Kevin D. Miller - Editing & Writing Services

KEVIN D. MILLER specializes in editing fiction of all kinds—including screenplays—but he has a particular fondness for science fiction and fantasy. As an editor and instructor of creative writing, Kevin has helped dozens of new and experienced writers hone their craft and prepare their manuscripts for publication. Many of Kevin's clients, such as Spencer Tillman of CBS Sports, have gone on to lucrative publishing deals with Thomas Nelson, Lyon Hudson, Crown and William B. Eerdman's. Clients appreciate Kevin's extensive knowledge of story structure, his attention to detail and his knowledge of the marketplace.

A professional writer, screenwriter and editor for the past 12 years, Kevin has worked as both a staff writer and as a freelancer. During that time, he has amassed numerous writing and editing credits. These include over 40 published books, including: Scoring in the Red Zone (Ghostwriter, Thomas Nelson Publishers; World's Easiest Pocket Guide to Buying Your First Home" (with Larry Burkett, Northfield publishing)

Kevin is also the co-founder of Fresh Wind Press and Clarion: Journal of Spirituality and Justice. He has taught creative writing at various colleges and conferences across North America.

Services:

Script coverage
Manuscript critiques
Developmental editing
Structural editing
Line editing / copyediting
Writing assistance
Ghost writing
Market consulting (preparation of query letters, complete book proposals, writing samples)

Genres

Science fiction
Fantasy
Crime/Thriller
Detective/mystery
Romance
Horror
Literary fiction
Historical fiction
Children's/Juvenile/Young Adult Fiction
Christian fiction (extensive experience in the Christian marketplace)
Self help/How to non-fiction

- WRITING CREDITS-

FILMS

"TRUNK" – SCREENWRITER (with Nathan Frankowski and Matt Chandler)
Imagenations – Short film – 2008

"HAKANI" – SCREENWRITER
Pray for Rain Pictures – Docu-drama – 2008

"EXPELLED" – SCREENWRITER (with Ben Stein)
Premise Media – Feature-length documentary – 2008

"AFTER..." – SCREENWRITER (with David L. Cunningham)
Pray for Rain Pictures – Dramatic feature film – 2006
OFFICIAL SELECTION – AFI (American Film Institute) FESTIVAL 2006

"1SOUL" – SCREENWRITER (with Nathan Frankowski)
Every Tribe Productions – Feature Film – In Development

"DETOX" – SCREENWRITER (with Nathan Frankowski)
Imagenations – Short film – November 2006

NOVELS

"CONDOR: FIRST FLIGHT" – WRITER
Off Balance Productions – Fall 2003

NON-FICTION BOOKS

"HOLLYWOOD JESUS REVIEWS 2005-2006" – CONTRIBUTOR
HollywoodJesus Books - 2006

"SCORING IN THE RED ZONE" – GHOSTWRITER
Thomas Nelson Publishers – 2005

"HOLLYWOOD JESUS REVIEWS 2004-2005" – CONTRIBUTOR
HollywoodJesus Books – 2005

"ONE MESSAGE OF VICTORY" – CONTRIBUTOR
Athletes in Action - 2005

"CAN YOU HEAR ME? TUNING IN TO THE GOD WHO SPEAKS STUDY GUIDE" – WRITER
Fresh Wind Press - 2004

"LAUGHING OUT LOUD" – CONTRIBUTOR
Hallmark – 2004

"HOLLYWOODJESUS REVIEWS 2003-2004" – CONTRIBUTOR
HollywoodJesus Books - 2004

"SOUL RETREATS FOR STUDENTS" – WRITER
Zondervan – 2003

"ALL ABOUT TIME" – WRITER
Cook Communications – 2003

"ALL ABOUT MONEY" – WRITER
Cook Communications – 2003

"ALL ABOUT TALENT" – WRITER
Cook Communications – 2003

"KIDDICTIONARY" – WRITER (WITH RICK OSBORNE)
Zonderkidz – 2002

"THE 2:52 BIBLE FOR BOYS" – CONTRIBUTOR
Zonderkidz – 2002

"THE FAMILY GIVING PLANNER" – WRITER
David C. Cook – 2002

"THE FAMILY VACATION PLANNER" – WRITER (WITH K. CHRISTIE BOWLER)
David C. Cook – 2002

"WORLD'S EASIEST POCKET GUIDE TO BUYING YOUR FIRST HOME" – WRITER (with Larry Burkett)
Northfield Publishing – 2002

"WORLD'S EASIEST POCKET GUIDE TO YOUR FIRST COLLEGE DECISION" – WRITER (with Larry Burkett)
Northfield Publishing – 2002

"MORE MEALTIME MOMENTS" – CONTRIBUTOR
Tyndale – 2001

"THE MONEY PLANNER FOR KIDS" – WRITER
Faith Kidz – 2001

"I WANT TO KNOW ABOUT THE CHRISTIAN FAITH" – CONTRIBUTOR
Tyndale – 2000

"TEACHING YOUR CHILD HOW TO PRAY" – CONTRIBUTOR
Moody – 2000

"A CHRISTIAN PARENT'S GUIDE TO THE SPIRITUAL GROWTH OF CHILDREN" – CONTRIBUTOR
Tyndale – 2000

"FINANCIAL PARENTING" – CONTRIBUTOR
Moody – 1999

"YOUR CHILD AND JESUS" – WRITER (WITH RICK OSBORNE)
Moody – 1999

"I WANT TO KNOW ABOUT THE FRUIT OF THE SPIRIT" – CONTRIBUTOR
Zonderkidz - 1999

"KIDCORDANCE" – WRITER (WITH RICK OSBORNE AND ED STRAUSS)
Zonderkidz – 1999

"YOUR CHILD AND THE BIBLE" – WRITER (WITH RICK OSBORNE)
Moody – 1999

"YOUR CHILD AND THE CHRISTIAN LIFE" – WRITER (WITH K. CHRISTIE BOWLER)
Moody – 1999

"THE ULTIMATE BIBLE GUIDE" – CONTRIBUTOR
Group Publishing - 1999

"THE TREEPLANTER'S SURVIVAL GUIDE" – WRITER
Millstone Press - 1995

- EDITING CREDITS-

NOVELS

"CHRYSALIS CRUCIBLE"
Fresh Wind Press – 2007

"GROUP 4"
Publish America – 2004

"BIG TIME BID"
Freestate Publishing – 2004

NON-FICTION BOOKS

"THE RECOVERY OF LOVE"
Fresh Wind Press – 2006

"KISSING THE LEPER"
Fresh Wind Press – 2006

"FOR YOU, MY SON: LIFE LETTERS"
Fresh Wind Press – 2006

"THE BEATITUDES"
Fresh Wind Press – 2005

"IF THIS WERE A DREAM, WHAT WOULD IT MEAN?"
Fresh Wind Press – 2005

"FEAR NO EVIL: OVERCOMING THE CULTURE OF FEAR"
Fresh Wind Press – 2004

"SWEATING FROM YOUR EYES: EMOTIONAL FITNESS FOR MEN"
Fresh Wind Press – 2004

"RIVERS FROM EDEN"
Fresh Wind Press – 2004

"CHILDREN, CAN YOU HEAR ME?"
Fresh Wind Press - 2003

"CAN YOU HEAR ME? TUNING IN TO THE GOD WHO SPEAKS"
Fresh Wind Press – 2003

AWARDS AND COMMENDATIONS

AFI Fest Official Selection "After…" - 2006

Art Within Screenwriting Fellowship Winner - 2005

For more information about Kevin D. Miller, click here to read his self-interview.

Feedback

"Kevin is by far the greatest editor I have worked with. He expresses genuine concern for the writer's success which he demonstrates when he goes beyond the basics of an editor and takes on the roll of an instructor, guide, and motivator. You'll feel absolutely safe working with him."
— Connie V. Akpan

"Kevin is an editor who (rightly!) makes you do the hard work of manuscript improvement up to your own creativity limits. He does such a good job of showing you the way through example and suggestion that, when the final product (invariably) has deficiencies, the author singularly must own them, since Kevin superbly does his part in making (if possible!) the writing sparkle."
— Wayne Northey, author of "Chrysalis Crucible"

"Kevin Miller is the finest writer, editor, and educator on the planet. He gently instructed me throughout the creation of my book. Where I'd come up short, 'K' would be there to add structure and order to my organic style of writing. He's a pro."
— Spencer Tillman, CBS Sports Analyst and author of &qupt;Scoring In the Red Zone"

"Kevin's editorial input into my non-fiction manuscript has been truly outstanding. He is not only very skillful, but brings dignity, insight, and human warmth to bear upon his work. It has been a real pleasure working with him."
— Dr. Mitra Makbuleh, author of "The Mystery of Jewish Creativity: The Secret Light In Every Human Soul".

"Kevin is one of the finest writing instructors and editors I have come across since entering the field of writing. I have found none that are more honest, forthcoming, or caring. He has the ability to get right to the root of a writer's problems, and his unique insight covers the entire book, not just the simple errors. Kevin is reasonable and flexible, allowing the writer to make his or her own corrections, which is part of the learning process. It also saves the writer a lot of money! I recommend him to anyone who is starting out or who is already published.
— Henry Yarghn, author of "Solice: Human Arrogance," "Heir," and the upcoming "Sun, Earth, and Moon"

"Kevin does an excellent job in both the editing and critiquing of your work... He offers valuable opinions and insightful advice. Highly recommended."
— Val Gunn, author of "A Resonance of Shadows"

Submission

Cut and paste the questions and answers into an e-mail:

EditMyBook@Gmail.com

Alternates
2010@Book-Editing.com
Help2010@Airmail.net
Contact@Editing-Writing.com

You may send your initial submission to all addresses to make sure it's received.

Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF attachment preferred). Large files should be zipped. Attachment not required if writing has not started (e.g., because you're looking for a ghostwriter).

A sample is required to receive an estimate
for editing services

Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes).

(01) Word count of complete project (under "Tools" in MS Word):

(02) Put your 100-word (approx) synopsis/description here (or attach):

(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):

(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):

(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)

(06) Level of editing desired/expected --

Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation

(07) Number of charts/tables/pictures (if any):

(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:

(09) Number of footnotes/references:

(10) Do you have a contract with an agent or publisher?:

(11) Do you plan to self-publish?:

(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)

(13) Your name:

(14) E-mail addresses:

(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.):

(16) City, State, Country (or time zone):

(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):

(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?

(19) How did you learn about our service?:

(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)

Notes:

No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)

To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association

It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.

LIVE AGENT

Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page. Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.

Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate.

Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.