D.J. Bruno works closely with authors to develop, liven, and perfect their books and articles. She provides manuscript critiques that offer extensive feedback on every aspect of a narrative, as well as ghostwriting, developmental editing, copy editing, proofreading, and marketing (proposal, query, and synopsis development and agent contact).
A fiction writer herself, she was an editorial assistant and reader at Ploughshares, had her fiction published in various literary magazines, taught literature and grammar, and edited a range of material from memoir to erotica, biography, short fiction, poetry, travel writing, personal essays, and literary and commercial fiction. She specializes in film and photography, food and wine, nutrition, travel, psychology, memoir, and literary fiction.
by L. P. Chase
(Infinity Publishing, November 3, 2004)
When Elliot Stone, a nine-year-old boy, overhears a
grown-up telephone conversation, he takes the information out of context and
lets his young imagination run away with him. During his encounter with
several minor disasters, Elliot displays maturity, bravery, and intelligence
while maintaining the innocence and sweetness of a little boy. Parents and
children alike will enjoy the suspense and comedy that take Elliot and his
friends on this unforgettable mission.
About L. P. Chase: L.P. Chase began writing this book for her children who, being avid readers, complained, "There are no more books in the house to read." Just for fun, she created the character Elliot Stone, and the book took on a life of its own. L.P. Chase has been writing for twenty years and is also the author of I Kiss the Moon, a collection of poetry. She is presently working toward her MSW and resides in Smithtown, New York, with her family.
About D.J. Bruno's Work: "It was very easy to work with you. Being an amateur, new author, I found that a great quality in you as an editor. You only helped me to grow a little better at writing. For that I say thank you." – L.P. Chase
Historic
Cape Cod Lighthouses: Race Point
by James Claflin
(Kenrick A. Claflin & Son)
Historic Cape Cod Lighthouses: Race Point is the
third in a series of booklets that tell the story of historic lighthouses
and life-saving stations along the New England Coast. Two lighthouses have
stood at Race Point on the tip of Cape Cod since the first was lit in 1816.
Author James Claflin combines an extensively researched text with his
exquisite collection of vintage photographs, many previously unpublished, to
tell the story of this important landmark.
Another
Day Falling
by Dustin Collins
(1st Books Library, December 1, 2003)
Cameron Callfield has a unique gift for peering into
the depths of his own future while he dreams at night. Orphaned by his
parents in a car accident several years earlier, Cameron is forced to come
to terms with his life as well as his unique gift for dreaming. But not
until he attempts to alter his preordained path does the true nature of his
ability surface. Another Day Falling is a suspenseful story that
delves into the consequences of fate and the awesome responsibility that
comes when someone tries to change it.
Reviews: "It flows brilliantly, and I couldn't put it down once I started." (Review from Amazon.com)
About Dustin Collins: Dustin
Collins hails from the same small hometown as best-selling author Larry
McMurtry and draws heavily from his experiences growing up in a small town
in North Texas. Dustin is a regular contributor to his local newspaper.
Another Day Falling is his first novel.
Never
Say Never
by David Petersen
(iUniverse, November 2004)
It's the summer of 1971, and Andy Hanson, a junior high student, lives a quiet, uneventful life in the New York City borough of Staten Island. Now, however, he must confront what was once a simple assumption: who is his friend? A chance encounter with a student, a young man Andy once wrote off as a waste of life, provokes the youngster onto a tumultuous journey.
About David Petersen: David was born on Staten Island. In
the fall of 1985, his twin brother was shot and killed at the doorway to his
Great Kills apartment. Vowing to do more with his life, he married, moved to
Hazlet, New Jersey, fathered three lovely girls and completed this, his
first novel.
Battling
the Killer Within and Winning: Hopes, Prayers, and Treatments for a Prostate
Cancer Cure
by Thomas Farrington
(November 3, 2004)
Men are in a raging battle with prostate cancer with
nearly 200,000 in the U.S. alone diagnosed with this disease each year. Each
diagnosis brings a sense of fear and hopelessness that must be overcome in
order to select the proper treatment. This book is an insightful account of
the experiences of the author and 19 other men in treatment with him as they
face prostate cancer.
About D.J. Bruno's Work: "D.J. Bruno performed the final editing for this book. Her insight transformed my work into a finished product for which I am thankful." – Thomas Farrington
Copyediting Fiction
A Mere Ache of All by David Frederick
The Ancient One by Ilan Herman
Another Day Falling by Dustin Collins
"Anton" by Mary Ellen Walsh
Never Say Never by David Petersen
Restless by Cynthia Boyd
Sleepwalker by Paul Mahan
The Captain's Song by Alan Rosenus
Tail of the Frog by Pamela Alma Bass
Copyediting General/Nonfiction
Historic Cape Cod Lighthouses: Race Point by
James Claflin
History of Congo by Didier Gondola
Policy Passages: Career Choices for Policy Wonks
by Howard J. Wiarda
Power Baby by Ryan Lee Parsons
Sinfully Vegan, 140 Decadent Desserts to Satisfy Every Vegan's Sweet Tooth by Lois Dieterly
Manuscript Critiques
Pocalla Road by Deana Coggin
When Love Calls Your Name, There's Nowhere to Hide
by Larrick Daniels
"Abandoning the Mission" and "Father Knows Best" Essays by Milton Mankoff
Damn Good Friends by Deborah Neely
Jill by George Spiecker
Proofreading Fiction
Bear, a novel by Marian Engel
Human Parts by Orly Castel-Bloom
A Love Made out of Nothing/Zohara's Journey by
Barbara Honingmann
Your initial contact with an agent or publisher is your first impression; therefore, it's crucial that you put your best foot forward when drafting a letter.
What I can do . . .
Read your manuscript
and write the materials required for submitting to agents and publishers,
including proposals, queries, synopses, and bios.
Consult with you and edit material you've already written.
Research agents or
publishers that are appropriate for your market, provide resources, and offer
guidance.
Research the legitimacy of agents or contacts you've already made. (Don't ever take for granted that anyone calling themselves an agent actually is one.)
Prepare your
manuscript for submission–i.e., format according to industry-standards.
Review and critique the manuscript to determine if it's ready for submission.
"The article turned out amazing! Thanks so much. I'm so happy with your work!" - Krissy Brady, Editor, Brady Magazine
"If
D.J. is an example of the type of people nSight hires, then I am confident
that you have provided me with a good team." - Robert Siek, Assistant
Editor, Prentice Hall
"Thank you for your help ... your advice was used throughout the manuscript ... things I could strike, add, rearrange, and so forth. Thanks again for all you do. Keeping us writers on our toes is a big job." - David Frederick, Fiction Author
"Thanks
for your support and congratulations on making a living
utilizing your talent and skills by doing work you enjoy." - Ilan Herman,
Fiction Author
"D.J. Bruno performed the
final editing for this book. Her insight transformed my work into a finished
product for which I am thankful." - Tom Farrington, Author of Battling
the Killer Within
"I don't know what I would do without you! Thanks!" - Rita Guastella, Director of Communications, Project Bread - The Walk for Hunger
"I recommend her as an efficient and effective copyeditor." - Karen Cheng, Associate Project Manager, Argosy Publishing
"I found D.J. both easy to work with and conscientious about her deadlines." - Kathleen Byrne,
Project Manager, Argosy Publishing
"Her work is exceptionally thorough. She has provided first-class editorial services." - Stephanie DeGonzalez, Project Manager, nSight
"Thanks for your flexibility, great attitude, and hard work. It was a pleasure working with you on this project." - Sarah Yezzi, Senior Technical Editor, Prentice Hall
"Your comments were nuanced, insightful, authoritative without being dictatorial. . . . I felt as I was reading your comments that it was in good hands, that I was happy that you had read it, that I was better off that you did." - Thomas Finn, Author of short fiction pieces
"Thanks for your words of encouragement and advice. They are very helpful and appreciated. I know I hired the "write" editor for the job . . . No pun intended of course :)" - Tina Kotulski, Memoir Writer
"I can't thank you enough. The information you have given me is so valuable. I plan to utilize that website immediately. . . . The world needs more people like you who are talented, dedicated to the art, and willing to share that knowledge to help others." - Lynnmarie Staiano, Poet and Writer
"Your quick turn around time is amazing! Thanks again for all of your help." - Charles Long, Fiction Author
"Thank you, thank you, and thank you. Your critique really hit home. I loved your comments . . . . 'Don’t hold the reader's hand,' 'Trust your audience' and, my favorite, 'Oh please, let's not go into the fish's head.' (I still chuckle when I read that one.) But with all seriousness, that is what I needed. Those comments helped . . . redirect me. I really appreciated your common-sense views." - Ken Lang, Fiction Author
Required:
Submit a sample of your book manuscript or story (Word/DOC or RTF
attachment preferred). The sample should be 5-50 pages. Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project? $ ________________
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.
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possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.