Esther
David-Roland is a writer and editor whose experience includes
writing and editing in the humanities, social sciences, and technical
subject areas. She has worked as a journalist, writer, and editor for
more than 25 years and brings her many years of experience with a wide
range of subjects to each project. As a freelance copyeditor,
developmental editor, and writing coach, Esther has worked with book
publishers, businesses, and individual authors, and has worked
extensively with authors whose native language is not English.
* Book editing (fiction and nonfiction); copyediting/proofreading
* Developmental editing (fiction and nonfiction)
* Writer coaching
* Journal article editing
* Website copyediting and proofreading
Recent books she has edited include:
Victims and Perpetrators: Public Memory of Slavery in the South
Atlantic (Ana Lucia Araujo), Cambria Press, forthcoming (2010).
Making It All Work: A Pocket Guide to Sustain Improvement and
Anchor Change (John Roland Schultz), Praeger, forthcoming (2010).
The Making of a Yoga Master: A Seeker's Transformation
(The Yoga-Sutra Sequence Decoded) (Suhas Tambe), forthcoming
(2010).
Whose Little Girl Is This? (De Quien Es Esta Nina?) (Maria
Flores-Sperling), 2009.
Surreptitious Software (Collberg and Naga), 2009.
The Project Manager's Guide to Making Successful Decisions (Powell and Buede), 2008.
Memories from Bosnia (Nadzija Gajic-Sikiric, M.D.), 2008.
Framework Design Guidelines, 2nd ed. (Cwalina and Abrams),
2008.
Enterprise Master Data Management: An SOA Approach to Managing
Core Information (Dreibelbis), 2008.
Tracing the Economic Transformation of Turkey from the 1920s to
EU Accession (Tevfik F. Nas), 2007.
Incentive Pay Programs: Opportunities and Challenges (2007)
Excellence at Work (2007)
American Education,
Democracy, and the Second World War (Dorn), 2007.
Missing Data: A Gentle Introduction (Figueredo, McKnight,
McKnight, and Sidani) , 2007.
Domain Specific Development with Visual Studio DSL Tools (Cook, Jones, Kent, Wills), 2007.
Federal Agents (Bumgarner), 2006.
Commercializing Great Products with Design for Six Sigma (Perry and Bacon), 2006.
Pattern Languages of Program Design 5 (Manolescu), 2006.
ASP.NET 2.0 Illustrated (Homer and Sussman), 2006.
Advanced Technologies in Biopharmaceutical Processing (Dutton
and Scharer), 2006.
Extrusion Detection: Security Monitoring for Internal
Intrusions (Bejtlich), 2005.
Core Security Patterns (Steel, Nagappan, and Lai), 2005.
The Linux Enterprise Cluster (Kopper), 2005.
The Feline Patient: Essentials of Diagnosis and Treatment, 3rd
ed. (Norsworthy), 2005.
Cisco Routers for the Desperate: Router Management, The Easy Way (Lucas), 2004.
Other projects include editing of:
Journal articles
Book proposals
Memoirs
Feedback
"I am completely satisfied with her work, and the extra effort she made to understand what I needed. It felt like she was around the corner in regards to how quickly she responded." —Maria Flores (substance abuse counselor)
"Esther was very involved and enthusiastic editing my book. It was a pleasure working with her." —Nadzija Gajic-Sikiric (retired surgeon)
"I was VERY pleased with the whole experience from start to finish! I will definitely use this service again. The copyediting was very constructive and helpful. It was very easy to ask questions and get in contact with my consultant. Esther turned a stressful situation into a fun one. Thanks again!!!!" —(Contact information on request)
"Bonnie coached, edited, commented, and offered constructive suggestions. Her ideas and comments were more helpful than those I received from colleagues. " John R. Schultz, consultant, writer, retired professor
"Esther was very straight forward and helpful with suggestions about my work. Basically it was pretty bad but she was willing to say so. I really appreciate that. I am working to redo my book using her suggestions and expect to be able to finish it again soon." Robert Reser
"Esther was great! She was very informative and clear as to the reasons for changes she suggested. Very bright and intuitive, it was a pleasure working with her and hope to do so again soon." (Contact information on request)
Submission
Cut and paste the questions and answers into an e-mail:
You may send your initial submission to all addresses to make sure it's received.
Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
attachment preferred). Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
A sample is required to receive an estimate
for editing services
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?
(19) How did you learn about our service?:
(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)
Notes:
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.