I'm your basic all-around generalist
writer. Most things interest me, and if they interest me enough, I write
about them. I'm firmly convinced that a good writer can write anything
well, and I hope my career proves that. I'm ready to help you with yours.
In the twenty-odd (very odd) years since
I first realized that I was more articulate with a pen than with my mouth,
I've written just about everything a writer can: gags, letters of character
and recommendation, book and music reviews, press releases, poetry, short
stories, novels, non-fiction, how-to, a play, software user manuals, web
content, marketing copy, brochures, flyers, queries, book proposals,
academic papers, academic theses, you name it. I'm intimately familiar with
technical writing, having worked as a technical writer/editor for ten
years. I've even published my own e-book listing about fiction marketing (100
Great Places to Sell Your Short Stories, Both On and Off the Web), which
also includes pointers on basic manuscript mechanics and submission.
I'm educated as a historian and
anthropologist, so when I write non-fiction I tend to stick to those
subjects, although I have a wide range of interests and can write
authoritatively on just about anything after conducting the necessary
research. With fiction, my first love is science fiction/fantasy, though
I've dabbled in mystery and mainstream as well. In addition to my e-book,
I'm the proud author of dozens of published non-fiction articles, both in
print and on the web, as well as two published SF stories. My non-fiction
work has appeared in many of the major U.S. history magazines, including
America'sCivil War, Military History, Wild West, Old West, American
History, and Persimmon Hill. I'm a regular book reviewer for
American History.
My career as a content editor has been
nearly as varied as my basic writing career. I've edited and rewritten
academic papers, marketing copy, web content, short stories, brochures,
book-length manuscripts, and many, many technical reports. I enjoy working
with other writers, and am particularly gratified when I can impart some of
my hard-won knowledge of manuscript mechanics and submission. I'm not an
agent and can't replace one, but I can certainly show you ways to make your
copy more pleasing to an editor's eyes. Let's get started, shall we?
Largent, F.B. Jr, 1988. "Soviet Science Fiction: The Flip Side of Socialist
Realism" (factual essay). Science Fiction Research Association
Newsletter, Fall 1989.
Largent, F., 1989. "The Birds" (poem). Litmus: The Literary Arts Journal
of Texas A&M, 1989 edition.
Largent, F., 1989. "Gears of Knowledge" (poem). The Unknowns, Spring
1989.
Largent, F. B. Jr. 1994. "Canine Identification." The Trapper and
Predator Caller. July 1994, pp. 40-41.
Largent, F. B., 1994. "Guns for the Union: The Starr Arms Company,
1856-1867" (article). America's Civil War, September 1994, pp. 24-26.
Largent, F., 1995. "Fort Buford: Guardian of the Northern Frontier"
(article). True West, June 1995, pp. 23-28.
Largent, F., 1995. "The Chief's Mother: The Life of Cynthia Ann Parker"
(article). Persimmon Hill, Autumn 1995.
Largent, F., 1996. "Grant's Indian: The Life of Ely Samuel Parker, Seneca
Chief and Union General" (article). America's Civil War, September
1996, pp. 54-60. Also published electronically on The History Net (www.thehistorynet.com).
Largent, F., 1996. "Dr. Le Mat's Extraordinary Confederate Grapeshot
Revolver" (article). Military History, October 1996, pp.74-78. Also
published electronically on The History Net ( www.thehistorynet.com).
Krapf, K.A. and F. Largent, 1996. "The Black Seminole
Indian Scouts in Texas" (article). Persimmon Hill, Winter 1996, pp.
73-75.
Largent, F., 1997. "The San Patricio Battalion: American Deserters in the
Mexican-American War." True West, August 1997, pp. 35-40.
Largent, F., 1998. "Windigo: A Native American Archetype." Parabola:
Myth, Tradition, and the Search for Meaning. Fall 1998, pp. 22-25. (This
article has been reprinted several times on the Internet and has been
collected in a literary database maintained by SIRS Mandarin, Inc.)
Largent, F., 1998. "Fatal Contact: the Fort Parker Massacre, 1836." True
West. December 1998 issue.
Largent, F., 1998. "The Last Confederate General" (article). America's
Civil War; scheduled for October 1997 Internet issue (www.thehistorynet.com),
but has not yet appeared.
Largent, Floyd B., Jr., 1999. "The Florida Quagmire." American History,
October 1999, pp. 40-43.
Largent, Floyd B., Jr., 2002. "Lamar and the Indians." Persimmon Hill.
In press.
Largent, F. , 2002. "The First Horse." U.S. Kids (in press).
Feedback
"Floyd is special to me in that he allows me to fine tune my work after he does an original edit, then he goes over my work again after I’ve made changes to improve my story line." Contact information on request
"I greatly appreciated Mr. Largent's ability to give honest feedback with his true motivation being to assist me in completing a quality manuscript. His intend was not in buttering or flattery. His thoroughness was also extremely valuable for me. Thanks again." Ben Larremore
"Mr. Floyd Largent is an excellent science
fiction editor. He is also master editor for technical subjects. Mr. Largent
edited my manuscript without changing my style." Dilip Brahmbhatt
"I just wanted to tell you how happy I am with your work! You
have done several projects for me and they have always been excellent. I
have had many people write for me in the past but you will get my business
from now on. Your research and writing skills are top notch and I look
forward to working with you on future projects. Thanks for the great
articles and timely service." Mark Willigerod
"Floyd Largent has been a pleasure to work
with. He has been kind, thoughtful, patient and a true professional. At
first I was a little worried about working with someone online, but he
always made me feel comfortable and never pressured me into something I
wasn't comfortable with. Not only did he take the time to work on my
manuscript, he also took the time to educate me and encourage me. If
anything should ever come of my project, Floyd Largent will be the first
person I thank. Floyd is not only a wonderful proofreader, he is also a wonderful human being. I look forward to working with him in the future."
Ian Fydell, author of the novel, Breathing Space
"Floyd Largent is by far the best freelance
writer I have had the pleasure of working with. He has written several
hundred excellent articles for my 30 websites. Floyd is a true professional
who excels at his craft regardless of what topic I give him. He is one of
the few writers I have worked with (and I have worked with many!) who I
don't need to check up on. It is refreshing to know that when I give Floyd
an assignment he researches the topic and then writes about it as if he has
known about it all his life. Over the past two years he has helped me to
fine tune my own writing style. I enjoy working with Floyd and consider him
a friend as well as a business associate who is a valuable asset to my
business." Mary Ferguson, Technical Editor, First Coast Dynamic Media, Inc.
"I just wanted to let you know that The Aristeia is
out. Check out amazon.com or epoch-press.net for a nice blurb. Thanks again
for all your work on it!" George P. Alexander
"I've been going through the story and I'm about halfway through the review.... So far, the work is
incredible. I really like what you've done with it to say the least. Satisfaction would be an understatement." Andrew Miller, The Road to War
(written as Jason Miller)
"Floyd Largent did an outstanding job with my manuscript, his attention to detail, knowledge, and professionalism surpassed my expectations. I could not have been happier with the final product, or picked a more qualified editor to work with. I'll definitely be using his services again in the future." D. W. Naef
Required:
Submit a sample of your book manuscript or story (Word/DOC or RTF
attachment preferred). The sample should be 5-50 pages. Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project? $ ________________
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.