knowledge you’ve acquired to the next proposal draft or any new piece of writing. She’s always so responsive and often has an amusing anecdote to share to illustrate her point. I truly appreciate her candor and refreshing sense of humor along with her extensive experience. Having your work edited can be a painful process but Stacey has made it less so by being willing to share why as well as how. -Anne O’Connell
Stacey Donovan is more than a good editor. What makes her better than just good is an unerring ability to work with an author. She brings to the table not just an eye for weakness, but the creativity to make suggestions that the author can work with. Naturally, the writer's talent is a factor, but with an editor's help, the writer can give it his or her utmost. Stacey makes you work and work better than you ever thought possible.
-Robert Boris Riskin
Stacey Donovan was an inspirational individual in my writing career. Self-possessed, passionate, and well-informed about the industry – Stacey brought out the best in my efforts and advised me on how to present my work to the trade. As a developing memoir writer, I possessed exceptional life experiences and the intellectual capital to articulate them. But without the guidance, instilled confidence, and empowerment that Stacey Donovan provided to me, I would not have been able to bridge the great divide that ultimately produces a book. Besides being a decisively insightful first reader, Stacey enabled me to visualize the vehicle that transformed my string of anecdotes into a cohesive well-formed framework. My personal story used a vast vocabulary of nautical vernacular; without it, the authenticity of my story would have been lost. Stacey was instrumental in enabling me to cull colloquial expressions to create just the right amount of edge; treading the fine line between believable authenticity and illusive expression. Our work sessions challenged and elevated my desire to express myself with clarity and joy.
-Pat Mundus
My experience with Stacey Donovan spanned 2 years. As a first time novelist, I remember our first meeting well. I showed up with a shopping bag of journalistic writing and a good idea. Thanks to Stacey's experience and creativity, my idea grew wings and substance. With her direction, character development, plot continuity, tone and language were expertly handled, I can rightfully say, without Stacey's skill and direction, Love at First Site would never have become a novel. With great appreciation and thanks.
-Bobbie Braun
I approached Stacey to get her advice on my work so far for my first novel. She was very friendly, honest, professional and diplomatic in her approach. The way she communicated constructive criticism didn’t come across as criticism at all, rather articulated suggestions followed by advice backed with industry experience. I will be continuing to seek Stacey’s advice and would heartily recommend her to any writer, new or established.
-Kishun Gohl
My first ever foray into the world of website-making was fraught with fear of going live into the big world out there, knowing that everyone I've ever known would be reading through my site and commenting, either in their heads, or letting me know what I could've done better. Having Stacey Donovan check me out before pressing GO was an insurance policy to keep my stress level below a roar and clean up the rough spots. After all was said and done, I got more compliments than complaints because Stacey's important nudges moved things in the right direction. Now I know to always get a professional to look me over first and make me look good. Stacey's eye for quirky, edgy and hip allowed me to be myself in the copy, and still sound sharp and smart. I didn't lose my voice or color in the editing process...all I got was clarity. Thanks Stacey!
-Eve Springwood Minson
Submission
Cut and paste the questions and answers into an e-mail:
You may send your initial submission to all addresses to make sure it's received.
Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
attachment preferred). Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
A sample is required to receive an estimate
for editing services
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?
(19) How did you learn about our service?:
(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)
Notes:
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note:Questions about price and turnaround times cannot be given over the phone or via chat.
To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours (M-F, 9a-7p central). Expect longer response times if you submitted after U.S. business hours or on weekends.
You may also send your submission to our alternate e-mail addresses if you do not receive a response within three hours M-F:
Help2012 at Airmail.net
editingnetwork at gmail.com
contact at editing-writing.com
You may also leave voice mail for the network coordinator: 469-789-3030. This number is for verification of e-mail submissions only.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your editor or publishing consultant, not with the editing network as a whole or its coordinator.