After twenty years in education and human services fields, Beth Bruno began a second career in 1995 as a columnist, author and book editor.
Hundreds of her articles have been published in print and online, and her
first book, Wild Tulips, came out in 2001 and went into a second printing in
2002. Beth's proximity to New York and her position as President of the CT
Authors and Publishers Association give her unique access to literary agents
and publishers in and around New York City. Several of the authors whose
manuscripts she has edited have been published in the mainstream, thanks to
her referrals on their behalf. Beth's editing interests are electic and
include a delicious mix of fiction, nonfiction, young adult, and children's
works.
List of published book titles edited by Beth Bruno
Uncle Al Capone by Deirdre Marie Capone (award winner)
Requiem for Locusts by Wendy Parciak (award winner)
Gypsies, Tramps and Thieves by Larry Seeley (award winner)
Reduce Your Healthcare Costs Through Natural Medicine by Guy Daniels, M.S., M.H.
Daddy, Where’s Your Vagina? by Joseph Schatz
Murders at Brent Institute by Jerry Labriola
Debut by Lois Mathieu
Cruising Connecticut with a Picnic Basket by Jan Mann
Divine Betrayal by Graceann K. Deters
The Prisoner’s Dilemma by Melvin Charles Hathorn
The Cleansing Reign by Stephen Piechota To Sharazad . . . Wherever You Are by Paul Schwartzmeyer
The Fire in Me by Naomi Beukes-Meyer
The Bond$ of Friend$hip by Oscar Medina
Bold Moves: Jump to Outstanding Self-managed Action by Allan Milham and Shayla Roberts
The Heaven at the End of Science by Philip Mereton
Pet People by Leslie Anne Schaffer
The Backwards “S”, Mikayla’s Story by Michele B. Colletti
Not My Mother’s Wedding by Maureen Chapdelaine and Kate Brennan
Why the Plum for Courage by Mary Ellen Sinclair
Postcards and Pearls – Life Lessons from Solo Moments on the Road by Gina Greenlee
Jagged Fate by Steve Santel
The Man Who Walked Backward Down the Na Pali Coast by Stephen McMillin
The Squeaky Wheel: An Unauthorized Autobiography by Brian Shaughnessy
Law and Justice in Everyday Life by Andy Thibault
Morality: Whose Idea Was It Anyhow? By Charles Block
Falling Into Place by Rita Ippoliti
How Harwinton Got His Middle Name by Linda Machado
Driving Lessons by Joan Gleckler
Chasing Cobwebs by Blanche Lord
Making Your Home Senior-Friendly by Chuck Oakes
Noah's Diary by John Sciarra
Mama Said There'd Be Days Like This by Karen Klein
Ashley of the House of Friesian by E.R. Swan
Think and Act on Business Ethics by Barry A. Liebling
Keep Your Computer Alive and Your Sanity Intact by Daniel Uitti
Beachmaster by John Benjamin
Feedback
“Beth Bruno did a great job with my manuscript. She completed the work early and responded promptly to all my questions. She was easy to work with and did a thorough job. Her work was extremely beneficial. I would not hesitate to hire her again.” -Stacy Weed
“The process was very simple. Within hours of sending my first e-mail to the network, I was working with Beth Bruno. I felt Beth took the time to listen to me before broaching any manuscript changes, and when changes were suggested, they truly did improve the piece. She made wonderful suggestions regarding packaging and even did some research regarding contacts. All in all, I believe this was money well spent.” (On file with network coordinator)
“I offer a heartfelt thank you to Book Editing Associates for providing a mix of highly qualified editors. I was thoroughly pleased with Beth’s services. Not only was Beth efficient, thorough, and professional, she was extremely personable, intuitive and insightful. Her edits tightened the prose and elevated the novel to a more impactful piece effectively illustrating the power of the written word to resonate with the reader long after they’ve read the last word. From the onset, Beth exuded a genuine interest in my novel and understood its purpose. If there needs to be numerous eyes editing the copy, as some publishing houses prefer, Beth is the editor who will read the manuscript first. Additionally, I would be remiss if I did not mention that Beth still takes a vested interest in my endeavor to publish my novel through conventional or self-publishing methods. I must also share that I enjoy her energy and tenacity since it resembles my own. Thankfully, we’re still in contact with each other.” - Michelle Richardson
“Beth Bruno is extremely professional, a clear communicator, and prompt, returning my manuscript a day earlier than expected. The quality of work was high and I found the entire process with her was effortless. I would definitely recommend her!” - Stephanie South
“Beth actually started editing my project ahead of schedule and finished ahead of schedule. She gave me good feedback which I appreciated. I wanted someone who would be honest and not just tell me what they thought I wanted to hear. Very satisfied.” (Contact info on request)
“My choice of consultants was Beth Bruno because she did a sample edit for me beforehand, that blew me away. We set a time of about 3 weeks for the project, but she surprised me by being done in less than two. Her changes and suggestions were brilliant and offered all that my manuscript needed to shine in the end. Beth has a wonderful eye for detail, her word choice was varied and she brought in a lot of her own creativity—while never at the expense of my own voice. Her feedback was substantial and gave me hope and confidence in myself and my writing skills. It was a pleasure to work with Beth and I am sure I will contact her again as soon as I finish writing my next novel.” (Contact information on request)
“I am particularly impressed with the responsiveness, professionalism, and the thoroughness of the editors’ responses to my initial request. It was hard to make a decision, but I decided to work with Beth because of her promptness and the quality of her sample edits.I am satisfied with Beth’s service. She is affordable, friendly, thorough, and has an eye for detail. Her suggestions are insightful. She is also efficient, completing her work well before our agreed deadlines.” (Contact information on request)
"Ms. Bruno's work was timely, very thorough, and best of all I learned a great deal about writing from the changes she suggested, as well as her attention to detail. In fact I teased her about all her red marks on every page but one of a three hundred plus document. I was very pleased with her work." —Peter D. Cimini
"I had the pleasure of working with Beth on the final edits/critique of my manuscript. Beth surpassed my expectations on every level. She is extremely easy to work with, timely, and provided valuable insight. I would not hesitate to recommend her services and hope to work with her again in the future." —Joanne Kolebar
"I want to thank Beth Bruno for the spectacular job she did editing my fiction book, The Bond$ of Friend$hip, which has just been published. When Beth first received the manuscript, she understood what was missing and recognized the changes needed to improve the flow, characterization, plot, etc., of my novel. She had a keen eye for small details. Beth was also always very available to discuss suggestions, and she quickly came up with alternatives to solve the problems we encountered along the way. She guided me through the particulars of my novel to the final polished product. The result: A published book. I am almost done with my second thriller and I will hire Beth Bruno’s editing expertise again. No doubt! Thank you again, Beth, for everything, you did. To more novels together." —Oscar Medina
"A couple of weeks ago I submitted a query to Book Editing Associates in hopes of being able to find an editor for my recently completed manuscript. As a result, I had the very good fortune of being introduced to Beth Bruno. In just over a week, Beth was able to completely edit the manuscript. In addition, she offered many valuable suggestions and insights. The results of her efforts have left an indelible impression upon my novel. Not only would I work with her again in the future, but I’d be inclined to solicit her assistance immediately upon completion of my next work. I found her attention to detail and patience with my litany of questions to be very refreshing. Beth is a true professional and a tremendous asset to the collection of fine editors working in collaboration with the Book Editing Associates. Thank you for directing my inquiry to Beth's attention.
Sincerely,
Steve Santel, Author of Jagged Fate"
"I was extremely pleased with the editing job Beth Bruno did on my novel. She was timely, affordable and very capable. I gave her some leeway to do a little rewriting and she did not disappoint nor take liberties with the work. I will likely use her again and definitely recommend her." —Michael Gray, HomeVestors
"I have been extremely pleased with the editing work by Beth Bruno ... She has added not only correct grammar and punctuation, but she has brought clarity to many points with better sentence structure and helped a great deal with some passages that had a singsong like monotonous flavor. I would highly recommend her to other authors and hopefully she will still be doing this when I finish my second book." —Gosta Iwasiuk, Cutting Edge Publishing
"Beth has been a pleasure to work with. She has provided me with a level of editing that I feel will help me see my novel into print. Beth has been very supportive with general comments and thoughtful suggestions about how I can make my story read more smoothly and intelligently. I am very near the end of my rewriting and feel much more confident in my success in finding an agent. I would be happy to recommend Beth to anyone in need of professional manuscript editing." —Kenneth Teicher
"Beth Bruno is a great editor. She works quickly, with great accuracy, and a keen eye for character development and plot. Plus she is such a pleasant person to work with. I highly recommend her." —Eleanor Herman Dyment
"Beth's comments were exactly what I was looking for. My plans are to use all of her suggestions in rewriting my novel. Incorporating her edits will—I believe—turn my story into a good read. As long as I am writing and she is willing to work with me, I will ask Beth to edit my work." —M. Dial
"I thought Beth was professional and friendly. I was impressed with her promptness, as well as efficiency. I also found her suggestions in improving my manuscript insightful." —Becky Tust, writer
"Beth is a miracle. She not only gave me constructive feedback on my
manuscript, she has proven herself indispensible in helping me understand
the "process" by which agents review an artists work.and what I need to do
to become more marketable. She is professional, personable and really made
the effort to understand where I wanted to go with my work before beginning.
Beth has provided so much more to me that just the 'service' of
[developmental] editing. She is a credit, a wonder.and an asset to me as a
writer. Bless you, Beth!" Michela Hendrickson, writer
Submission
Cut and paste the questions and answers into an e-mail:
You may send your initial submission to all addresses to make sure it's received.
Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
attachment preferred). Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
A sample is required to receive an estimate
for editing services
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?
(19) How did you learn about our service?:
(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)
Notes:
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note:Questions about price and turnaround times cannot be given over the phone or via chat.
To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours (M-F, 9a-7p central). Expect longer response times if you submitted after U.S. business hours or on weekends.
You may also send your submission to our alternate e-mail addresses if you do not receive a response within three hours M-F:
Help2012 at Airmail.net
editingnetwork at gmail.com
contact at editing-writing.com
You may also leave voice mail for the network coordinator: 469-789-3030. This number is for verification of e-mail submissions only.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your editor or publishing consultant, not with the editing network as a whole or its coordinator.