SARAH ANDERSON is a freelance editor and writer, experienced in fiction and nonfiction. Her work has been called outstanding, and she was solely responsible for editing the three most successful romances published by Banbury Books and distributed by Dell. Her recent nonfiction projects include A Loving Guide to These Shifting Times and Biography of A Time Traveler: the Man behind the 2012 Phenomenon. Recent fiction projects include The Apprentice and Sisters of War. Sarah is an acknowledged contributor to The Wisdom of The Enneagram, published by Bantam. She has self-published a relationships handbook, Relationships Made Easy: How to get along with all kinds of people, and has written articles on the psychology of personality.
Clients are particularly impressed by her ability to make their text sparkle while maintaining their voice. She is flexible, personable, and highly proficient. As one client noted,
Sarah is clearly a gifted, disciplined editor. It was obvious that she took great care to preserve my voice, and not to change meaning when structure needed adjusting. Her art is subtle – at first glance, I wondered what she'd done . . . but the changes added power, conviction, and flow to my thoughts. I am so glad I found my way to Sarah!
Award-winning writer and editor H. L. BELL is committed to helping other writers make their work the best it can possibly be. Intimately familiar with the thrills and insecurities of the writing process, she empathizes and works especially well with other writers. Clients have praised her as an editor with an engaging manner, a meticulous attention to detail, and a consummate skill with language.
She has edited a broad range of acclaimed fiction and nonfiction titles, including Bonnie Jo Campbell’s American Salvage, finalist for the 2009 National Book Award in fiction. Her own fiction and book reviews have appeared in Jane, Salon,The Women’s Review of Books, and the Chicago Reader.
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DEANNA H. BRADY is a highly versatile freelance writer and editor with more than two decades of experience. Known as an "editor's editor," she ghostwrites, rewrites, develops, and copyedits a wide range of material, including self-help/how-to books, novels (both literary and genre fiction), creative nonfiction, biographies/memoirs, proposals, cover and query letters, articles, essays, scripts, business communications, and Web content. She has written and edited marketing and advertising copy for Fortune 500 companies and is adept at editing ESL and translated text, as well as scientific/technical material. In addition, she specializes in projects concerning spirituality, ecology, Native American Indian culture, psychology, allopathic and complementary medicine, and health, and she particularly enjoys working with& fantasy, science fiction, historical, romance, adventure, mystery, and young adult literature.
Deanna spent more than a decade as a magazine editor. She also taught at California State University for a dozen years, has written several children's textbooks, and is an award-winning author of short fiction and poetry. Her many happy clients greatly appreciate her expertise, gentle guidance, and ability to preserve their individual voices and help make their manuscripts shine.
BETH BRUNO is a columnist, author, and book editor. Hundreds of her articles have been published in print and online, and her first book, Wild Tulips, came out in 2001 and went into a second printing in 2002. Beth's proximity to New York and her position as President of the CT Authors and Publishers Association give her unique access to literary agents and publishers in and around New York City. Several of the authors whose manuscripts she has edited have been published in the mainstream, thanks to her referrals on their behalf. Beth's editing interests are eclectic and include a delicious mix of fiction, nonfiction, young adult, and children's works.
"I want to thank Beth for the spectacular job she did editing my book, which has just been published. When Beth first*** received the manuscript, she understood what was missing and recognized the changes needed to improve the flow, characterization, plot, etc., of my novel. She had a keen eye for small details. Beth was also always very available to discuss suggestions, and she quickly came up with alternatives to solve the problems we encountered along the way. She guided me through the particulars of my novel to the final polished product. The result: A published book." Oscar Medina
D.J. BRUNO works closely with authors to develop, liven, and perfect their books and articles. She provides manuscript critiques that offer extensive feedback on every aspect of a narrative, as well as ghostwriting, developmental editing, copy editing, proofreading, and marketing (proposal, query, and synopsis development and agent contact).
A fiction writer herself, she was an editorial assistant and reader at Ploughshares, had her fiction published in various literary magazines, taught literature and grammar, and edited a range of material from memoir to erotica, biography, short fiction, poetry, travel writing, personal essays, and literary and commercial fiction. She specializes in film and photography, food and wine, nutrition, travel, psychology, memoir, and literary fiction.
Copyediting, proofreading, developmental editing
Ghostwriting
Manuscript critiques
Mentoring and writing instruction
Submission materials: book proposals, query letters, synopses, agent/publisher research
Non-fiction: marketing & business communications travel, creative nonfiction, cookbooks, psychology, diet/nutrition, health, memoir, biography, self-help, alternative medicine
Entertainment: photography, film, art
Poetry and screenplays
Manuscript Submission Services:
Your initial contact with an agent or publisher is your first impression; therefore, it's crucial that you put your best foot forward when drafting a letter.
What I can do . . .
Read your manuscript and write or edit the materials required for submitting to agents and publishers, including proposals, queries, synopses, and bios.
Research agents or publishers that are appropriate for your market, provide resources, and offer guidance.
Research the legitimacy of agents or contacts you've already made. (Don't ever take for granted that anyone calling themselves an agent actually is one.)
Prepare your manuscript for submission (i.e., format according to industry-standards).
Review and critique the manuscript to determine if it's ready for submission.
"Thanks for your flexibility, great attitude, and hard work. It was a pleasure working with you on this project." - Sarah Yezzi, Senior Technical Editor, Prentice Hall
CARLY CANTOR is a publishing industry veteran who has worked in-house at a New York publisher as an acquisitions editor and is a two-time published author (history books). Most recently, she has worked as an independent consultant and project editor for Random House, Prentice Hall, and iUniverse. She also represents authors as an agent with a well-established NYC agency. Her extensive experience includes critiquing, organizational and development editing, and line editing of fiction and nonfiction projects. She is a meticulous hands on editor who “becomes one” with every project, paying close attention to both the big picture and the small details.
She has often worked with academics, psychologists, and medical doctors on high-level material in the social or life sciences and has helped them make their writing more accessible to a trade audience. One thrilled client, a doctor, said of her, “She is a consummate wordsmith, with the facility of not only understanding and integrating scientific and technical material but also illuminating arcane and otherwise opaque descriptions. She expertly shapes the structure of a presentation for better narrative flow, simplifying complex material to make it reader-friendly.”
Carly also edits fiction, with an understanding of the importance of subtlety and nuance. She approaches fiction with an appreciation for how the brain works and for the idea that a reader likes to pick up clues and figure some things out for himself rather than be told everything directly about how characters are thinking and feeling. One novelist client said, “I have been guided by a number of different editors throughout my career. Without any hesitation, I can say that [she] is the best editor I have ever worked with.
“Carly was indispensable for the birth of my memoir. She helped me to not only tighten my writing but also improve the structure of the narrative to make it more thrilling. I found a very effective, inspirational guide in her ability to culturally translate my experience in Korea for American audiences.”
—Jid Lee, author of To Kill a Tiger (Overlook, 2009)
“My personal experience in working with Carly has been very rewarding. She has the grit to drill down into the material so that nothing is taken for granted. She also demonstrates an intuitive skill to help add an overarching structure to the work that helps expand its scope, further increasing the book’s accessibility to those audiences we wish to reach. Her persistence in getting the content to seamlessly flow from one technical subject to the next is a true gift.”
—John W. Cassidy, MD, author of Mindstorms: The Complete Guide for Families Living with Traumatic Brain Injury (Da Capo Press, 2009)
KATHRYN CLAPPER is a writer’s editor. She is passionate about partnering with both nonfiction and fiction authors to bring their ideas and stories alive. With 10 years of experience editing more than 300 titles and textbooks for major publishers such as National Geographic, Candlewick Press, Scholastic, Prentice Hall, Pearson Longman, and Blackwell-Wiley, Kathryn knows what it takes to convert an idea into a bound book. With every manuscript, she acts as an advocate of the reader while holding true to the author’s style. Her talents do not stop at developmental editing, however. As an eagle-eyed copyeditor and proofreader, she relentlessly perfects details while keeping the big picture in mind.
Kathryn is a certified English teacher with a bachelor’s degree from Princeton University (anthropology) and a master’s degree from the Harvard Graduate School of Education (teaching and curriculum). Her areas of expertise include literary nonfiction, YA fiction, biography, general interest nonfiction, scholarly works, children’s nonfiction, and instructional content in the humanities and social sciences.
Kathryn offers the following services:
Copyediting and proofreading
Developmental editing
Project management
Nonfiction: literary, scholarly, children’s, textbooks, other instructional content, Web content
Fiction: YA, mass market, literary, historical
Manuscript critiques and writing assistance
“Thank you for a truly excellent job in editing my nonfiction book. Before retaining your services, I interviewed a number of editors for the job. All of them were highly credentialed editing professionals. However, I was looking for additional qualities in selecting my editor: intellectual integrity, sensitivity, encouragement, and someone that truly enjoys working with writers. I found these qualities and more in working with you. I also found an inspirational guide. You did an outstanding job!” Henry Dahut
"If I were to build my dream editor from scratch ... Kathryn Clapper. She's everything an author needs and wants: highly skilled, thorough, professional, dependable, kind, and cool under fire. With more than 70 books in print, I've worked with plenty of editors in my career, but very few are in Kathryn's class. I can always trust that in her capable hands my work will shine. She is, simply, the best!" - Trudi Strain Trueit, children's fiction and nonfiction author
"I worked with Kathryn Clapper on a book a while back and found her approach refreshing after a couple of not-so-wonderful experiences with other editors. Entirely professional, she was relaxed and friendly without losing focus on the job at hand, demanding of high standards without making either one of us crazy, and forthright about business matters without being cold. I would work with her again anytime. A thoroughly pleasant professional." - Stephen Peters, writer/storyteller
ANNE CREAL is the author of eight published novels. Her books include contemporary and historical children’s, young adult, and adult literature.
Water at the Blue Earth, young adult historical fiction (Roberts Rinehart, 1998) A Ceiling of Stars, middle grade contemporary fiction (American Girl, 1999) Nowhere, Now Here, middle grade contemporary fiction (American Girl, 2000) The Magic of Ordinary Days, adult historical fiction (Viking Penguin, 2001) Under a Stand Still Moon, young adult historical fiction (Brown Barn Books, 2005) Call Me the Canyon, young adult historical fiction (Brown Barn Books, 2006) Nicki, contemporary middle grade fiction (American Girl, 2007) Thanks to Nicki, contemporary middle grade fiction (American Girl, 2008)
She has seen one of her novels made into film (for Hallmark Hall of Fame Productions) and has won numerous literary awards. She believes that even in today’s tough publishing climate, it is still possible for new writers to enter the business and succeed. Second to writing her own novels, she loves to mentor others to help them achieve their goals. She knows firsthand how writers benefit from the help and support of others writers and/or editors.
"Anne has provided expert level editing assistance to me in the writing of my manuscript. Her ideas and creativity have been invaluable to me." Kandi Hofmeister, author of the memoir, Held.
"Anne's insight and original input helped improve my novel and matched my expectations beautifully." Andrea Kolub, author of The Lady in the Cape.
ESTHER DAVID-ROLANDis a writer and editor whose experience includes writing and editing in technical and non-technical subject areas. She has worked as a journalist, writer, and editor for more than 25 years and brings her many years of experience to each project. As a freelance copyeditor, Esther has worked with major publishers, businesses, and individuals, and has worked extensively with authors whose native language is not English.
Rich Dad Poor Dad (Robert Kiyosaki), reissue, The Rich Dad Company (2011).
Cashflow Quadrant (Robert Kiyosaki), reissue, The Rich Dad Company (2011).
Unfair Advantage (Robert Kiyosaki), The Rich Dad Company (2011).
Finding Peace after a Life of Sexual, Mental, and Physical Abuse (Tena Williams), forthcoming (2010). Client was the author.
The Mystery of Predestination: According to Scripture, the Church, and St Thomas Aquinas (John Salza), TAN Books (2010).
Victims and Perpetrators: Public Memory of Slavery in the South Atlantic (Ana Lucia Araujo), manuscript first draft (2010).
Making It All Work: A Pocket Guide to Sustain Improvement and
Anchor Change (John Roland Schultz), Praeger, forthcoming (2010).
The Making of a Yoga Master: A Seeker's Transformation
(The Yoga-Sutra Sequence Decoded) (Suhas Tambe), forthcoming
(2010).
Whose Little Girl Is This? (De Quien Es Esta Nina?) (Maria
Flores-Sperling), 2009.
Surreptitious Software (Collberg and Naga), 2009.
The Project Manager's Guide to Making Successful Decisions (Powell and Buede), 2008.
Memories from Bosnia (Nadzija Gajic-Sikiric, M.D.), 2008.
Framework Design Guidelines, 2nd ed. (Cwalina and Abrams),
2008.
Enterprise Master Data Management: An SOA Approach to Managing
Core Information (Dreibelbis), 2008.
Tracing the Economic Transformation of Turkey from the 1920s to
EU Accession (Tevfik F. Nas), 2007.
Incentive Pay Programs: Opportunities and Challenges (2007)
Excellence at Work (2007)
American Education,
Democracy, and the Second World War (Dorn), 2007.
Missing Data: A Gentle Introduction (Figueredo, McKnight,
McKnight, and Sidani) , 2007.
Domain Specific Development with Visual Studio DSL Tools (Cook, Jones, Kent, Wills), 2007.
Federal Agents (Bumgarner), 2006.
Commercializing Great Products with Design for Six Sigma (Perry and Bacon), 2006.
Pattern Languages of Program Design 5 (Manolescu), 2006.
ASP.NET 2.0 Illustrated (Homer and Sussman), 2006.
Advanced Technologies in Biopharmaceutical Processing (Dutton
and Scharer), 2006.
Extrusion Detection: Security Monitoring for Internal
Intrusions (Bejtlich), 2005.
Core Security Patterns (Steel, Nagappan, and Lai), 2005.
The Linux Enterprise Cluster (Kopper), 2005.
The Feline Patient: Essentials of Diagnosis and Treatment, 3rd
ed. (Norsworthy), 2005.
Cisco Routers for the Desperate: Router Management, The Easy Way (Lucas), 2004.
Other projects include editing of:
Journal articles
Book proposals
Memoirs
"Esther coached, edited, commented, and offered constructive suggestions. Her ideas and comments were more helpful than those I received from colleagues. " John R. Schultz, consultant, writer, retired professor
"Esther was great! She was very informative and clear as to the reasons for changes she suggested. Very bright and intuitive, it was a pleasure working with her and hope to do so again soon."
"I am completely satisfied with her work, and the extra effort she made to understand what I needed. It felt like she was around the corner in regards to how quickly she responded." —Maria Flores (substance abuse counselor)
"Esther was very involved and enthusiastic editing my book. It was a pleasure working with her." —Nadzija Gajic-Sikiric (retired surgeon)
"I was VERY pleased with the whole experience from start to finish! I will definitely use this service again. The copyediting was very constructive and helpful. It was very easy to ask questions and get in contact with my consultant. Esther turned a stressful situation into a fun one. Thanks again!!!!"
Before STACEY DONOVAN became a professional editor more than 20 years ago, she worked in a literary agency where she learned how to say no more often than yes, and include reasons why. A stint in advertising followed, teaching her to tell it short and sweet, meet deadlines, and most important: never give up.
Donovan is a six-time published book author of both fiction and non-fiction. She has edited or ghostwritten more than a dozen published books for her clients. Two became New York Times Bestsellers, and another nominated for Best First Novel by International Thriller Writers. She is experienced in many genres: Contemporary/Mainstream; Caper/Detective; Erotica; Gay/Lesbian; Literary Fiction; Mystery; Psychological Thriller; Suspense; Women's Fiction; Young Adult; Memoir/Autobiography; Creative Nonfiction.
Specialties
Detailed critique/evaluation of your manuscript
Developmental/structural/stylistic edit of your manuscript
Complete revision of your manuscript
Collaborate with you in a mentoring capacity as you edit your manuscript
Collaborate with you on a query and/or synopsis when the manuscript is ready for publication
Determine with you which literary agent would be suitable for representation
Determine with you whether to pursue mainstream, small, or self-publishing
Consultation on your initial and/or ongoing Social Media strategy
Donovan is a writing coach, mentor, collaborator and ghostwriter. She has published dozens of non-fiction articles on design and art, and specialized in celebrity interviews with experts in their field. She is also a Publishing and Social Media strategist.
JOAN DUNAYER has been a professional editor for more than two decades. She has edited research papers, dissertations, journal articles, magazine articles, and books on a wide range of topics, including psychology, language, literature, education, politics, and medicine.
THESIS AND DISSERTATION EDITOR
APA FORMAT EXPERT
A graduate of Princeton University, Joan has master’s degrees in psychology, English education, and English literature. She has taught writing to high school, college, and university students. At the University of Pennsylvania, Joan taught classes on preparing psychology reports in APA format. In addition to being an expert in APA style, Joan is thoroughly familiar with Chicago and MLA styles.
Joan also has written professionally. Her articles and essays have appeared in magazines, journals, textbooks, and anthologies. Most of her writing has focused on literature, language, psychology, philosophy, and politics. For example, she has written the commentaries for new editions of twenty-one literary classics.
"My committee chair suggested that I have my dissertation professionally reviewed to insure that its formatting complied with the latest version of APA standards. Luckily I found Joan Dunayer. She was easy to work with, provided quick turn-around, realistic pricing, and suggestions that made my dissertation stronger. Her work made me confident that my dissertation would not be held up by the university’s APA police . . . And it wasn’t! I am pleased to say that I have now completed my doctoral journey." -- Edward Lisi, Northcentral University
"Joan has been very helpful with clarifying concepts throughout the whole chapters that she worked with me. She always made sharp comments which helped me to re-shape my thoughts and writings. Joan attended my request on specific things, and helped to make the whole documents in better shape. She was never late with giving me feedback. She is the best editor that I have ever worked with, and I am truthfully recommending her." -- (Contact information on request)
"Joan was excellent. She replied very quickly to my emails, and she was extremely helpful. Her knowledge and experience were invaluable to me. I think I received a wonderful value for the cost of the service. I would recommend her to anyone without reservation. Her honesty was helpful as well as her insight. I would have loved to have her as my graduate advisor." —Scott Carey
"Joan is an outstanding editor. She is timely, sincere, and honest with the work she provides. Before contacting Joan, I was frustrated and felt as if I was not going to meet my deadline for my proposal. Now, thanks to her professional consultation, my proposal is definitely on the right track."
"A fair price for high-quality work. I would highly recommend her to others seeking assistance for their dissertations. Thank you so much. Money well spent!")
"Joan did a very thorough review of my dissertation. Her expertise in grammar, punctuation, sentence structure, and most importantly APA formatting was invaluable to me. I would definitely use Joan again."
"Joan’s assistance with my dissertation proposal exceeded my expectations, and went beyond the reason for which I had originally contracted her services. Her comments and suggestions were on-target, insightful, and helped me to craft an even better document that was tighter, smoother, and more acceptable to my academic review board. I intend to ask for her services again prior to my dissertation submission."
"Joan did a very thorough review of my dissertation. Her expertise in grammar, punctuation, sentence structure and, most importantly, APA formatting was invaluable to me. I would definitely use Joan again."
“I consider myself a skilled writer, but I admit that after this experience I realize I have much to learn. I have never had my writing so effectively edited. Joan’s suggestions and revisions were masterfully crafted to retain and enhance the meaning of my writing. I will certainly ask Joan to help me craft future projects. I feel very fortunate to have found her.” —W.B. Elder, University of Utah
CAROL HEGBERG is an internationally published, award-winning writer and content editor. Her novel is entitled Pen Pals. Her poetry, scripts, short stories, and articles have been published in many magazines and books. Carol knows the endurance, tenacity, and patience a writer must possess to become published. Beginning writers, published authors, agents with needy clients, and publishers who need developmental editing for their writers use her services. She helps rewrite speeches, short stories or collections, articles, essays, and manuscripts. She helps develop inspirational, Christian, and picture-book manuscripts, children and young-adult fiction and nonfiction. She's available for writing help with manuscript submissions, query letters, and book proposals.
Developmental editing, rewriting, mentoring
Juvenile & young adult fiction/nonfiction, Christian topics
"Carol breathed life into my top-selling children's story with her wonderful way with words." Nancy S. Mure, author of Irregular Joe
LINDA HINES critiques, rewrites, and edits novels, business manuscripts, self-help books, short stories, essays, articles, biographies, and literary fiction. She has edited over 100 fiction and non-fiction works and wrote and produced articles as managing editor of a subscription-based, B2B newsletter. She specializes in subjects such as humor, mystery, business, current events and politics, psychology, holistic healing, organic gardening, nature and the environment, weight loss, fitness, health, diet and nutrition, spirituality, alternative healing.
Book editor, developmental critique
Fiction: genre fiction, young adult literature, literary fiction, mystery, suspense, psychological, crime, supernatural, action, adventure, short story
Nonfiction: business, self-help, self-improvement, how-to, memoir, personal essay, biography, alternative medicine, holistic healing, diet, nutrition, spirituality
"[F]riendly and professional. ... Any writer knows how important it is to have an editor who is approachable. Linda also displayed marvelous editing skills that enhanced my work and prepared it for the competitive publishing market. I used Linda's skills a second time, I was that impressed. It pays to have an editor who has updated knowledge about the publishing market. Most of all, I enjoyed working with Linda because she saw our partnership as a team."
SANDRA JUDD is an editor, proofreader, and indexer with more than 20 years of experience in the publishing industry. Her clients have included university presses, large, mainstream publishers, and smaller presses and professional organizations. She has edited or proofread over 300 published books, on topics that include politics, history, business, literary criticism, ethnic history, anthropology, science and medicine, industry manuals, memoirs, Christian and inspirational, parenting and relationships, humor, and fiction.
She has edited 20+ volumes in the Health Reference Series published by Omnigraphics, all published under her name as editor.
She has also edited professional journals and newsletters, business plans, scholarly articles being prepared for publication, economic plans to be distributed to the state legislature, and a number of dissertations.
She has prepared indexes for more than 30 published books.
She strives for precision in language and is devoted to making the author's voice heard.
Nonfiction: Inspirational, self-help, business, science and medicine, ethnology, history, political science, memoirs, scholarly/textbooks
"While I have never met Sandy Judd face to face, I have used her services as a copyeditor since 1997. She is easy to work with, extremely competent, and has helped me improve my writing skills. I will continue to use her services as long as she is available." -- Lewis C. Forrest, Ed.D., technical writer and published author, North Carolina
"As senior editor of a book publishing company, I used Sandy Judd’s services for several years as a proofreader and copyeditor. Her detail-oriented skills and her unfailing ability to meet deadlines kept her at the very top of my list." -- Kathryn Deering, Ann Arbor, Michigan
"I kept Sandra Judd as busy as she’d let me while I was senior editor at Servant Publications (1995–2001). She produced high-quality work on time and at reasonable cost. I highly recommend her." -- Heidi Hess Saxton, former senior editor, Servant Publications
TOM GRANT LEMONS is a successful novelist, editorial consultant, publisher, ghostwriter, and managing editor. His historical fiction has won awards and appeared on bestseller lists, and his novels have been translated and published in Germany, Sweden, the Netherlands, South Africa, and Poland.
Tom is passionate about the written word, and he is eager to bring his passion and expertise to your writing project. Authors Tom has worked with include Oliver North, T.D. Jakes, Bob Hamer, Joe Moscheo, and Hamilton Gayden. The fiction and nonfiction books Tom has worked on both as developmental editor and ghostwriter have been published by major houses including Broadman & Holman, Warner Faith Publishing, Hachette/Center Street, and Greenleaf Book Group.
A skillful editor or ghostwriter can help you refine your words, create a flow that will pull readers in, and still leave the work stamped unmistakably with your unique literary voice. Tom has been able to do this for dozens of books and authors during his writing and editing career. One author told him, “It’s like you were inside my head.” Another wrote in the acknowledgments to his book, “…to Tom … who ‘got it’ immediately, and without whom this book would not have happened.”
Developmental and substantive editing, both fiction and nonfiction;
“Tom is simply one of the finest men I've ever known and one of the best writers I've ever encountered. His combination of creativity, craftsmanship, integrity, and intelligence puts him at a level I've rarely seen.”—Gary Terashita, Executive Editor, B&H Publishing Group
“Tom is an exceptional editor. An author himself, Tom is meticulous and creative in his work as he expertly brings a writer's best ideas forward. Not only are his editorial abilities outstanding, he is also warm, patient, caring, and thus a joy to work alongside. I recommend him wholeheartedly!”—Edwina Barvosa, Associate Professor, University of California at Santa Barbara
HERBERT M. LEVINE is a freelance writer and editor (nonfiction). His publications include 36 books and more than 75 articles. Subjects include: American government, state and local government, world politics, terrorism, arms control, state and local government, public administration, civil liberties, gun control, illegal drugs, chemical and biological weapons, and immigration. His articles have appeared in newspapers, magazines, journals, and reference books (including an encyclopedia). He served as a consultant for book projects on counterterrorism and evaluated and edited the work of academics and former government officials for that project.
He holds a Ph.D. in public law and government from Columbia University. He taught political science for 20 years at the University of Southwestern Louisiana. He has edited numerous doctoral dissertations. He advised dissertation writers on the substance and style of their work and directed them to publishing markets. Dr. Levine is an expert in APA and Chicago writing requirements.
Copyediting, developmental editing
Academic and scholarly topics
Book proposals
Young adult nonfiction
"Herbert Levine was outstanding. His editing comments made it very clear that he spent a great amount of concentrated effort on the project, and he is clearly an exceptional scholar. He returned his comments 3 days before the deadline. I could not have asked for a better experience!" Laurie Sandefer
LORNA LYNCH has over twenty-five years of developmental editing experience and has worked on more than a hundred books to date. She also co-owned a monthly newspaper and wrote hundreds of articles. She has a tremendous instinct for what "works" and what doesn't in both fiction and non-fiction, and has guided numerous authors to publishing success. Her primary goal is to see that writing with some potential becomes writing with great potential, and she works closely with authors to achieve that goal.
Her area of expertise is character-driven fiction; however, she has edited books of all stripes, including political commentary, how-to books, humor, mysteries, romance novels, children's books, young adult fiction, detective novels, and psychological thrillers.
Developmental editing
Fiction: young adult, contemporary/mainstream, detective/crime, humor, literary fiction, mystery, romance, women’s fiction, short stories, thriller/espionage
"I was very happy with the job Lorna did for me. The edit was very sharp and the critique very detailed. She broke down the manuscript from top to bottom and all of her points were excellent. She not only focused on technical structure, but also the substance of the story. She pointed out many things that I would not have discovered on my own and she looked at the manuscript not only as an editor, but as a reader--which is very important. I would definitely use Lorna again as my editor." – Derek Lively, Diary of the Devil's Son
JIM McDONOUGH has edited books on such different subjects as translations from Greek and Latin prose and poetry, Roman history, Catholic schools, Jews and Gentiles in the ancient world, Martin Luther, World War II, the Bible, foreign phrases used in English contexts, and biography. He has also edited a medical dictionary, a historical novel on the First Crusade, and encyclopedia articles. He prefers the Chicago/Turabian style. When he receives a manuscript with great idea but less than ideal presentation of these ideas, he takes great delight in helping the author give form, organization, and polish to the work so as to increase its chances of publication and of getting the author's ideas across effectively to the public. He also enjoys helping persons with Ph.D.s prepare their dissertation or other research for publication by university presses and trade publishers.
MARK ORRIN, M.A., Johns Hopkins (Teaching Fellow, 1971), has authored ten published
books, scores of articles and poems, and taught writing on college and university levels. A seasoned publications
editor, he has also mentored numerous successful American and international authors and poets. During a career in fund
raising, Mark was considered one of America's leading copywriters, copy chiefs and creative/strategic consultants. He has
been listed in Who's Who In the West, Who's Who In America, Who's Who In Entertainment and The
Dictionary of International Biography.
Ghostwriting, mentoring, developmental editing, line editing
Non-fiction: memoirs, inspirational, public issues, self-help.
"Throughout our work and rework on my manuscript, Mark was encouraging and kind, and he never made me feel like the rookie I am (was). He never left me feeling like he knew more about the publishing industry than I did — he just continued to teach me in an incredibly thoughtful and gentle way, fine-tuning my work and imploring me to be the best I could be. ... At the moment there are ten agencies and two publishers who have responded favorably to my query (which you taught me how to write, I might add) about my novel. " – Gary Kaschak
JAMES POWELL is "a good literary surgeon," as one of his accomplished clients noted. As an editor of fiction and non-fiction, he views manuscripts with a broad, comprehensive vision and an eye for detail-for "the right word in the right place." Powell's editors will tell you that his books need no editing, as Powell is, himself, an editor. He will read your fiction with an eye to making it believable and your non-fiction with a knack for making it both convincing and engaging. His books and short stories have been translated into many languages and are known throughout the world. His list of publications includes The Tao of Symbols (Morrow 1982), Energy and Eros (Morrow 1985), The Prentice Hall Global Employment Guide (Prentice Hall 1983), Mandalas: The Dynamics of Vedic Symbolism (Sterling 1980), Derrida for Beginners (Writers and Readers 1996), Postmodernism for Beginners (Writers and Readers 1998), Eastern Philosophy for Beginners (2000), and Deconstruction for Beginners (2005), and Slow Love: A Polynesian Pillow Book (2008). His short story "The Silence of the Hummingbird" was published in Spanish in Revista Katharsis in Malaga, Spain and his journalism has appeared in the Santa Barbara Independent and Montecito Journal.
Books, memoirs, theses, and dissertations
APA and MLA formats
"The turnaround time was excellent. The work was fabulous!!" Nova University student.
"His editing really streamlined my ideas. Mr. Powell's service offered much needed support."
ARLENE ROBINSON has developed and edited 450+ full-length manuscripts in a variety of genres since 1996. Her clients include women's fiction author Angie Daniels, sociology professor Joyce Tang and college-success guide author Josh Richardson. The true crime memoir The Twelfth Man Standing received Turner Broadcasting Network's Trumpet Award in 2002, and 'PRESSIONS: Memoirs of a Southern Cat by Edith M. Holmes won the YOUnity Reviewers Guild Top Honor Award. Arlene welcomes new or published authors as clients, and enjoys helping journalistic, business and academic writers transform their writings into marketable, polished products for mainstream readers.
While not a professional humor writer, she could be. Arlene lives in the Deep South with her probation officer/journalist husband and two almost-adult sons, and looks forward to the day when her human offspring venture into the world as independently as she envisions her writings springing onto bookshelves.
Substantive and developmental editing, copyediting
Fiction and nonfiction critiques
Book layout and graphics
ESL Style Conversions ("Americanization")
"Arlene is everything you want in an editor: thorough, timely and accommodating. If it weren't for her, I certainly would not have landed a publisher for my manuscript. Not only was her editing topnotch, her advice on everything about publishing was very helpful. Arlene really cares about the work she does and it shows!" — Josh Richardson, Ahead of the Pack: Balancing Your Way to Personal Success in College, Thomson Delmar Learning
A. J. SOBCZAK is an editor, proofreader, and writer (business writing, business methods, business history, communication, literary analysis, fiction in various genres) with more than 25 years of experience in the publishing industry. He has edited nonfiction work, both articles and books, in a variety of fields, including various social sciences, technical research, and medical research. He has edited dozens of books and journals in the social sciences, research methods, mathematics, political science, psychology, business and management, history, and health and medicine, among other topics, and also has worked on several successful doctoral dissertations.
He is an expert in APA and Chicago styles and is on several publishers' lists of "go-to" editors for manuscripts with heavy math content. His fiction specialties include science fiction, fantasy, mystery, and young adult.
Writing, copyediting, developmental editing
Manuscript evaluations and critiques
Fiction: science fiction, horror, mystery, mainstream, short story
You may send your initial submission to all addresses to make sure it's received.
Required:
Submit the first 50 pages of your manuscript (Word/DOC or RTF
attachment preferred). Large files
should be zipped. Attachment not required if writing has not started
(e.g., because you're looking for a ghostwriter).
A sample is required to receive an estimate
for editing services
Along with a sample, the following information is required. Ignore questions that do not apply to your
project (e.g., footnotes).
(01) Word count of complete project (under "Tools" in MS Word):
(02) Put your 100-word (approx) synopsis/description here (or attach):
(03) Describe your genre and topic (e.g., nonfiction/self-help, science fiction,
horror, romance, mystery, Western, young adult, children, poetry, Christian, creative nonfiction, literary):
(04) Deadline date, if any, for return of complete project. (Please be realistic. Remember that professional editors usually have a project in process.):
(05) If you have no immediate deadline, when do you want to start the editing process?: (For instance: within 30 days, within 60 days, within 90 days, 4-12 months)
Copyediting / Proofreading / Line Editing (e.g., English corrections, typos, paragraph and sentence structure, word use)
Developmental (e.g., help with the big picture, such as flow/pacing, telling the story, characterization, structure, style)
Rewriting / Ghostwriting
Critique / Evaluation
(07) Number of charts/tables/pictures (if any):
(08) Writing style/format manual (e.g., Chicago Manual, APA, MLA), if applicable:
(09) Number of footnotes/references:
(10) Do you have a contract with an agent or publisher?:
(11) Do you plan to self-publish?:
(12) What is your budget for the entire project?
$ ________________
(Note: The editors will quote their regular rates, but having an idea of your budget allows the editors to tell you what services they can provide to stay within that budget.)
(13) Your name:
(14) E-mail addresses:
(15) Day/evening phone numbers (required -- in case the response to your e-mail bounces or the editors need clarification
regarding the scope of service needed, deadline, etc.):
(16) City, State, Country (or time zone):
(17) The name(s) of the editor(s)/writer(s) you'd like to contact.
(If no names are selected, your e-mail will be sent to several consultants chosen by the coordinator):
(18) Do you want the coordinator to reroute your submission if you requested editors/writers who (a) are not available by your deadline date, (b) do not handle the type of material you submitted, and/or (c) do not perform the service(s) you want?
(19) How did you learn about our service?:
(20) Attach the first 50 pages of your manuscript (include prologue/preface, proposal, query)
Notes:
No hidden charges
We won't quote you one price and charge you another. When possible, we'll provide you with a per-word or per-page rate so you'll know up front exactly
how much your project will cost. (Of course, we ask that you fairly represent the scope of your project.)
It is a mistaken notion that freelance editors work "on spec" (speculation) with no payment to the editor. It is basically asking the editor to work for free. There's no guarantee that a book will see a profit (or even be published). The editors posted here do not work on spec.
Note:Questions about price and turnaround times cannot be given over the phone or via chat.
To obtain a price quote please follow the procedures listed on our quotes page.
Contact live support if you do not receive a response within three hours (M-F, 9a-7p central). Expect longer response times if you submitted after U.S. business hours or on weekends.
You may also send your submission to our alternate e-mail addresses if you do not receive a response within three hours M-F:
Help2012 at Airmail.net
editingnetwork at gmail.com
contact at editing-writing.com
You may also leave voice mail for the network coordinator: 469-789-3030. This number is for verification of e-mail submissions only.
Please be as complete as
possible in representing your project's scope and size so you will receive
the most accurate estimate.
Disclaimer: Your agreement, whether oral or written, is with your editor or publishing consultant, not with the editing network as a whole or its coordinator.