Alice Day has been an editor since 1988. After earning a graduate degree in creative writing at Brown University, she has worked at the book publishers Henry Holt and Company and Carroll & Graf Publishers. Writer Don Smith, whose awards include 19 regional Emmys, said of Alice Day, "She's the kind of editor every writer should be so lucky to have." Alice Day is an award-winning writer with four collections of poetry and a novel that have been published by nationally-recognized publishing houses. Kathleen Wakefield, whose novella won the 2008 Cleveland State University novella contest, said "that [Alice] has been an editor at a major New York publishing house gives her insight into that complicated world; that she is a poet, I believe, gives her the sensitivity to find the beauty of a writer's individual work." Alice Day has the skill and experience to focus on a writer's vision and help the writer realize it. She's a hands-on editor who's not afraid to cut words and offer insights. And she has a poet's sensitivity to language.
Alice Day's specialty is fiction editing. She has worked with numerous award-winning authors (authors who have won the Pulitzer Prize, National Book Critics Circle Award, and the PEN/Faulkner Award) as well as first-time novelists. She does detailed manuscript evaluations, as well as developmental/substantive editing. She is also a skilled copy editor.
Her fiction specialties include short stories, novellas, literary fiction, historical fiction, commercial fiction, women's fiction, chick lit, thrillers, mysteries, and detective/crime novels.
"I chose well. It was fun to see one's work through someone else's experienced eyes. I particularly appreciated your thoughts and reactions to the different characters - it gave me much needed insight into the relative worth of each player and where I need to put my efforts. Many thanks also for giving me the idea for the subplots that could help cement the story and really for all of your detailed, helpful comments. It was a thoughtful and kind analysis!" (on file with coordinator)
"I am a first time writer. Alice’s expertise was an immense help." Lewis Heard, writer
PROFESSIONAL EMPLOYMENT
May
2001-present
Freelance Manuscript
Editor and Writer:
Responsibilities
include editing full-length manuscripts for authors and/or their agents,
and/or publishing houses. Both fiction and nonfiction.
1988-present
Faculty: The Milton
Avery Graduate School of the Arts, Rutgers University, The Writer’s Voice,
Hunter College, New York University, Hofstra University, Brown University:
Teach courses such as
poetry and fiction workshops, American literature, expository writing.
October 2000-April
2001
Managing Editor
and Writer, Cambridge Technology Partners, UX
Design:
Edited and wrote
online text for a variety of sites including GMAC real estate and Fleet
Capital Leasing. Managed content developers.Responsible for maintaining
editorial standards, including proofreading and copyediting.
August
2000-Sept.
Content Developer,
Angryman.com:
Developed content for
Internet entertainment and polling site.Developed, researched, and wrote
essays and opinion polls for the following categories: the arts, politics,
current events, jobs and money, spirituality, education, health, and
lifestyle. Proofed and copyedited all text.
April
2000-July
Editor,
Umagic.com:
Nutrition and diet
artificial intelligence (AI) self-help Internet site. Directed and managed
house writers. Developed and edited site content. Proofed and copyedited
all text.
Responsibilities
include scheduling, budgeting, and managing the production of books;
hiring and managing editorial freelancers and jacket designers; acquiring
and editing books.Edited
books in a variety of categories including fiction, film history, and
lifestyle.
1988-2003
Senior Editor, CONJUNCTIONS(literary
journal):
Responsibilities
include project development, acquisitions, editing, copyediting and
proofreading. Contributing writers include Russell Banks, Paul West,
William Gass, Juan Goytisolo, Leslie Marmon Silko, Rick Moody, and Valerie
Martin. Proofed all text.
1997
Editor, CONJUNCTIONS "Tributes":
An anthology of
essays celebrating literary predecessors.Responsibilities include project
development, acquisitions, editing, copyediting and proofreading.
Contributors include John Sayles, Joyce Carol Oates, Peter Straub, Ana
Castillo, Sven Birkerts, and Maureen
Howard.
1996-1998
Assistant Editor,
Henry Holt and Company:
Responsibilities
include overseeing all aspects of editing through manuscript transmission,
writing flap and catalog copy, and liaison to production, design,
marketing, and sales.
The Vulnerability
of Order. Port Townsend: Copper Canyon Press.
1999
Tales of Murasaki
and Other Poems. Los Angeles: Sun & Moon Press.
1996
Ten Greek Poems. New York: Dim Gray Bar Press.
1991
Places People Dare
Not Enter.Elmwood: Potes & Poets
Press.
MISCELLANEOUS
Residency at the Rockefeller Foundation in Bellagio, Italy. Aug. 2006.
L’avantesto nell’era dei bit, June 6-8 2004—Poetry reading and panel talk in conjunction
with publication of my work in Italian in literary journal. Cassino University,
Italy.
Associated Writing Program Conference, February 2003 – reading with Copper Canyon
Press poets. Baltimore, MD.
AH! opera no-opera. World Premiere at REDCAT, Los Angeles, CA, September 16, 17,
18, 2009. Wrote libretto for opera. Music by David Rosenboom and others. See www.ah-opera.org for full details.
International Lyric Poetry Festival in Frankfurt, Germany. April 2007— Read my poetry and discussed American poetry.
Poets Translate
Poets, September 2002 — Reading and
workshop focusing on German translation of my poetry. Gottlieben, Switzerland.
Ovidiana, May 1997.Temple University and Dicapo Opera Theater — Wrote libretto for opera based on Ovid's Metamorphoses.Music by
Matthew Greenbaum.
Unspeakable Practices:
Fiction Conference, October 1996, Brown University — Participant in symposium, "Sticks & Stones."
Poetry Talks, March 1996, New York University — Paper presented on "Poetry and Collaboration."
Writing from the New
Coast, March 1993, State University of New York at Buffalo — Paperpresented on "Spirit and the Practice of Poetry."
AWARDS, DISTINCTIONS, AND
HONORS
Residency at the Rockefeller Foundation at
Bellagio,
Italy. Aug.
2006.
Contributing Editor, Conjunctions. Present.
Judge, AWP Intro Award,
University of
Massachusetts.2001.
"After researching many, many book editors, I chose Alice
because I was impressed with her extensive list of accomplishments,
both as an editor with top publishing houses and as a poet and author
in her own right. I was beyond excited when she agreed to take me
on as a client, so the fact that she actually managed to exceed
my (already sky-high) expectations was quite a feat! The best way
I can describe Alice’s critique of my novel is that she took a manuscript
that had completely gone off the rails in terms of pacing and focus,
and put it squarely back on track – somehow she was able to see
through all the extraneous, meandering subplots and envision the
work as it was meant to be. As my editor, Alice not only extracted
(read: rescued) the core story from its runaway cast of supporting
characters and sub motifs, but went on to cultivate the roots of
that core story until it transformed into a road map of the simply
but poignantly plotted, character-driven literary novel I had sat
down to write more than two years before.
To cite an example, one of Alice’s’s most profoundly helpful suggestions
was to eliminate an under-developed character who had a pivotal
role in both my protagonist’s transforming identity and then to
recast in this same role, a very strong, developed character who
had ended up falling by the wayside by end of the my novel. This
one suggestion was so natural, and obvious, and organic once it
was made that I found myself stunned and somewhat dismayed I had
never thought of it myself! Through this relatively simple “character
swap,” not only did my outline become exponentially more cogent
and compelling, but I was able to cut (pain-free!) a 70-page subplot
that I could now see was distracting ultimately, nonviable. For
a manuscript that was already well over the 100,000 word maximum
recommended for a first time literary fiction author, it was nothing
short of a miracle.
In addition to several such fundamental plot fixes, Alice also provided
a meticulous list, complete with page numbers, of every chronological
inconsistency, every mix-up of a character’s name or background,
and every oversight in which I had unintentionally and prematurely
revealed plot twists and other information to the reader. I was
blown away by how thoroughly she knew every detail of each and every
character and minor event of the novel inside out, in just two weeks
– in this way too, she had become more versed in my own novel than
I was at that time. Throughout the editing process, Alice was very
generous and patient with me in answering my millions of questions
about her invaluable feedback and suggestions
In summation, through her spot-on, razor sharp analysis and critique
of my first novel, Alice not only deciphered my original, long-since
misplaced intentions for the narrative, she also went on to help
me construct a solid blueprint from which I can finally carry out
those intentions in my rewrite. Oh, and my praise of Alice would
not be complete if I did not mention that after helping me to ‘cut
the fat’ from my overstuffed novel, she also zeroed in on a few
undeveloped literary devices that I had no sooner created than all
but abandoned in the manuscript’s first draft. Through her usual
deft language and incisive (but always gentle) suggestions, she
made me see the value in these nearly accidental ‘diamonds in the
rough’; and advised me well on how to excavate and polish them.
So, with these unearthed gems in hand, I feel confident that I’ll
not only be able to rewrite the novel in accordance with the new,
cogent outline Alice helped me create, but also, to use this restructuring
to push the narrative, and the writing, to its fullest literary
potential." - Carrie Wharton-Hanford, first-time novelist
"Alice is that special someone who can be trusted to
take an author’s a manuscript, accurately cast her eye upon
it, grasp its strengths and weaknesses from overall structure down
to the smallest petty detail, and tell it like it is. In short,
she is an author’s antidote to wandering in the wilderness."
- Thomas Lisenbee
“Alice just completed an editorial review and critique of a novel for me and her work was excellent. After soliciting four proposals from editors I thought she would be a good fit for literary fiction and she was. I wouldn't hesitate to recommend her and intend to use her again.” - Susan MacLean
"I searched hours on the Internet for someone who looked like the right editor for me: professional, first-hand experience in the publishing industry (what sells, what doesn't), and someone who could give me a no-nonsense critique of where I was holding or losing my reader, where I was being redundant, verbose or unclear, and if the piece could be shaped more effectively - all this AND catching the grammar and mechanics details! After 8 email inquiries and 3 phone interviews, I asked Alice on the spot to be my editor. She proved to be everything I knew I needed and then some. I'm looking forward to our next work together. I have no doubt that she'll help me out of the tangled woods I tend to create to see the forest as well as the trees!" - Barbara Wade
Each time I go over your comments I marvel at how good they are. - Terris McMahan Grimes
Since you sent your letter and the ms, I have not left my desk - I am working nonstop - You are the best editor in the world.
--Deborah Henry
Copy/Edit - Her insight has been helpful. She finished before she said she would and made herself available for further questions.
--Lewis Heard
I want to thank you very much for the terrific job you did editing my book!! I accepted the majority of your changes. And many of those that I didn't prompted me to realize how unclear I'd been. The consequence was a change in the text that made it much more vivid and understandable. The quality of your work was excellent!! I realized from your first communication that you were the editor I wanted to work with me. There was a quality and balance to the way you handled each step that told me you were the right person, that I could rely upon you.... For the amount and quality of work you did the fee was very reasonable. Once more I want to thank you for your excellent work! And for being the kind of person you are.
--Don Fenn
As a novice, writing my first novel, I was amazed by Alice's ability to visualize my entire novel and make succinct comments that were specific to a particular sentence while referring to the structure and narrative of the entire work.
--Erik R. Brown, first-time novelist
“Alice is very professional, knows writing, knows the business. I hope she’s available for my next project. I not only received a professional editing of my piece, but peace of mind as well.” - Barbara Wade
Alice Day is a clever, intelligent, thoughtful, and thorough editor. She is nurturing yet highly professional, with keen eyes and ears. She hones in on the heart and matter and delivers the goods…a goldmine for any writer.
--Taylor Barton, author of Hotheaded Saints and lyricist
Alice Day is a joy to work with and someone I recommend most highly to other writers. She is a skillful, sensitive editor with excellent judgment and tremendous respect for an author's voice. Whether she's commenting on the overall arc of a story or zeroing in on a specific phrase or line of dialogue, her comments are always insightful and instructive.
--Amanda Filipacchi, author of Nude Men and Vapor
"I have used a half-dozen editors (at least) for my fiction projects, from novels to short stories. Alice is the best one, by far. I won't hesitate calling on her again." Contact information on request.
"I am a first time writer. Alice’s expertise was an immense help. Alice was very thoughtful and thorough in her initial comments. She was also extremely helpful in responding to my questions and comments after the initial review." (Contact information on request)
Submission
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Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
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A sample is required to receive an estimate
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