Whether working with the
Cosmopolitan magazine Bedside
Astrologer on a humor book,
co-authoring a memoir on the Scott
Peterson murder case, assisting a
U.S. Presidential candidate/author
or mentoring a first-time mystery
writer, Bonnie Hill loves
working with authors. When editing
your work, her goal is not to change
for the sake of change, but to make
you sound more like *you* -- without
leaving editorial fingerprints.
Writer-friendly
A newspaper/magazine editor for 22
years as well as a national
conference speaker and contest
judge, Bonnie is a writer-friendly
editor/mentor who has helped
numerous authors break into print
and published writers reach the next
stage of their careers. She teaches
workshops for Writer's Digest Online
Workshops and authorlink.com and
speaks at writing conferences across
the country. In the private writers'
workshop she leads in Fresno,
California, her workshop members
have won awards (such as the Hackney
Literary Prize for fiction, Dark Oak
Award for a first mystery and first
prize in contests at the SouthWest
Writers and Yosemite Writers
conferences) and sold everything
from novels to nonfiction books,
essays and cowboy poetry to top
publishers such as Woman's Day,
Cosmopolitan, Writer's Digest, Story
Line Press, Santa Monica Press, and
Simon & Schuster.
Top publication credits
A former newspaper editor and
magazine columnist, Bonnie has
completed a six-book contract with
MIRA Books. Her titles include:
Killer Body, a thriller
set in the weight-loss industry, a
Cosmopolitan magazine “pick”;
Intern, called "a
page-turner" by Publishers Weekly;
Double Exposure a
political thriller, and a series of
three mass-market paperback
newspaper thrillers published in
2006. She has co-authored books on a
wide range of topics, including
motivational subjects, memoirs, the
history of Muscle Beach, California,
and the Scott Peterson murder trial.
Bonnie has worked as a contributing
editor and columnist for American
Writers Review and columnist for
Editor-Writer and Byline magazines.
In addition she has sold hundreds of
freelance articles to such magazines
as Writer's Digest, Writing for
Money, Family Circle and others and
writes book reviews for Publishers
Weekly.
The
(Expanded) Freelancer's Rulebook
was published in 2002 by Story Line
Press and named one of the top 25
writing books by The Writer
magazine. With fitness pioneer
Harold Zinkin, she wrote a
nonfiction book,
Remembering
Muscle Beach
in 1999.
A matter of focus
Bonnie feels that most writers don't
lack talent—they lack focus. And she
believes character, especially
internal conflict, is the key to
creating marketable fiction. “The
good have flaws, and the bad have
reasons.” She also believes that
whatever the genre, fiction provides
closure in the way real life doesn't
always do. She reads widely and
enjoys teaching and editing writers
in all genres, especially writers
who are passionate about their work.
"Passion," she says, "is the one
ingredient you can't edit in later."
Submission materials: Book proposals and, query letters
Developmental Editing / Rewriting
High-profile ghostwriting
Critiques / Evaluations
Mentoring
Book Proposals / Synopses
Feedback
"Bonnie Hearn
Hill has been my editor
for almost 10 years.
During that time she has
edited book proposals,
non-fiction and fiction
manuscripts, and
numerous articles for
me. Her editorial skills
are superior and she's
one of the most sought
after writing
instructors in the
country. She is one of
those rare individuals
who gives 100% to each
of her students and
clients. She's is truly
dedicated to helping
writers succeed.
I can't
recommend Bonnie highly
enough, and I'm sure
you'll hear the same
thing from any of her
clients."
Hazel Dixon-Cooper,
author of: Born on
a Rotten Day and
Love on a Rotten Day,
Simon & Schuster, and
the Cosmopolitan
magazine Bedside
Astrologer column.
"She is quite simply the
finest editor I've ever
met
and/or worked with. And
I don't say that
lightly. She's a truly
gifted editor."
Cindy
Wathen,
editor of the
award-winning nonfiction
book, Remembering
Cesar, and former
editor for McGraw Hill
and the University of
California Press.
"The network was responsive and helpful. Bonnie was fabulous. Her comments and edits were invaluable, and her mentorship and friendship are irreplaceable. Would definitely work with her again, and plan to do so soon." Contact info on request
Required:
Submit a sample of your book manuscript or story (Word/DOC or RTF
attachment preferred). The sample should be 5-50 pages. Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project? $ ________________
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note: Price quotes and time estimates for individual editors cannot be given over the phone or via chat. This is a network of freelance editors with varying prices and work schedules (see our FAQ). To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours. It is possible that your submission was not received. You may also page the network coordinator by leaving voicemail or sending a fax to 469-789-3030.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your freelance editor / proofreader / writer, not with the freelance network as a whole or its coordinator.