I like fixing people's written words. As a child, I wrote and printed our
neighborhood newspaper. (Only one copy per issue that was
passed around.) My college degree and professional work is in journalism
and photojournalism. Though I worked well with photography, my natural
inclination is to write and edit words.
What do you like most about your job as a freelance writer/editor?
The freedom, reading stories, and meeting new people.>
How do you, as an editor, help a writer improve his or her book?
I offer
professional advice and suggestions, and the client may accept and use them or
disagree and not use them. That sounds obvious. Yet each manuscript is
individual. With my editing, I provide reasons for my changes; therefore, the
client can learn for future writings.
What kinds of authors do you enjoy
working with?
Co-operative people.
What kinds of authors are difficult to
work with?
People who want to control me and my work, who don't meet deadlines, and yet expect me to.
Describe the qualities of your perfect client.
What I have dealt with these
past years and what I expect in myself: honesty, consideration, patience,
cooperation, and presentation of the manuscript and payment on time.
Describe your nightmare client.
I have
not had one. Yet I do not want to work with someone whose edit material is
nothing like what was proposed in the sample edits.
Do you refer clients to literary agents, and how much do you charge for that?
No, I do not refer clients.
Do you help your clients with a book
proposal?
I can make suggestions.
Do you help your clients with agent/publisher selection?
I can make publisher
suggestions, but not agents.
I have wonderful material. How do I begin writing it?
1. Organize the material
in some form or divide the material into sections. By folders, computer files, note cards, or whatever.
2. Devise an outline. Everything can be changed (and
probably will be) later.
3. Start to mold the material on paper and see where
it moves. Often what's in your head comes out foreign from your mind.
4. If you're writing a novel, and I assume
it's the first time because of the question, you should stick to the
third-person omniscient. Therefore, you won't be limited in viewpoints.
If you don't know what third-person omniscient involves, research it.
5. Read a couple how-to books on novel writing.
Don't ask which ones. Choose ones that strike your imagination and ring
right for you. Novel writing is an exciting, creative process. Most writers
will say the writing is the fun—but hard—part.
6. Continue to take notes and write individual
stories or scenes for your book. They (or the novel) don't have to be
written in sequence.
7. Don't worry about time. That's been my
problem in a story's beginning. Writing and creativity should be timeless
when working. Dive into your creation and enjoy. Truly, when you meet your
writer self, you will find answers to how your novel will form. One novel
may take years to write and hone to your perfection.
What levels of editing do you perform and what are your definitions of each
level?
1) Light editing, or proofreading, corrects capitalization,
punctuation, spelling, grammatical errors, hyphenation, numerals, fonts,and spacing. Many writers do
not realize only one space is used between sentences now.It also includes flagging inappropriate figures of speech
and ensuring key terms are consistent.
2) Medium or substantive editing includes the above plus changing
passive voice to active voice if requested, suggesting changes to improve the
readability and clarity of content, to eliminate repetition, and to sustain
consistency in the text.
3) Heavy editing includes the above plus flagging ambiguous or
incorrect statements, eliminating wordiness, triteness, and inappropriate
jargon, smoothing transitions and moving sentences to improve readability, and
rewriting short sections to improve pacing.
4) Developmental editing includes the above and suggests writing
changes in plot and organization.
What do you think are the editor's and the writer's roles in the revision
process?
The writer writes and provides the editor with material to edit. In a
perfect process, the writer will give the editor his/her best writing, honed to
its tightest. The editor will then provide another viewpoint and catch not only
the grammar and punctuation mistakes but also provide a reader's insight,
asking questions and offering advice that the writer can then reject or use to
rewrite to improve his/her novel.
What's the difference between "editing" and
"correcting"?
Correcting refers to mistakes, grammatical and
typographical, even incorrect names, dates, and such. Editing catches
these but also offers insight into what the reader expects in a book, what the
writer overlooked or forgot to include, things such as a better character and a
more involved plot.
What does a writer get out have having her/his book edited?
A more perfected
manuscript to offer a publisher.
Do you prefer to work with character-driven or plot-driven fiction?
Character-driven.
What is the most common piece of advice you give new authors?
Hone your
writing. Delete excess adjectives, adverbs, and prepositional phrases.
Do you use fiction books as examples of great writing?
Yes. These change
from time to time because I'm always reading new books. Recently I read A
Grave in Gaza by Matt Beynon Rees (2008). Good,
cleaning writing that gives insight into the present war.
Personal
What are your top five favorite
nonfiction books?
Elizabeth George's Write Away, Heather
Sellers' Page by Page, Anne Lamont's Bird by Bird, Letters
to a Young Poet by Rainer Maria Rilke, and Walking on Alligators by
Susan Shaughnessy. It's hard to limit. I use a
variety of nonfiction books to encourage me at different times. (Oh, and
don't forget Natalie Goldberg's Writing Down the Bones.)
What are helpful books to learn how to format and submit my manuscript, fiction
and non-fiction?
A few to get you started: Writer's Market, Novel
& Short Story Writer's Market, Children's Writer's
& Illustrator's Market, Little Magazines & Small Presses,
Writer's Market Companion, Jeff Herman's Guide to Publishers,
Editors, & Literary Agents, Formatting & Submitting Your Manuscript by
editors of Writer's Digest Books, Formatting & Submitting Your Manuscript by Cynthia Laufenber.
Has any book changed your life? If so,
what book and how?
A Wrinkle in Time by Madeleine L'Engle awakened my spirit to believe I could write a novel. At that time, I began to
see a novel's elements. To Kill a Mockingbird touched me deeply. I
wanted to write like Harper Lee about the human issues and yet bring in the
beauty of the common life. When I read The
Catcher in the Rye by J. D. Salinger for the first time, I was in
high school. I so identified some of my feelings with that character. I yearned
to write like Salinger for whatever the situation.
Do you have a favorite author?
In my earlier days, Madeleine L'Engle challenged me to write good young adult
fiction. George Eliot's passion for writing challenged me to write as a
free woman today. Elizabeth George, John Le Carré,
and Anne Perry provided great examples of characterization and plots. I thank
earlier writers, such as Sylvia Plath and Helen Olson, for their writers'
fortitude.
Addendum: Remember
your local authors. We all aren't meant to be bestselling, award-winning
authors, not if we're going to meet the reading needs of those about us.
I enjoy John Albion (Beyond Fate), Sally Walker (Secrets of a Civil
War Submarine: Solving the Mysteries of the H.L. Hunley),
and Barry Schrader (DeKalb Daily Chronicle
columnist).
What's your favorite movie of all time?
I like "Out of Africa"
for its story of Isak Dinesen. Knowing the movie was
a dramatization, I still thought, What this
woman endured!
What is your kind of music?
I love most music at various times. Isn't
variety great?
What do you do when you are not writing or editing?
Sew, quilt, knit, play
piano and tin whistle, sing, bike, walk, care weekly for grandson Ian, and read
daily. With my husband, I cheer for the Green Bay Packers and Chicago Bulls.
If you could visit (or return to) any place on Earth, where would it be and
why?
Ireland to sit in the western countryside as long as I want. I love
that area and the poignant Irish writers like Edna O'Brien and inner-spirit
ones like the late John O'Donohue.
Are you involved in community service?
Yes. Local homeless
shelter, church, and Network of Nations, which works with international
university students.
You may send your initial submission to all addresses to make sure it's received.
Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
attachment preferred). Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
A sample is required to receive an estimate
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Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)
(13) Your name:
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regarding the scope of service needed, deadline, etc.):
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(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?
(19) How did you learn about our service?:
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Notes:
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We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
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