Book Editing Associates - Fiction and Nonfiction - Book Editors Network

professional book editor proofreaderEsther David-Roland is a writer and editor whose experience includes writing and editing in the humanities, social sciences, and technical subject areas. She has worked as a journalist, writer, and editor for more than 25 years and brings her many years of experience with a wide range of subjects to each project. As a freelance copyeditor, developmental editor, and writing coach, Esther has worked with book publishers, businesses, and individual authors, and has worked extensively with authors whose native language is not English.

* Book editing (fiction and nonfiction); copyediting/proofreading
* Developmental editing (fiction and nonfiction)
* Writer coaching
* Journal article editing
* Website copyediting and proofreading

Recent books she has edited include:

  • Rich Dad Poor Dad (Robert Kiyosaki), reissue, The Rich Dad Company (2011).
  • Cashflow Quadrant (Robert Kiyosaki), reissue, The Rich Dad Company (2011).
  • Unfair Advantage (Robert Kiyosaki), The Rich Dad Company (2011).
  • Finding Peace after a Life of Sexual, Mental, and Physical Abuse (Tena Williams), forthcoming (2010). Client was the author.
  • The Mystery of Predestination: According to Scripture, the Church, and St Thomas Aquinas (John Salza), TAN Books (2010).
  • Victims and Perpetrators: Public Memory of Slavery in the South Atlantic (Ana Lucia Araujo), manuscript first draft (2010).
  • Making It All Work: A Pocket Guide to Sustain Improvement and Anchor Change (John Roland Schultz), Praeger, forthcoming (2010).
  • The Making of a Yoga Master: A Seeker's Transformation (The Yoga-Sutra Sequence Decoded) (Suhas Tambe), forthcoming (2010).
  • Whose Little Girl Is This? (De Quien Es Esta Nina?) (Maria Flores-Sperling), 2009.
  • Surreptitious Software (Collberg and Naga), 2009.
  • The Project Manager's Guide to Making Successful Decisions (Powell and Buede), 2008.
  • Memories from Bosnia (Nadzija Gajic-Sikiric, M.D.), 2008.
  • Framework Design Guidelines, 2nd ed. (Cwalina and Abrams), 2008.
  • Enterprise Master Data Management: An SOA Approach to Managing Core Information (Dreibelbis), 2008.
  • Tracing the Economic Transformation of Turkey from the 1920s to EU Accession (Tevfik F. Nas), 2007.
  • Incentive Pay Programs: Opportunities and Challenges (2007)
  • Excellence at Work (2007)
  • American Education, Democracy, and the Second World War (Dorn), 2007.
  • Missing Data: A Gentle Introduction (Figueredo, McKnight, McKnight, and Sidani) , 2007.
  • Domain Specific Development with Visual Studio DSL Tools (Cook, Jones, Kent, Wills), 2007.
  • Federal Agents (Bumgarner), 2006.
  • Commercializing Great Products with Design for Six Sigma (Perry and Bacon), 2006.
  • Pattern Languages of Program Design 5 (Manolescu), 2006.
  • ASP.NET 2.0 Illustrated (Homer and Sussman), 2006.
  • Advanced Technologies in Biopharmaceutical Processing (Dutton and Scharer), 2006.
  • Extrusion Detection: Security Monitoring for Internal Intrusions (Bejtlich), 2005.
  • Core Security Patterns (Steel, Nagappan, and Lai), 2005.
  • The Linux Enterprise Cluster (Kopper), 2005.
  • The Feline Patient: Essentials of Diagnosis and Treatment, 3rd ed. (Norsworthy), 2005.
  • Cisco Routers for the Desperate: Router Management, The Easy Way (Lucas), 2004.

Other projects include editing of:

  • Journal articles
  • Book proposals
  • Memoirs

Technical Writing Samples


 

Copyediting

Esther provides copyediting services for website content, scientific or technical articles, books, proposals, marketing materials, résumés, white papers, software manuals, online help, business reports, and other documents. She will make sure that your final product is free of all errors in spelling, grammar, and punctuation. She can also polish your text so that it effectively says exactly what you intend and delivers what your audience expects and wants. She has worked extensively with authors who write in English as a second or third language.

Edit Types

Light

Equivalent to proofreading. Appropriate for a document that has already been copyedited and is in its final form.

Medium

Equivalent to standard copyediting. Appropriate for a document that has not been copyedited. This type of edit includes any rephrasing that's necessary to convey the writer's meaning more clearly.

English Localization

Similar to a medium-level editing, but with specific focus on assuring that text translated into English is appropriately written for English-speaking readers.

Heavy

Equivalent to standard developmental editing (see below) and medium copyediting combined. Appropriate for a document that has not been reviewed by an editor at any stage or a document that has aged. A heavy edit provides more extensive rewriting where needed.


Developmental Editing

Nonfiction books, journal or magazine articles, business proposals, marketing materials, white papers, software manuals, online help systems, and other business and technical documents.

In a developmental edit, the primary concern is structure, content scope and quality, and achievement of author goals.

Overview of the Process

Developmental editing consists of a systematic evaluation of the text as a whole. A developmental edit assures you that your document is suitable for your audience. The developmental editor submits a detailed report to the client that contains the results of the evaluation and recommendations for any needed changes.

The developmental edit looks closely at the following factors:

  • Content
  • Organization
  • Tone
  • Level of detail
  • Clarity and style

Content

  • Is the author's goal in writing the document clearly stated?
  • Does the author meet that goal?
  • If the author does not meet that goal, is the problem (1) an unrealistically restrictive goal that the author does not achieve with the actual content, (2) errors in logical construction of the document's content, or (3) a goal that is too vague and thus indiscernible?
  • Who is the intended audience? Is it named in specific terms at the beginning of the text?
  • Is the content of the document appropriate for the level of expertise of the audience? Does the text consistently address the audience in the context of the stated goal of the book? That is, does the text maintain high level of cohesion?
  • Does the book as a whole have logical cohesion? That is, does the book overall hang together as a meaningful and satisfying unit?
  • Are any topics missing from the document? Should something be in the document that isn't there now?

Organization

  • Is the Table of Contents sufficiently detailed? Is it too detailed?
  • Are readers given a narrative overview or roadmap of the document?
  • Are readers given clear transitions and mini-roadmaps at appropriate times?
  • Is the organization of the chapters or sections logical?
  • Is navigation of the document easy?
  • Are headings in the document suitable? Do they promote reader comprehension?

Tone

  • Is the document written in the appropriate tone?
  • If written in a formal tone, is the same tone used consistently throughout the document?
  • Does the tone chosen by the author support the purpose of the document?

Level of Detail

  • Does the document have an appropriate level of detail?
  • Do illustrations and figures appear in appropriate locations in the text?
  • Does the document cover the subject adequately for the intended audience?
  • Are there appropriate references at the end of chapters?
  • Is there a sufficiently detailed index?

Clarity and Style

  • Is the text grammatically and stylistically acceptable for the intended audience?
  • Is the text cohesive?
  • Does the text need light, medium (U.S. English localization), or heavy editing?
  • Does the text need rewriting?

 

Submission

Cut and paste the questions and answers into an e-mail:

EditMyBook@Gmail.com

Alternates
2012@Book-Editing.com
Help2012@Airmail.net
Contact@Editing-Writing.com

You may send your initial submission to all addresses to make sure it's received.

Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF attachment preferred). Large files should be zipped. Attachment not required if writing has not started (e.g., because you're looking for a ghostwriter).

A sample is required to receive an estimate
for editing services

Along with a sample, the following information is required. Ignore questions that do not apply to your project (e.g., footnotes).

(01) Word count of complete project (under "Tools" in MS Word):

(02) Put your 100-word (approx) synopsis/description here (or attach):

(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction, horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):

(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):

(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)

(06) Level of editing desired/expected --

  • Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
  • Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
  • Rewriting / Ghostwriting
  • Critique / Evaluation

(07) Number of charts/tables/pictures (if any):

(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:

(09) Number of footnotes/references:

(10) Do you have a contract with an agent or publisher?:

(11) Do you plan to self-publish?:

(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)

(13) Your name:

(14) E-mail addresses:

(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification regarding the scope of service needed, deadline, etc.):

(16) City, State, Country (or time zone):

(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):

(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?

(19) How did you learn about our service?:

(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)


Notes:

No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)

To learn more about the rates charged by professional editors, please see: Editorial Freelancers Association

It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.

LIVE AGENT

Note: Questions about price and turnaround times cannot be given over the phone or via chat.
To obtain a price quote please follow the procedures listed on our quotes page.

 

Contact live support if you do not receive a response within three hours (M-F, 9a-7p central). Expect longer response times if you submitted after U.S. business hours or on weekends.

You may also send your submission to our alternate e-mail addresses if you do not receive a response within three hours M-F:

Help2012 at Airmail.net
editingnetwork at gmail.com
contact at editing-writing.com

You may also leave voice mail for the network coordinator: 469-789-3030. This number is for verification of e-mail submissions only.


Please be as complete as possible in representing your project's scope and size so you will receive the most accurate estimate.

Disclaimer: Your agreement, whether oral or written, is with your editor or publishing consultant, not with the editing network as a whole or its coordinator.